The Full Wiki

More info on Alfred Schnittke

Alfred Schnittke: Map


Wikipedia article:

Map showing all locations mentioned on Wikipedia article:

Alfred Garyevich Schnittke ( , November 24, 1934 - August 3, 1998) was a Russianmarker and Sovietmarker composer. Schnittke's early music shows the strong influence of Dmitri Shostakovich. He developed a polystylistic technique in works such as the epic First Symphony (1969-1972) and First Concerto Grosso (1977). In the 1980s, Schnittke's music began to become more widely known abroad. In the 1980s, he wrote his Second (1980) and Third (1983) String Quartets and the String Trio (1985); the ballet Peer Gynt (1985-1987); the Third (1981), Fourth (1984) and Fifth (1988) Symphonies; and the Viola (1985) and 1st Cello (1985-1986) Concertos. As his health deteriorated, Schnittke's music started to abandon much of the extroversion of his polystylism and retreated into a more withdrawn, bleak style.

Life and career

Schnittke's father was born in Frankfurtmarker to a Jewish family of Russian origin. He moved to the USSRmarker early in his life. His mother was a Volga German born in Russia.

Alfred Schnittke was born in Engelsmarker in the Volga-German Republic of the RSFSR, Soviet Unionmarker. He began his musical education in 1946 in Viennamarker where his father, a journalist and translator, had been posted. It was in Vienna, Schnittke's biographer Alexander Ivashkin writes, where "he fell in love with music which is part of life, part of history and culture, part of the past which is still alive.". "I felt every moment there," the composer wrote, "to be a link of the historical chain: all was multi-dimensional; the past represented a world of ever-present ghosts, and I was not a barbarian without any connections, but the conscious bearer of the task in my life." Schnittke's experience in Vienna "gave him a certain spiritual experience and discipline for his future professional activities. It was Mozart and Schubert, not Tchaikovsky and Rachmaninoff, whom he kept in mind as a reference point in terms of taste, manner and style. This reference point was essentially Classical ... but never too blatant."

In 1948, the family moved to Moscowmarker. He completed his graduate work in composition at the Moscow Conservatorymarker in 1961 and taught there from 1962 to 1972. Evgeny Golubev was one of his composition teachers. Thereafter, he supported himself mainly by composing film scores and composed nearly 70 scores in 30 years. Schnittke converted to Christianity and possessed deeply held mystic beliefs which influenced his music.

Schnittke was often the target of the Sovietmarker bureaucracy. His First Symphony was effectively banned by the Composers' Union, and after he abstained from a Composers' Union vote in 1980, he was banned from travelling outside of the USSR. In 1985, Schnittke suffered a stroke which left him in a coma. He was declared clinically dead on several occasions, but recovered and continued to compose. In 1990, Schnittke left Russia and settled in Hamburgmarker. His health remained poor, however, and he suffered several more strokes before his death on August 3, 1998 in Hamburg. He was buried, with state honors, at the Novodevichy Cemeterymarker in Moscow in which lie many other famous Russian composers, including Shostakovich.


Schnittke's early music shows the strong influence of Dmitri Shostakovich, but after the visit of the Italianmarker composer Luigi Nono to the USSR, he took up the serial technique in works such as Music for Piano and Chamber Orchestra (1964). However, Schnittke soon became dissatisfied with what he termed the "puberty rites of serial self-denial" and moved on to a new style which has been called "polystylism", where music of various different styles past and present are juxtaposed (the composer once wrote "The goal of my life is to unify serious music and light music, even if I break my neck in doing so"). The first concert work to use the polystylistic technique was the Second Violin Sonata, Quasi una sonata (1967-1968), but the influence of Schnittke's film work on his stylistic development is shown by the fact that much of the music of this work was derived from a score for the animation short The Glass Harmonica. He continued to develop the polystylistic technique in works such as the epic First Symphony (1969-1972) and First Concerto Grosso (1977), but also composed more stylistically unified works such as the Piano Quintet (1972-1976), written in memory of his recently deceased mother.

In the 1980s, Schnittke's music began to become more widely known abroad, thanks in part to the work of émigré Soviet artists such as the violinists Gidon Kremer and Mark Lubotsky. Despite constant illness, he produced a large amount of music, including important works such as the Second (1980) and Third (1983) String Quartets and the String Trio (1985); the Faust Cantata (1983), which he later incorporated in his opera Historia von D. Johann Fausten; the ballet Peer Gynt (1985-1987); the Third (1981), Fourth (1984) and Fifth (1988) Symphonies (the last of which incorporates his Fourth Concerto Grosso) and the Viola (1985) and 1st Cello (1985-1986) Concertos.

As his health further deteriorated, Schnittke's music started to abandon much of the extroversion of his polystylism and retreat into a more withdrawn, bleak style. The Fourth Quartet (1989) and Sixth (1992), Seventh (1993) and Eighth (1994) symphonies are good examples of this, and some Schnittke scholars such as Gerard McBurney have argued that it is the late works which will ultimately be the most influential parts of Schnittke's output. After a further stroke in 1994 left him almost completely paralysed, Schnittke largely ceased to compose, though some short works emerged in 1997 and also a Ninth Symphony whose score was almost unreadable because written with great difficulty with his left hand. This Ninth Symphony was first performed on 19 June 1998 in Moscow in a version deciphered - but also 'arranged' - by Gennadi Rozhdestvensky, who conducted the premiere. Schnittke heard a tape of this performance before his death and indicated he wanted it withdrawn. After his death the score was again deciphered, first by Nikolai Korndorf, who died before he could complete the task, and then continued and completed by Alexander Raskatov. In Raskatov's version the three orchestral movements of Schnittke's symphony may be followed by a choral fourth, which is Raskatov's own Nunc Dimittis (in memoriam Alfred Schnittke). This version was premiered in Dresden, Germany June 16, 2007. There is a further realization by Andrei Boreyko.

Selected works



  • Symphony No. 0 (1957)
  • Symphony No. 1 (1969-74)
  • Symphony No. 2 "St. Florian" (1979)
  • Symphony No. 3 (1981)
  • Symphony No. 4 (1983)
  • Symphony No. 5 [Concerto Grosso No. 4] (1988)
  • Symphony No. 6 (1992)
  • Symphony No. 7 (1993)
  • Symphony No. 8 (1994)
  • Symphony No. 9 (1996-97; reconstructed by Alexander Raskatov)

Other orchestral

  • Pianissimo (1968)
  • In Memoriam... (1977-78) (orchestral version of the Piano Quintet)
  • Passacaglia (1979-80)
  • Gogol Suite [Suite from 'The Census List'] (1980)
  • Ritual (1984-85)
  • (K)ein Sommernachtstraum (1985)
  • Symphonic Prelude (1994)
  • For Liverpool (1994)


Concerti grossi

  • Concerto Grosso No. 1, for two violins, harpsichord, prepared piano and strings (1976-77)
  • Concerto Grosso No. 2, for violin, violoncello and orchestra (1981-82)
  • Concerto Grosso No. 3, for 2 violins, harpsichord and strings (1985)
  • Concerto Grosso No. 4 [Symphony No. 5], for violin, oboe, harpsichord and orchestra (1988)
  • Concerto Grosso No. 5, for violin, offstage piano and orchestra (1991)
  • Concerto Grosso No. 6, for piano, violin and strings (1993)

Violin concertos

  • Concerto No. 1 for Violin and Orchestra (1957, revised 1963)
  • Concerto No. 2 for Violin and Chamber Orchestra (1966)
  • Concerto No. 3 for Violin and Chamber Orchestra (1978)
  • Concerto No. 4 for Violin and Orchestra (1984)

Piano concertos

  • Music for Piano and Chamber Orchestra (1964)
  • Concerto for Piano and Strings (1979)
  • Concerto for Piano Four Hands and Chamber Orchestra (1988)

Cello concertos

  • Concerto No. 1 for Violoncello and Orchestra (1986)
  • Concerto No. 2 for Violoncello and Orchestra (1990)

Viola concertos

  • Concerto for Viola and Orchestra (1985)
  • Monologue for Viola and Strings (1989)
  • Concerto for viola and small orchestra (1997)

Other instruments

  • Double Concerto for Oboe, Harp, and Strings (1971)
  • Konzert zu Dritt, for violin, viola, violoncello and strings (1994)

Choral music

  • Nagasaki (1958)
  • Voices of Nature (1972)
  • Requiem (1974-75)
  • Minnesang, for 52 voices (1981)
  • Seid Nüchtern und Wachet... [Faust Cantata] (1983)
  • Three Sacred Hymns (1983-84)
  • Concerto for Mixed Chorus (1984-85)
  • Psalms of Repentance / Penitential Psalms (1988)

Chamber music

  • Sonata No. 1 for violin and piano (1963; orchestrated, 1968)
  • Dialogue, for violoncello and 7 instruments (1965)
  • String Quartet No. 1 (1966)
  • Serenade for violin, clarinet, double-bass, piano and percussion (1968)
  • Sonata No. 2 for violin and piano "Quasi una Sonata" (1968; orchestrated, 1987)
  • Canon in Memoriam Igor Stravinsky, for string quartet (1971)
  • Suite in the Old Style, for violin and piano or harpsichord (1972)
  • Gradulationsrondo, for violin and piano (1973)
  • Hymns I-IV, for violoncello and ensemble (1974-79)
  • Prelude in Memoriam Dmitri Shostakovich, for 2 violins (1975)
  • Quintet for piano and strings (1972-76)
  • "Stille Nacht", arr. for violin and piano (1978)
  • Sonata No. 1 for violoncello and piano (1978)
  • Stille Musik, for violin and violoncello (1979)
  • Hommage to Stravinsky, Prokofiev and Shostakovich, for piano six hands (1979)
  • String Quartet No. 2 (1981)
  • Septet (1981-82)
  • A Paganini, for solo violin (1982)
  • String Quartet No. 3 (1983)
  • String Trio (1985, also arranged as Piano Trio, 1992)
  • String Quartet No. 4 (1989)
  • Madrigal in Memoriam Oleg Kagan, for solo violin or violoncello (1990)
  • Musica nostalgica, for violoncello and piano (1992)
  • Peer Gynt: Epiloque, for violoncello, piano and tape (1993)
  • Sonata No. 2 for violoncello and piano (1994)
  • Sonata No. 3 for violin and piano (1994)

Solo instrumental

  • Fuga for solo violin (1953)
  • Piano Sonata No. 1 (1987)
  • Klingende Buchstaben for solo cello (1988)
  • Five Aphorisms, for piano (1990)
  • Piano Sonata No. 2 (1990)
  • Piano Sonata No. 3 (1992)
  • Improvisation, for solo cello (1993)


  • Life with an Idiot, opera in 2 acts, libretto by Viktor Yerofeyev (1992)
  • Historia von D. Johann Fausten, opera in 3 acts and an epilogue, libretto by Jörg Morgener (Jurjen Köchel) and Alfred Schnittke (1991-1994)
  • Gesualdo, opera in 7 tableaus, a prologue and an epilogue, libretto by Richard Bletschacher (1993)


  • Labyrinths, ballet in five episodes. Libretto by Vladimir Vasilyev. (1971)
  • Sketches, ballet in one act. “Choerographic fantasia” by Andrei Petrov after the themes by Nikolai Gogol. (1985)
  • Peer Gynt, ballet in three acts by John Neumeier based on Henrik Ibsen’s drama (1988)


Further reading


  1. Ivashkin, 32.
  2. As quoted in Ivashkin, 32.
  3. Alexander Ivashkin, booklet notes to BIS-CD-1727 (2009).
  4. Stikhi Pokayanniye, as translated for instance by ECM Records [1] / or by Naxos Records [2]

External links

Embed code:

Got something to say? Make a comment.
Your name
Your email address