Adventures of Huckleberry Finn (often
called
The Adventures of Huckleberry Finn
or shortened to
Huckleberry Finn or
simply
Huck Finn) is a novel by
Mark Twain, first published in December 1884.
Commonly recognized as one of the
Great American Novels, the work is
among the first in major American literature to be written in the
vernacular, characterized by
local color regionalism. It is told
in the first person by
Huckleberry
"Huck" Finn, best friend of
Tom
Sawyer and narrator of two other Twain novels.
The book is noted for its colorful description of people and places
along the
Mississippi River.
Satirizing a
Southern antebellum society that was already anachronistic
by the time the work was published,
Adventures of Huckleberry
Finn is an often-scathing look at entrenched attitudes,
particularly
racism. The drifting journey of
Huck and his friend
Jim, a
runaway
slave, down the Mississippi River on
their raft may be one of the most enduring images of escape and
freedom in all of
American
literature.
The work has been popular with readers since its publication and is
taken as a sequel to
The Adventures of Tom
Sawyer. It has also been the continued object of study by
serious literary critics. It was criticized upon release because of
its coarse language and became even more controversial in the 20th
century because of its perceived use of racial stereotypes and
because of its frequent use of the racial slur "
nigger."
Publication history
Twain initially conceived of the work as a sequel to
The Adventures of Tom
Sawyer that would follow Huck Finn through adulthood.
Beginning with a few pages he had removed from the earlier novel,
Twain began work on a manuscript he originally titled
Huckleberry Finn's Autobiography. Twain worked on the
manuscript off and on for the next several years, ultimately
abandoning his original plan of following Huck's development into
adulthood. He appeared to have lost interest in the manuscript
while it was in progress, and set it aside for several years. After
making a trip down the Mississippi, Twain returned to his work on
the novel. Upon completion, the novel's title closely paralleled
its predecessor's:
Adventures of Huckleberry Finn (Tom Sawyer's
Comrade).
Unlike
The Adventures of Tom Sawyer, Twain's
Adventures of Huckleberry Finn does not have the definite
article "the" as a part of its proper title. Essayist and critic
Philip Young states that this absence represents the "never
fulfilled anticipations" of Huck's adventures—while Tom's
adventures were completed (at least at the time) by the end of his
novel, Huck's narrative ends with his stated intention to head
West.
Mark Twain composed the story in pen on notepaper between 1876 and
1883. Paul Needham, who supervised the authentication of the
manuscript for Sotheby's books and manuscripts department in New
York in 1991, stated, "What you see is [Clemens'] attempt to move
away from pure literary writing to dialect writing". For example,
Twain revised the opening line of
Huck Finn three times.
He initially wrote, "You will not know about me," which he changed
to, "You do not know about me," before settling on the final
version, "You don't know about me without you have read a book by
the name of 'The Adventures of Tom Sawyer'; but that ain't no
matter." The revisions also show how Twain reworked his material to
strengthen the characters of Huck and Jim, as well as his
sensitivity to the then-current debate over literacy and
voting.
A later version was the first typewritten manuscript delivered to a
printer.
Huck Finn was eventually published on December 10, 1884,
in Canada and England, and on February 18, 1885, in the United
States. The American publication was delayed because someone
defaced an illustration on one of the plates, creating an obscene
joke. Thirty-thousand copies of the book had been printed before
the obscenity was discovered. A new plate was made to correct the
illustration and repair the existing copies.
In 1885, the
Buffalo Public
Library's curator, James Fraser Gluck, approached Twain to
donate the manuscript to the Library. Twain sent half of the pages,
believing the other half to have been lost by the printer. In 1991,
the missing half turned up in a steamer trunk owned by descendants
of Gluck. The Library successfully proved possession and, in 1994,
opened the Mark Twain Room in its Central Library to showcase the
treasure.
Plot summary
Life in St. Petersburg
The story begins in fictional St. Petersburg, Missouri, on the
Mississippi River. Two young boys,
Tom Sawyer and Huckleberry Finn, have each come into a considerable
sum of money as a result of their earlier adventures (
The Adventures of Tom
Sawyer). Huck has been placed under the
guardianship of the Widow Douglas, who,
together with her sister, Miss Watson, are attempting to "
sivilize [
sic]" him. Huck appreciates their efforts, but
finds civilized life confining. In the beginning of the story, Tom
Sawyer appears briefly, helping Huck escape at night from the
house, past Miss Watson's slave,
Jim. They meet up with Tom Sawyer's
self-proclaimed gang, who plot to carry out adventurous
crimes.
Huck's life is changed by the sudden appearance of his shiftless
father, "Pap," an abusive parent and drunkard. Although Huck is
successful in preventing his Pap from acquiring his fortune, Pap
forcibly gains custody of Huck and the two move to the backwoods
where Huck is kept locked inside his father's cabin. Equally
dissatisfied with life with his father, Huck escapes from the
cabin, elaborately fakes his own death, and sets off down the
Mississippi River.
The Floating House & Huck as a Girl
While living quite comfortably in the wilderness along the
Mississippi, Huck happily encounters Miss Watson's slave Jim on an
island called Jackson's Island, and Huck learns that he has also
run away, after hearing that Miss Watson intended to sell him
downriver, where conditions for slaves were even harsher.
Jim is
trying to make his way to Cairo, Illinois
, which is in a free state. At first, Huck is
opposed to Jim's trying to become a free man, but they travel
together, they talk in depth, and Huck begins to know more about
Jim's past and his difficult life. As these talks continue, Huck
begins to change his opinion about people, slavery, and life in
general. This continues throughout the rest of the novel.
Huck and Jim take up in a cavern on a hill on Jackson's Island to
wait out a storm. When they can, they scrounge around the river
looking for food, wood, and other items. One night, they find a
raft they will eventually use to travel down the Mississippi.
Later, they find an entire house floating down the river and enter
it to grab what they can. Entering one room, Jim finds Pap lying
dead on the floor, shot in the back while apparently trying to
ransack the house. He refuses to let Huck see the man's face and
does not reveal that it is Pap.
To find out latest news in the area, Huck dresses as a girl, Sarah
Williams, and goes into town. He enters the house of a woman new to
the area, thinking she won't recognize him. As they talk, she tells
Huck there is a $300 reward for Jim, who is accused of killing
Huck. She becomes suspicious of Huck's true gender, however, when
she sees he cannot thread a needle. She cleverly tricks him into
revealing he's a boy, and he manages to run off. He returns to the
island, tells Jim of the manhunt, and the two load up the raft and
leave the island.
The Grangerfords and the Shepherdsons
Shortly after missing their destination of Cairo, Huck and Jim's
raft is swamped by a passing steamship, separating the two. Huck is
given shelter by the Grangerfords, a prosperous local family. He
becomes friends with Buck Grangerford, a boy about his age, and
learns that the Grangerfords are engaged in a 30-year blood feud
against another family, the Shepherdsons. The Grangerfords and
Shepherdsons go to church. Both families bring guns to continue the
feud despite the preaching at the church being on brotherly
love.
The vendetta comes to a head when Buck's sister, Sophia
Grangerford, elopes with Harney Shepherdson. In the resulting
conflict, all of the remaining Grangerford males are shot and
killed, and upon seeing Buck's corpse, Huck is too devastated to
write about everything that happened. However, Huck does describe
how he narrowly avoids his own death in the gunfight, later
reuniting with Jim and the raft and together fleeing farther south
on the Mississippi River.
The Duke and the King
Further down the river, Jim and Huck rescue two cunning
grifters, who join Huck and Jim on the
raft. The younger of the two swindlers, a man of about thirty,
introduces himself as a son of an English
duke
(the
Duke of Bridgewater, which
the King later mispronounces as "Bilgewater") and his father's
rightful successor. The older one, about seventy, then trumps the
duke's claim by alleging that he is actually the
"Lost Dauphin", the son of
Louis XVI and rightful King of France.
The "Duke" and the "King" then force Jim and Huck to allow them to
travel on the raft, committing a series of
confidence schemes on the way south,
including the Royal Nonesuch, a crude "play" that angers the
townspeople who were fooled into seeing it and forces the Duke and
the King to flee the town and check if news of the Royal Nonesuch
has reached a new town before attempting more schemes there.
As these schemes unfold, Huck sees the attempted
lynching of a southern gentleman, Colonel Sherburn,
after Sherburn kills a harmless town drunk. Sherburn faces down the
lynch mob with a loaded rifle and forces them to back down after an
extended speech regarding what he believes to be the essential
cowardice of "Southern justice," the lynch mob. (This
vignette, which stands out as
disconnected from the remaining plot, is thought to represent
Twain's own contradictory and
misanthropic impulses — Huck, the outcast,
essentially flees from Southern society, while Sherburn, the
gentleman, confronts it, albeit in a brutal, destructive
fashion.)
The Duke and the King's schemes reach their peak when the two
grifters impersonate the brothers of Peter Wilks, a recently
deceased man of property. Using an absurd English accent, the King
manages to convince most of the townspeople that he and the Duke
are Wilks's brothers recently arrived from England, and proceeds to
liquidate Wilks's estate. Huck is upset at the men's plan to steal
the inheritance from Wilks's daughters and actual brothers, as well
as their actions in selling Wilks's slaves and separating their
families. To thwart their plans, Huck steals the money the two have
acquired and hides it in Wilks's coffin. Shortly thereafter, the
two con men are exposed when two other men claiming to be the
Wilks's true brothers arrive. However, when the money is found in
Wilks's coffin, the Duke and the King are able to escape in the
confusion, rejoining Huck and Jim on the raft.
Jim's escape
After the four fugitives flee farther south on their raft, the King
"captures" Jim and sells his interest in any reward while Huck is
away in a nearby town. Outraged by this betrayal Huck rejects the
advice of his "conscience," which continues to tell him that in
helping Jim escape to freedom, he is stealing Miss Watson's
property. Telling himself "All right, then, I'll go to hell!", Huck
resolves to free Jim.
Huck discovers, upon arriving at the house in which Jim is being
held, that the King has sold him in a bar for forty dollars. In a
staggering coincidence, Jim's new owners, Mr. and Mrs. Phelps, are
the Aunt and Uncle of Tom Sawyer, who is expected for a visit, and
Huck is mistaken for Tom himself, and plays along, hoping to find a
way to free Jim. Shortly after, Tom himself arrives, and pretending
to be his own younger brother Sid, agrees to join Huck's scheme.
Jim reveals the Duke and the King's involvement in the Royal
Nonesuch before the two rogues are able to set their confidence
game into motion. That night the Duke and King are captured by the
townspeople, and are
tarred and
feathered and
ridden out of town on
a rail.
Rather than simply sneaking Jim out of the shed where he is being
held, Tom develops an elaborate plan to free him, involving secret
messages, hidden tunnels, a rope ladder sent in Jim's food, and
other elements from popular novels, including a note to the Phelps
warning them of an Indian tribe stealing their runaway slave.
During the resulting pursuit, Tom is shot in the leg, and rather
than complete his escape, Jim attends to him and insists that Huck
find a doctor in town to treat the injury. This is the first time
that Jim demands something from a white person; Huck explains this
by saying "I knowed he was white on the inside...so it was all
right now." Jim and Tom are then captured and brought back by the
doctor.
Conclusion
After Jim's recapture, events quickly resolve themselves. Tom's
Aunt Polly arrives and reveals Huck's and Tom's true identities.
Tom announces that Jim has been free for months: Miss Watson died
two months earlier and freed Jim in her will, but Tom chose not to
reveal Jim's freedom so he could come up with an elaborate plan to
rescue Jim. Jim tells Huck that Huck's father has been dead for
some time and that Huck may return safely to St. Petersburg. In the
final narrative, Huck declares that he is quite glad to be done
writing his story, and despite Tom's family's plans to adopt and
"sivilize" him, Huck intends to flee west to
Indian Territory.
Major themes
Twain wrote a novel that embodies the search for freedom. He wrote
during the post-
Civil War period
when there was an intense
white
reaction against
blacks. Twain took
aim squarely against
racial
prejudice, increasing
segregation,
lynchings, and the generally accepted belief that
blacks were
sub-human. He "made it clear
that Jim was good, deeply loving, human, and anxious for
freedom."
Throughout the story, Huck is in moral conflict with the received
values of the society in which he lives, and while he is unable to
consciously refute those values even in his thoughts, he makes a
moral choice based on his own valuation of Jim's friendship and
human worth, a decision in direct opposition to the things he has
been taught. Mark Twain in his lecture notes proposes that "a sound
heart is a surer guide than an ill-trained conscience," and goes on
to describe the novel as "...a book of mine where a sound heart and
a deformed conscience come into collision and conscience suffers
defeat."
Reception
The publication of
Adventures of Huckleberry Finn resulted
in generally friendly reviews, but the novel was controversial from
the outset. Upon issue of the American edition in 1885 a number of
libraries banned it from their stacks. The early criticism focused
on what was perceived as the book's crudeness. One incident was
recounted in the newspaper, the
Boston Transcript:
The Concord (Mass.) Public Library committee has
decided to exclude Mark Twain's latest book from the library. One
member of the committee says that, while he does not wish to call
it immoral, he thinks it contains but little humor, and that of a
very coarse type. He regards it as the veriest trash. The library
and the other members of the committee entertain similar views,
characterizing it as rough, coarse, and inelegant, dealing with a
series of experiences not elevating, the whole book being more
suited to the slums than to intelligent, respectable
people.
Twain later remarked to his editor, "Apparently, the Concord
library has condemned Huck as 'trash and only suitable for the
slums.' This will sell us another five thousand copies for
sure!"
Many subsequent critics,
Ernest
Hemingway among them, have deprecated the final chapters,
claiming the book "devolves into little more than minstrel-show
satire and broad comedy" after Jim is detained. Hemingway declared,
"All modern American literature comes from"
Huck Finn, and
hailed it as "the best book we've had." He cautioned, however, "If
you must read it you must stop where the Nigger Jim is stolen from
the boys. That is the real end." (The term "Nigger Jim" never
appears in the novel but after appearing in
Albert Bigelow Paine's 1912 Clemens
biography, continued to be used by twentieth century critics,
including Leslie Fiedler, Norman Mailer, and Russell Baker.)
Pulitzer Prize winner
Ron Powers states in his Twain biography
(
Mark Twain: A Life) that "Huckleberry Finn endures as a
consensus masterpiece despite these final chapters," in which Tom
Sawyer leads Huck through elaborate machinations to rescue
Jim.
Much modern scholarship of
Huckleberry Finn has focused on
its treatment of race. Many Twain scholars have argued that the
book, by humanizing Jim and exposing the fallacies of the racist
assumptions of slavery, is an attack on racism. Others have argued
that the book falls short on this score, especially in its
depiction of Jim.
According to Professor Stephen Railton of the
University of
Virginia
, Twain was unable to fully rise above the
stereotypes of black people that white readers of his era expected
and enjoyed, and therefore resorted to minstrel show-style comedy to provide humor at
Jim's expense, and ended up confirming rather than challenging
late-19th century racist stereotypes.
Because of this controversy over whether
Huckleberry Finn
is racist or anti-racist, and because the word "
nigger" is frequently used in the novel, many have
questioned the appropriateness of teaching the book in the U.S.
public school system. According to the
American Library Association,
Huckleberry Finn was the fifth most frequently
challenged book in the United States
during the 1990s.
Adaptations
Film
- Huck Finn, a 1937
film produced by Paramount
- The Adventures of
Huckleberry Finn, a 1939 film starring Mickey Rooney
- The Adventures of
Huckleberry Finn, a 1954 film starring Thomas Mitchell and
John Carradine produced by CBS
([1843])
- The Adventures of
Huckleberry Finn a 1960 film directed by Michael Curtiz, starring Eddie Hodges and Archie
Moore
- The New
Adventures of Huckleberry Finn, a 1968 animated television
series for children
- Hopelessly Lost, a 1972
Soviet film
- Huckleberry
Finn, a 1974 musical film
- Huckleberry
Finn, a 1975 ABC movie of the week with
Ron Howard as Huck Finn
- Huckleberry
Finn, a 1976 Japanese anime with 26
episodes
- Huckleberry
Finn and His Friends, a 1979 television series starring
Ian Tracey
- Adventures of
Huckleberry Finn, a 1985 television movie
- The Adventures of
Con Sawyer and Hucklemary Finn, a 1985 ABC movie of the week with
Drew Barrymore as Con Sawyer
- The
Adventures of Huck Finn, a 1993 film starring Elijah Wood and Courtney B. Vance
- Huckleberry Finn
Monogatari, a 1994 Japanese anime
with 26 episodes
- Tomato Sawyer and Huckleberry
Larry's Big River Rescue, a VeggieTales parody of Huckleberry Finn created
by Big Idea Productions with
Larry the Cucumber as
the titular character.
- Tom & Huck
Stage
Literature
References
- Reif, Rita. Antiques: How Huck Finn was rescued. New York
Times, March 17, 1991
http://query.nytimes.com/gst/fullpage.html?res=9D0CE7D81E3DF934A25750C0A967958260
- [1]
- Mark Twain: Critical Assessments, Stuart Hutchinson,
Ed, Routledge 1993, p. 193
- For example, Shelley Fisher Fishin, Lighting out for the
Territory: Reflections on Mark Twain and American Culture (New
York: Oxford University Press, 1997).
- Stephen Railton, "Jim and Mark Twain: What Do Dey Stan' For?"
Virginia Quarterly Review 63 (1987).
- ALA | 100 Most Frequently Challenged Books of
1990-1999
External links