Alternate history or
alternative
history is a
subgenre of literary
fiction, though it often uses the tropes of
science fiction and
historical fiction that is set in a world
in which
history has diverged from the
actual history of the world. It is sometimes abbreviated
AH. Another occasionally-used term for the genre
is "allohistory" (lit. "other history").
Since the 1950s, this type of fiction has to a large extent merged
with science fictional
trope
involving cross-time travel between alternate histories or psychic
awareness of the existence of "our" universe by the people in
another; or ordinary voyaging uptime or downtime that results in
history splitting into two or more timelines. Cross-time,
time-splitting and alternate history themes have become so closely
interwoven that it is impossible to discuss them fully apart from
one another.
In
French and
German, alternate history novels are
called
uchronie. This
neologism
is based on the prefix
u- (as in the word
utopia, a place that does not exist) and the
Greek for time,
chronos. An
uchronie, then, is
defined as a time that does not exist, a "non-time."
Alternate history is related to but distinct from
counterfactual history - the term
used by some professional historians when using thoroughly
researched and carefully reasoned speculations on "what might have
happened if..." as a tool of academic historical research.
Definition
In writing an alternate history, the author makes the conscious
choice to change something in our past. According to
Steven H Silver, alternate history requires
three things: 1) the story must have a
point of divergence from the history of
our world prior to the time at which the author is writing, 2) a
change that would alter history as it is known, and 3) an
examination of the ramifications of that change.
Several genres of fiction have been confused as alternate
histories. Science fiction set in what was the future but is now
the past, like
Arthur C. Clarke's
2001: A Space Odyssey,
are not alternate history because the author has not made the
conscious choice to change the past.
Secret history, works that document things
which are not known to have happened historically but would not
have changed history had they happened, is also not to be confused
with alternate history.
History of alternate history literature
Antiquity and Medieval
The earliest example of an alternate history is Book IX, sections
17-19, of
Livy's
Ab Urbe condita. Livy
contemplated an alternative 4th Century BC in which
Alexander the Great expanded his empire
westward instead of eastward; Livy asked, "What would have been the
results for
Rome if she had been
engaged in war with Alexander?"
Joanot Martorell's 1490 epic romance
Tirant lo Blanc, written
when the loss of Constantinople
to the Turks was
still a recent and traumatic memory to Christian Europe, tells the
story of the valiant knight Tirant The White from Brittany who gets
to the embattled remnant of the Byzantine Empire, becomes a Megaduke and commander of its armies, and manages
to fight off the invading Ottoman armies of Mehmet II, save the city from Islamic conquest,
and even chase the Turks deeper into lands they had conquered
before.
19th century
One of the
earliest works of alternate history published in large quantities
for the reception of a popular audience may be the French Louis Geoffroy's Histoire de la Monarchie
universelle: Napoléon et la conquête du monde (1812-1832)
(History of the Universal Monarchy: Napoleon And The Conquest Of
The World) (1836), which imagines Napoleon's First
French Empire victorious in the French invasion of Russia in 1811
and in an invasion of England
in 1814,
later unifying the world under Bonaparte's rule.
In the
English language, the first
known complete alternate history is
Nathaniel Hawthorne's
short story "
P.'s
Correspondence", published in 1845. It recounts the tale of a
man who is considered "a madman" due to his perceiving a different
1845, a reality in which long-dead famous people are still alive
such as the poets
Burns,
Byron,
Shelley,
and
Keats, the actor
Edmund Kean, the British politician
George Canning and even
Napoleon Bonaparte.
The first novel-length alternate history in English would seem to
be
Castello Holford's
Aristopia (1895). While not as nationalistic
as
Louis Geoffroy's
Napoléon et
la conquête du monde, 1812-1823,
Aristopia is another
attempt to portray a utopian society.
In Aristopia,
the earliest settlers in Virginia
discover a
reef made of solid gold and are able to build a
Utopian society in North America.
Early 20th century and the era of the pulps
A number of alternate history stories and novels appeared in the
late 1800s and early 1900s (see, for example,
Charles Petrie's If: A Jacobite
Fantasy [1926]). In 1931, British historian
Sir John Squire collected a series of essays
from some of the leading historians of the period in the anthology
If It Had Happened
Otherwise. In this work, scholars from major universities
as well as important non-university-based authors turned their
attention to such questions as "If the Moors in Spain Had Won" and
"If
Louis XVI Had Had an Atom of
Firmness".
The essays range from serious scholarly
efforts to Hendrik Willem van
Loon's fanciful and satiric portrayal of an independent 20th
century Dutch city state on the island of Manhattan
. Among the authors included were
Hilaire Belloc,
André Maurois, and
Winston Churchill.
One of the entries in Squire's volume was Churchill's "If Lee Had
Not Won the Battle of Gettysburg", written from the viewpoint of a
historian in a world where the
Confederacy had won the
American Civil War, considering what would have happened if the
North had been victorious (in other words, a character from an
alternate world imagining a world more like the real one we live
in, although not necessarily getting all the details right). This
kind of speculative work which posts from the point of view of an
alternate history is variously known as a "recursive alternate
history", a "double-blind what-if" or an "alternate-alternate
history".
Another example of alternate history from this period (and arguably
the first to explicitly posit
cross-time travel from one universe
to another as anything more than a visionary experience) is
H.G. Wells'
Men Like Gods (1923) in which
several Englishmen are transferred via an accidental encounter with
a cross-time machine into an alternate universe featuring a
seemingly pacifistic and utopian Britain. When the Englishmen, led
by a satiric figure based on Winston Churchill, try to seize power,
the utopians simply point a ray gun at them and send them on to
someone else's universe. Wells describes a
multiverse of alternative worlds, complete with
the paratime travel machines that would later become popular with
U.S. pulp writers, but since his hero experiences only a single
alternate world this story is not very different from conventional
alternate history.
The 1930s would see alternate history move into a new arena. The
December 1933 issue of
Astounding published
Nat Schachner's "Ancestral Voices," quickly
followed by
Murray Leinster's
"
Sidewise in Time". While earlier
alternate histories examined reasonably straight-forward
divergences, Leinster attempted something completely different. In
his "world gone mad", pieces of Earth traded places with their
analogs from different timelines. The story follows Professor
Minott and his students from a fictitious Robinson College as they
wander through analogues of worlds that followed a different
history.
Time travel as a means of creating historical divergences
This period also saw the publication of the
time travel novel
Lest Darkness Fall by
L. Sprague de
Camp where an American academic travels to the Italy
of the
Ostrogoths at the time of the Byzantine
invasion led by Belisarius. De
Camp's work is concerned with the historical changes wrought by his
time traveler, Martin Padway, thereby making the work an alternate
history. Padway is depicted as making permanent changes and
implicitly forming a new time branch.
Time
travel as the cause of a point of divergence (creating two
histories where before there was one, or simply replacing the
future that existed before the time traveling event) has continued
to be a popular theme: in Bring
the Jubilee, by Ward Moore, the
protagonist, who lives in an alternate history in which the South
won the Civil War, travels through time and brings about a Union
victory in the Battle of Gettysburg
.
When a story's assumptions about the nature of time travel lead to
the complete replacement of the visited time's future rather than
just the creation of an additional time line, the device of a "time
patrol" is often used. Such an agency has the grim task of saving
civilization every day, every hour, with patrol members—depicted
most notably in
Poul Anderson's
"Time Patrol"--racing
uptime and downtime to preserve the "correct" history. This is
eventually revealed to be the one in which humanity transforms
itself into a benevolent super-species that, amongst other
achievements, creates time travel to ensure its own
existence.
This can lead to terrible moral dilemmas.
In Delenda Est, the interference of
time-travelling outlaws causes Carthage
to win the
Second Punic War and destroy
Rome
. As a result, there is a completely
different Twentieth Century -- "not better or worse, just
completely different". The hero, Patrol Agent Manse Everard, must
return to that period, fight the outlaws and change history back,
restoring his (and our) familiar history—but only at the price of
totally destroying the world which has taken its place, and which
is equally deserving of existence. The stakes are the highest
imaginable: billions of lives balanced against other billions of
lives, for one man to decide. "Risking your neck in order to negate
a world full of people like yourself" is how the hero describes
what he eventually undertakes.
A more recent example is
Making History by
Stephen Fry, in which a time machine is used to
alter history so that
Adolf Hitler was
never born. Despite this however, a different leader resulted in
Nazi Germany being more successful than it was under Hitler, with
the Germans winning World War II and now in a Cold War with the
United States.
Cross-time stories
H.G. Wells' "cross-time"/"many universes" variant (see above) was
fully developed by De Camp in his 1940 short story "
The Wheels of If" (
Unknown Fantasy Fiction, October
1940), in which the hero is repeatedly shifted from one alternate
history to another, each more remote from our own than the last.
This subgenre was used early on for purposes far removed from
quasi-academic examination of alternative outcomes to historical
events.
Fredric Brown employed it to
satirize the science fiction pulps and their adolescent readers—and
fears of foreign invasion—in the classic
What Mad Universe (1949). In
Clifford Simak's
Ring Around the Sun (1953),
the hero ends up in an alternate earth of thick forests in which
humanity never developed but where a band of mutants is
establishing a colony; the story line appears to frame the author's
anxieties regarding
McCarthyism and the
Cold War.
Also in the late 1940s and the 1950s, however, writers such as
H. Beam
Piper,
Sam Merwin, Jr. and
Andre Norton wrote thrillers set in a
multiverse in which all
alternate histories are co-existent and travel between them occurs
via a technology involving portals and/or paratime capsules. These
authors established the convention of a secret paratime trading
empire that exploits and/or protects worlds lacking the paratime
technology via a network of
James
Bond-style secret agents (Piper called them the "
paratime police").
This concept provided a convenient framing for packing a
smorgasbord of historical alternatives (and even of timeline
"branches") into a single novel, either via the hero chasing or
being chased by the villain(s) through multiple worlds or (less
artfully) via discussions between the paratime cops and their
superiors (or between paratime agents and new recruits) regarding
the histories of such worlds.
The paratime theme is sometimes used without the police;
Poul Anderson dreamed up the Old Phoenix
tavern as a nexus between alternate histories. A character from a
modern American alternate history
Operation Chaos can thus
appear in the English Civil War setting of
A Midsummer's
Tempest. In this context, the distinction between an alternate
history and a parallel universe with some points in common but no
common history may not be feasible, as the writer may not provide
enough information to distinguish.
Paratime thrillers published in recent decades often cite the
many-worlds
interpretation of
quantum
mechanics (first formulated by
Hugh
Everett III in 1957) to account for the differing worlds. Some
science fiction writers interpret the splitting of worlds to depend
on human decision-making and free will, while others rely on the
butterfly effect from
chaos theory to amplify random differences at
the atomic or subatomic level into a
macroscopic divergence at some specific point in
history; either way, science fiction writers usually have all
changes flow from a particular historical point of divergence
(often abbreviated 'POD' by fans of the genre). Prior to Everett,
science-fiction writers drew on higher dimensions and the
speculations of
P. D. Ouspensky
to explain their characters' cross-time journeys.
While many justifications for alternate histories involve a
multiverse, the "many world" theory would naturally involve many
worlds, in fact a continually exploding array of universes. In
quantum theory, new worlds would proliferate with every quantum
event, and even if the writer uses human decisions, every decision
that could be made differently would result in a different
timeline. A writer's fictional multiverse may, in fact, preclude
some decisions as humanly impossible, as when, in
Night Watch,
Terry Pratchett depicts a character
informing Vimes that while anything that can happen, has happened,
nevertheless there is no history whatsoever in which Vimes has ever
murdered his wife. When the writer explicitly maintains that
all possible decisions are made in all possible ways, one
possible conclusion is that the characters were neither brave, nor
clever, nor skilled, but simply lucky enough to happen on the
universe in which they did not choose the cowardly route, take the
stupid action, fumble the crucial activity, etc.; few writers focus
on this idea, although it has been explored in stories such as
Larry Niven's
All the Myriad Ways, where the reality of
all possible universes leads to an epidemic of suicide and crime
because people conclude their choices have no moral import.
In any case, even if it is true that every possible outcome occurs
in some world, it can still be argued that traits such as bravery
and intelligence might still affect the relative frequency of
worlds in which better or worse outcomes occurred (even if the
total number of worlds with each type of outcome is infinite, it is
still possible to assign a different
measure to different infinite sets).
The physicist
David Deutsch, a strong
advocate of the many-worlds interpretation of quantum mechanics,
has argued along these lines, saying that "By making good choices,
doing the right thing, we thicken the stack of universes in which
versions of us live reasonable lives. When you succeed, all the
copies of you who made the same decision succeed too. What you do
for the better increases the portion of the multiverse where good
things happen." This view is perhaps somewhat too abstract to be
explored directly in science fiction stories, but a few writers
have tried, such as
Greg Egan in his short
story
The Infinite Assassin, where an agent is trying to
contain reality-scrambling "whirlpools" that form around users of a
certain drug, and the agent is constantly trying to maximize the
consistency of behavior among his alternate selves, attempting to
compensate for events and thoughts he experiences but he guesses
are of low measure relative to those experienced by most of his
other selves.
Many writers—perhaps the majority—avoid the discussion entirely. In
one novel of this type, H. Beam Piper's
Lord Kalvan of Otherwhen, a
Pennsylvania State Police officer, who knows how to make gunpowder,
is transported from our world to an alternate universe where the
recipe for gunpowder is a tightly held secret and saves a country
that is about to be conquered by its neighbors. The paratime patrol
members are warned against going into the timelines immediately
surrounding it, where the country
will be overrun, but the
book never depicts the slaughter of the innocent thus entailed,
remaining solely in the timeline where the country is saved.
The cross-time theme was further developed in the 1960s by
Keith Laumer in the first three volumes of his
Imperium sequence, which would be completed in
Zone
Yellow (1990). Piper's politically more sophisticated variant
was adopted and adapted by
Michael
Kurland and
Jack Chalker in the
1980s; Chalker's
G.O.D.
Inc trilogy (1987-89), featuring
paratime detectives Sam and Brandy Horowitz, marks the first
attempt at merging the paratime thriller with the police procedural
. Kurland's
Perchance (1988), the
first volume of the never-completed "Chronicles of Elsewhen",
presents a multiverse of secretive cross-time societies that
utilize a variety of means for cross-time travel, ranging from
high-tech capsules to mutant powers. Harry Turtledove has launched
the
Crosstime Traffic series for
teenagers featuring a variant of H. Beam Piper's paratime trading
empire.
The concept of a cross-time version of a world war, involving rival
paratime empires, was developed in
Fritz
Leiber's Change War series, starting with the
Hugo Award winning
The Big Time (1958);
followed by
Richard C. Meredith's
Timeliner trilogy in
the 1970s,
Michael McCollum's
A
Greater Infinity (1982) and
John Barnes' Timeline Wars
trilogy in the 1990s.
Such "paratime" stories may include speculation that the laws of
nature can vary from one universe to the next, providing a science
fictional explanation—or veneer—for what is normally fantasy.
Aaron Allston's
Doc Sidhe and
Sidhe Devil take place between our world, the "grim world"
and an alternate "fair world" where the Sidhe retreated to.
Although technology is clearly present in both worlds, and the
"fair world" parallels our history, about fifty years out of step,
there is functional magic in the fair world. Even with such
explanation, the more explicitly the alternate world resembles a
normal fantasy world, the more likely the story is to be labeled
fantasy, as in Poul Anderson's "House Rule" and "Loser's
Night."
In both science fiction and fantasy, whether a given parallel
universe is an alternate history may not be clear. The writer might
allude to a POD only to explain the existence and make no use of
the concept, or may present the universe without explanation to its
existence.
Major writers explore alternate histories
In 1962,
Philip K. Dick published The Man in the High Castle,
an alternate history in which Nazi
Germany and Imperial
Japan
won World War
II. This book contained an example of
"alternate-alternate" history, in that one of its characters is the
author of a book in which the Allies won the war.
It was followed by
Vladimir
Nabokov's
Ada
or Ardor: A Family Chronicle (1969), a story of incest
that takes place within an alternate North America settled in part
by Czarist Russia, and that borrows from Dick's idea of
"alternate-alternate" history (the world of Nabokov's hero is
wracked by rumors of a "counter-earth" that apparently is ours).
Some critics believe that the references to a counter-earth suggest
that the world portrayed in
Ada is a delusion in the mind
of the hero (another favorite theme of Dick's novels). Strikingly,
the characters in
Ada seem to acknowledge their own world
as the copy or negative version, calling it "Anti-Terra" while its
mythical twin is the real "Terra." Not only history but science has
followed a divergent path on Anti-Terra: it boasts all the same
technology as our world, but all based on water instead of
electricity. When a character in
Ada makes a long-distance
call, all the toilets in the house flush at once to provide
hydraulic power.
Isaac Asimov's short story "
What If--" is about a couple who can explore
alternate realities by means of a television-like device. This idea
can also be found in Asimov's 1955 novel
The End of Eternity. In that novel,
the "Eternals" can change the realities of the world, without
people being aware of it.
The Plot Against
America (2004) by
Philip Roth
looks at an America where
Franklin
D. Roosevelt is defeated
in 1940 in his bid for a third term as President of the United
States, and
Charles Lindbergh is
elected, leading to increasing
fascism and
anti-Semitism in the U.S.
Michael Chabon, also generally not an
author of speculative fiction, contributed to the genre with his
2007 novel
The Yiddish
Policemen's Union.
This book explores a world in which the
State of
Israel
was destroyed in its infancy and many of the
world's Jews instead live in a small strip of
Alaska
set aside by the US government for Jewish
settlement. The story follows a Jewish detective solving
a murder case in the Yiddish-speaking city
of Sitka
.
Stylistically, Chabon borrows heavily from the
noir and
detective
fiction genres, while exploring social issues related to Jewish
history and culture.
Contemporary alternate history in popular literature
The late 1980s and the 1990s saw a boom in popular-fiction versions
of alternate history, fueled by the emergence of the prolific
alternate history author
Harry
Turtledove, as well as the development of the
steampunk genre and two series of anthologies—the
What Might Have Been series edited by
Gregory Benford and the
Alternate
... series edited by
Mike Resnick.
This period also saw alternate history works by
S.M. Stirling,
Kim Stanley Robinson,
Harry Harrison,
Howard Waldrop and others.
Since the late 1990s, Harry Turtledove has been the most prolific
practitioner of alternate history and has been given the title
"Master of Alternate History" by some. His books include the
Timeline-191 series, in which
Confederate States of America
won the
American Civil War, and
the
Tosev timeline series, in which
aliens invaded Earth during
World War
II.
Other stories by Turtledove include
A Different Flesh, in
which America was not colonized from
Asia during the last ice
age; In the
Presence of Mine Enemies, in which the Nazis won World War II; and Ruled Britannia, in which the Spanish Armada succeeded in conquering
Britain in the Elizabethan era, with
William Shakespeare being given
the task of writing the play that will motivate the Britons to rise
up against their Spanish
conquerors. He also co-authored a book with
actor
Richard Dreyfuss The Two Georges, in which the United
Kingdom retained the American colonies, with
George Washington and
King George III making
peace.
He
did a two-volume series in which the Japanese not only bombed Pearl
Harbor
but also invaded and occupied the Hawaiian
Islands.
Perhaps the most incessantly explored theme in popular alternate
history focuses on worlds in which the Nazis won World War Two. In
some versions, the Nazis conquer the entire world; in others, they
conquer most of the world but a "Fortress America" exists under
siege.
Fatherland (1992)
by
Robert Harris, set in
Europe following the Nazi victory, has been widely praised for
portraying a more believable society and series of events than most
other novels set in a world after a Nazi victory. Several writers
have posited points of departure for such a world but then have
injected time splitters from the future or paratime travel for
instance
James P. Hogan's
The Proteus Operation.
Norman Spinrad wrote
The Iron Dream in 1972, which is
intended to be a science fiction novel written by
Adolf Hitler after fleeing from Europe to North
America in the 1920s. In
Jo Walton's
"Small Change" series, the United Kingdom made peace with Hitler
before the involvement of the United States in World War II, and
fascism slowly strangled the UK. Former House Speaker
Newt Gingrich and
William R. Forstchen have written a novel,
1945, in which the
U.S. defeated Japan
but not
Germany
in World War II, resulting in a Cold War with
Germany rather than the Soviet Union. Gingrich and
Fortschen neglected to write the promised sequel; instead, they
wrote a trilogy about the American Civil War, starting with
Gettysburg: A
Novel of the Civil War, in which the Confederates win a
victory at the Battle of Gettysburg
.
Beginning with
The
Probability Broach in 1981,
L. Neil Smith
wrote several novels which postulated the disintegration of the
U.S. Federal Government during the
Whiskey Rebellion and the creation of a
libertarian utopia.
A recent time traveling splitter variant involves entire
communities being shifted uptime to be the founding fathers of new
time branches. These communities are transported either from the
present or the near-future to the past via a natural disaster, the
action of technologically advanced aliens, or a human experiment
gone wrong. S.M.
Stirling wrote the Island in the Sea of Time
trilogy, in which Nantucket
Island and all its modern inhabitants are
transported to Bronze Age times to become
the world's first superpower. In Eric Flint's 1632
series, a small town in West Virginia
is transported to 17th century Europe and leads a
revolution against the Habsburgs.
John Birmingham's Axis of Time trilogy deals with the culture
shock when a United Nations naval task force from 2021 finds itself
back in 1942 helping the Allies against the Empire of
Japan
and the Germans (and doing almost as much harm as
good in spite of its advanced weapons).
Alternate history in the contemporary fantasy genre
Many fantasies and science fantasies are set in a world that has a
history somewhat similar to our own world, but with magic added.
Since the existence of magic implies different laws of nature it is
difficult to imagine a credible point of divergence: The effects of
divergence would have existed throughout human history and indeed
throughout all evolution of life (unless one posits sudden changes
in the laws of nature in medieval or modern times brought about by
aliens, a time-space warp, etc.). One example of a universe that is
in part historically recognizable but also obeys different physical
laws is Poul Anderson's
Three Hearts and Three
Lions in which the
Matter of
France is history, and the fairy folk are real and powerful. A
partly familiar European history for which the author provides a
point of divergence is
Randall
Garrett's "
Lord Darcy"
series: a monk systemizing magic rather than science, so the use of
foxglove to treat heart disease is called
superstition.
Jonathan Strange
& Mr Norrell takes place in an alternate version of
England where a separate Kingdom ruled by the Raven King and
founded on magic existed in Northumbria for over 300 years. In
Patricia Wrede's Regency fantasies,
Great Britain has a Royal Society of Wizards, and in Poul
Anderson's
A Midsummer
Tempest William Shakespeare is remembered as the Great
Historian, with the novel itself taking place in the era of
Oliver Cromwell and
Charles I--and an earlier
Industrial Revolution.
The Tales of Alvin
Maker series by
Orson Scott
Card (a parallel to the life of
Joseph Smith, Jr., founder of
The Church of
Jesus Christ of Latter-day Saints) takes place in an alternate
America, beginning in the early 19th century. Prior to that time, a
POD occurred: England, under the control of Oliver Cromwell, had
banished "makers", or anyone else demonstrating "knacks" (an
ability to perform seemingly supernatural feats) to the North
American continent. Thus the early American colonists embraced as
perfectly ordinary these gifts, and counted on them as a part of
their daily lives. The political divisions of the continent is
considerably altered, with two large English colonies bookending a
smaller "American" nation, one aligned with England, and the other
governed by exiled
Cavaliers. Actual
historical figures are seen in a much different light: Ben Franklin
is revered as the continent's finest "maker", George Washington was
executed at the hands of an English army, and "Tom" Jefferson is
the first president of "Apallachee", the result of a compromise
between the Continentals and the British.
On the other hand, when the "Old Ones" still manifest themselves in
England in
Keith Roberts's
Pavane, which takes place in
a technologically backward world after a Spanish assassination of
Elizabeth I allowed the Spanish Armada to conquer England, the
possibility that the fairies were real but retreated from modern
advances makes the POD possible: the fairies really were present
all along, in a secret history. Again, in the English Renaissance
fantasy
Armor of Light by
Melissa Scott and Lisa A. Barnett,
the magic used in the book, by Dr.
John Dee and others, actually was
practiced in the Renaissance; positing a secret history of
effective magic makes this an alternate history with a POD, Sir
Philip Sidney's surviving the Battle
of Zutphen, and shortly there after saving the life of
Christopher Marlowe.
Many works of fantasy posit a world in which known practitioners of
magic were able to make it function, and where the consequences of
such reality would not, in fact, disturb history to such an extent
as to make it plainly alternate history. Many ambiguous
alternate/secret histories are set in Renaissance or
pre-Renaissance times, and may explicitly include a "retreat" from
the world, which would explain the current absence of such
phenomena.
When the magical version of our world's history is set in
contemporary times, the distinction becomes clear between alternate
history on the one hand and
contemporary fantasy, using in effect a
form of secret history (as when
Josepha
Sherman's
Son of Darkness has an elf living in New
York City, in disguise) on the other. In works such as
Robert A. Heinlein's
Magic, Incorporated
where a construction company can use magic to rig up stands at a
sporting event and Poul Anderson's
Operation Chaos and its sequel
Operation Luna, where djinns
are serious weapons of war—with atomic bombs—the use of magic
throughout the United States and other modern countries makes it
clear that this is not secret history—although references in
Operation Chaos to
degaussing
the effects of cold iron make it possible that it is the result of
a POD. The sequel clarifies this as the result of a collaboration
of Einstein and Planck in 1901, resulting in the theory of
"rheatics".
Henry Moseley applies this
theory to "degauss the effects of cold iron and release the goetic
forces." This results in the suppression of
ferromagnetism and the reemergence of magic
and magical creatures.
Alternate history shades off into other
fantasy subgenres when the use of actual,
though altered, history and geography decreases, although a culture
may still be clearly the original source;
Barry Hughart's
Bridge of Birds and its sequels take
place in a
fantasy world, albeit one
clearly based on China, and with allusions to actual Chinese
history, such as
the Empress Wu.
Richard Garfinkle's
Celestial Matters incorporates
ancient Chinese physics and Greek
Aristotelian physics, using them as if
factual.
A fantasy version of the paratime police was developed by
children's writer
Diana Wynne
Jones in her
Chrestomanci
quartet (1977-1988), with wizards taking the place of high tech
secret agents. Among the novels in this series,
Witch Week stands out for its vivid
depiction of a history alternate to that of Chrestomanci's own
world rather than our own (and yet with a specific POD that turned
it away from the "normal" history of most worlds visited by the
wizard).
Terry Pratchett's works includes several references to alternate
histories of
Discworld.
Men At Arms observes that in
millions of universes, Edward d'Eath became an obsessive recluse
rather than the instigator of the plot that he is in the novel. In
Jingo, Vimes accidentally
picks up a pocket organizer that should have gone down another leg
of the Trousers of Time, and so can hear the organizer reporting on
the deaths that would have occurred had his decision gone
otherwise. Indeed, Discworld contains an equivalent of the Time
Patrol in its
History Monks.
Night
Watch revolves around a repair of history after a time
traveler's murder of an important figure in Vimes's past.
Thief of Time presents them
functioning as a full-scale Time Patrol, ensuring that history
occurs at all.
Alternate history in other media
Radio
In 1953, the
NBC radio network aired a
show called
Stroke of Fate
that posited different point of divergence creating an alternate
time-line for each episode and dramatized the results along with
commentary from various historians.
Episodes included changes in the American
Civil War, Alexander the Great surviving his illness, an alternate
fate for James Wolfe at Quebec City
, no Julius Caesar
assassination, a different outcome of Aaron
Burr's duel amongst other stories. All episodes have
been preserved.
The idea of an alternate history was used for satiric and comedic
effect in the BBC Radio comedy
Married. The protagonist, a
confirmed bachelor, awakes one morning in a world where he has a
wife and two children, and people familiar to him are radically
changed. One historical divergence in this world, exploited mostly
for comedy, was the decision of
King Edward VIII not to
abdicate in 1936. His heirs were a King Richard and a King John,
the latter of whom was openly homosexual.
Films
Several films have been made that exploit the concepts of alternate
history, most notably
Kevin
Brownlow's
It Happened
Here (1966), depicting a Nazi-occupied Britain. Other
alternate history films include the HBO TV movie
Fatherland
(1994), set in the 1960s in a world where Germany won World War II.
Although foretelling a world where Germany is poised to be defeated
in World War II,
Quentin
Tarantino's Inglourious Basterds
offers a satirical revenge fantasy where a plot to assassinate
Adolf Hitler succeeds.
Alternate histories in film are sometimes presented as
mockumentaries to provide
verisimilitude to fictional
events, including
C.S.A.: The
Confederate States of America (2004), a satirical look at
the history of an America where the South won the Civil War; and
Death of a President
(2006), about the assassination of President
George W. Bush
and its repercussions.
Other examples of cinematic alternate history are:
Battle Royale (2000) and
Battle Royale II:
Requiem (2003), Japanese films which depict an alternate
history of Japan where a law known as the "Millennium Educational
Reform Act" had been passed;
2009
Lost Memories (2002), a Korean film supposing that
Hirobumi Ito was not assassinated by
An Jung-geun in Harbin, China, in 1909;
and
Timequest (2002), in
which a time traveler prevents the assassination of
John F. Kennedy, resulting in an altered
subsequent history.
A few movies about alternative universes focus on individuals
rather than historical events, for example,
Frank Capra's
It's a Wonderful Life, and more
recently the
Back to the
Future series of films,
Blind Chance,
Sliding Doors,
Run Lola Run,
Me Myself I,
The Butterfly Effect, and
Frequency.
Television
Several TV series also exploit the concept of alternate history.
The science fiction
television show
Sliders presented alternate
histories under the science-inspired guise of quantum-navigating
the
multiverse. The alternate
Americas in most episodes are nasty
dystopias, although sometimes this is not evident
at first.
Other non-alternate history television shows have explored the
concept.
Star Trek has used the
theme several times. Examples include: TOS - "City on the Edge of
Forever" (alternate World War II outcome); Animated Series-
"Yesteryear"; NG - "Yesterday's Enterprise". Also, the universe of
"Mirror, Mirror", while in the original episode was just implied to
be a
parallel universe,
was in later episodes shown to have an alternate history.
The British TV series
Doctor Who
had a few episodes that involved an alternate Earth where
Pete Tyler, father of
Rose
Tyler, was alive, successful, and rich, unlike the Pete Tyler
on the original Earth, who died when Rose was a baby and had been
unsuccessful in business.
The Tenth
Doctor, Rose, and
Mickey Smith
visited the alternate Earth by accident in "
Rise of the Cybermen" and "
The Age of Steel". The second season finale
"
Army of Ghosts" and "
Doomsday" also involved travel to the
same alternate Earth, and the series four episode "
Turn Left" showed an alternate
history where the Tenth Doctor has been killed. During the
Third Doctor's tenure he visited an alternative
Earth with a fascist-style British Government (and fascist
counterparts of His friends/companions
Liz
Shaw,
Brigadier
Lethbridge-Stewart and
Sergeant
Benton) in
Inferno.
In the seventies SF children's series
The Tomorrow People, "A Stitch in Time"
(1974) depicted an attempted historical change by
time travellers from an alternate-universe
Roman Empire which developed
steam engines in the first century CE, never
fell as a result, had a fifteen hundred year technological
head-start over our own world and by its 'twentieth century',
controlled a galactic empire.
In the
Twilight Zone episode
"
The Parallel", an astronaut is
transported to an alternate Earth where history plays out
differently, but no-one believes him when he discovers this.
Various
anime productions have also used the
genre:
- Zipang (based on a manga of the same name), involves a modern Aegis class destroyer of the Japan Maritime Self-Defense
Force being thrown back in time to the Battle of
Midway
in 1942. The presence of the ship and its
crew, their advanced technology and knowledge of the future, change
the course of World War II and create an alternate timeline.
- Code Geass depicts an
alternate history in which an empire known as Britannia has
colonized Japan.
- Konpeki no Kantai
(lit. Deep Blue Fleet) depicts a hyper-advanced
Japanese navy defeating the United States
in World War II.
Subsequently, Japan, Britain and the United States join forces to
defeat Nazi Germany.
Role-playing games
The dramatic possibilities of alternate history provide a diverse
genre for exploration in
role-playing
games.
Many games use an alternate historical background for their
campaigns. In particular, the fourth edition of
GURPS uses a setting containing multiple
different alternate histories as its default campaign setting, with
the supplement
GURPS Infinite
Worlds detailing a large number of alternate worlds
included in the setting, many of them carryovers from the
third-edition
GURPS supplements
GURPS Alternate Earths and
GURPS Alternate Earths
II.
Video games
For the same reasons that this genre is explored by role-playing
games, alternate history is also an intriguing backdrop for the
storylines of many
video games. A famous
example of an alternate history game is
Command & Conquer: Red
Alert (1996).
It presents a point of divergence where
Albert Einstein goes back in time to
prevent World War II from ever taking place by erasing Adolf Hitler from time after he is released
from Landsberg
Prison
in 1924. He is successful in his mission, but in the
process allows Joseph Stalin and the
Soviet
Union
to become powerful enough—as a direct result of not
having a strong rival dictator like Hitler to keep his power in
check—to launch a massive campaign to conquer Europe, sparking an
alternate (and ultimately costlier) version of the Second World War
and, eventually, World War III not once but twice: one where the U.S.S.R.
invades the continental U.S in the 1970s, and a second where a small group
of Soviet leaders, attempting to preempt their defeat, go back in
time and eliminate Einstein but end up in a conflict with both the
West and a third Japanese side.
Crimson Skies is one example
of an alternate history spawning multiple interpretations in
multiple genres.
The stories and games in Crimson
Skies take place in an alternate 1930s United States
, where the nation crumbled into many hostile states
following the effects of the Great
Depression, the Great War, and
Prohibition. With the road and
railway system destroyed, commerce took to the skies. Great cargo
zeppelins escorted by fighter squadrons are
the targets of many ruthless air pirates and enemy countries. This
world has featured in a board game, a PC game, an
Xbox game, a collectible miniature game and various
promotional novels, comics and short stories.
The game
Freedom
Fighters portrays a situation similar to that of the movie
Red Dawn and the game
Red
Alert 2, though less comically than the latter.
In it, the point of
divergence is during World War II, with
the Soviet
Union
first to develop an atomic weapon, which they
immediately use on Berlin
. With
the balance of power and influence tipped in Russia's favor,
history diverges; brief summaries at the beginning of the game
inform the player of the Communist bloc's complete takeover of
Europe by 1953, a different ending to the
Cuban Missile Crisis, and the spread of
Soviet influence into South America and Mexico. The plot of the
game revolves around a Soviet invasion of the United States and the
resistance fighting in New York City.
Similarly, the 2007 video game World in Conflict is set in 1989,
with the Soviet
Union
on the verge of collapse. The point of
divergence is several months before the opening of the game, when
Warsaw Pact forces staged a desperate
invasion of Western Europe.
As the game begins, a Soviet invasion force
lands in Seattle
, taking advantage of the fact that most of the
military is in Europe. The game is divided into three parts: the
first focuses on the fighting retreat from Seattle towards Fort
Teller in the Cascade Mountains;
the second is a flashback to the recent fighting in Europe, which
culminated in a Soviet attack on Manhattan
; the third chronicles the fight to retake Seattle
before a Chinese
fleet arrives and forces the President to detonate
a nuclear weapon to destroy the invaders. Turning Point: Fall of
Liberty, released in February 2008, is an alternate
history game in which
Winston
Churchill died in 1931, Europe and North Africa fell to the
Nazis, and the
Axis
won
World War II and have invaded the
United States. Another alternate history game involving Nazis is
War Front: Turning
Point in which Adolf Hitler died during the early days of
World War II and thus, a much more effective leadership rose to
power. Under the command of this new Führer (who is referred to as
"Chancellor", and his real name is never revealed),
Operation Sealion succeeds and The Nazis
successfully conquer Britain, sparking a cold war between the
Allied Powers and Germany.
Another example of alternate history is the
PS3
game
Resistance: Fall of
Man, in which World War II didn't happen, due to the
absence of American forces in
World War
I, meaning there was no
Great
Depression or
Treaty of
Versailles. This explains the game's lack of nuclear offensive
capabilities against the
Chimera, an army of
humans infected by an alien virus.
The
Fallout Series of computer role
playing games is set in a divergent America, where history after
World War II diverges from the real world to follow a
retro-futuristic timeline. For example,
fusion power was invented quite soon
after the end of the second world war, but the
transistor was either delayed or never was
developed. The result was a future that has a 1950s 'World of
Tomorrow' feel to it, with extremely high technology such as
artificial intelligence
implemented with
thermionic valves
and other technologies now considered obsolete.
Iron Storm is a first person shooter set
in 1964; it is the 50th year of the Great War, as it never ended
and international corporations sell stocks as if "betting" on an
outcome. Since profits are so great, they continually press for
stalemate to keep the conflict in an ongoing cycle of minor
advances and losses.
Comic books
Alternate history has also appeared in comic books. An early
example is
Captain
Confederacy, which is set in a world where the Confederate
States of America won its independence and has created a
Captain America-type superhero for
propaganda purposes.
Influential comic writers have also used an alternate history as
the background to their story.
Alan
Moore's 1986 comic series
Watchmen is set in an alternate United States
that not only has costumed adventurers as commonplace fixtures
within American society, but also contains other alternate history
elements including an American "victory" in the
Vietnam War and
Richard
Nixon serving five terms as president.
Recently there has
been Warren Ellis's 2001 comic mini-series Ministry of Space where soldiers and
operatives of the United Kingdom reached the German rocket
installations at Peenemünde
ahead of the U.S. Army and the
Soviets.
There
have also been alternative history webcomics like Roswell, Texas, which diverges
when Davy Crockett survived the
Alamo
, leading to the expansion of Texas.
The two largest American comic book publishers,
Marvel and
DC, have
their own titles where they can tell alternative stories based on
their own characters (
What
If...? and
Elseworlds,
respectively). Most set the stories in different times or base them
on different genres with some based on a divergence in their
fictional history. However, some are genuine alternate histories,
with
Batman: Holy
Terror based on the premise that
Oliver Cromwell lived for another
decade.
In 2009,
Bryan Talbot created
Grandville, a
graphic novel set in a world mostly populated
by
anthropomorphic animals, in
which France won the
Napoleonic
Wars, invaded Britain and
guillotined
the
British Royal Family.
Grandville also features elements of
steampunk.
See also
References
- Brave New Words: The Oxford Dictionary of Science
Fiction (Oxford University Press, 2007) notes
the preferred usage of "Alternate History" as well as its primacy
in coinage, "Alternate History" was coined in 1954 and "Alternative
History" was first used in 1977, pp.4-5.
- Allohistory Michael Quinion, World Wide Words.
2002-05-04.
- Ab Urbe Condita Titus Livius, Book
9.
- "If: A Jacobite Fantasy" by Charles Petrie
- Churchill...and War. The Churchill Centre.
- Men like Gods on Project Gutenberg
- "Taming the Multiverse". 2001-06-14.
- "Master of Alternate History" by Melissa Mia Hall --
Publishers Weekly, 4/7/2008
Further reading
- Chapman, Edgar L., and Carl B. Yoke (eds.). Classic and
Iconoclastic Alternate History Science Fiction. Mellen,
2003
- Collins, William Joseph. Paths Not Taken: The Development,
Structure, and Aesthetics of the Alternative History.
University of California at Davis 1990
- Robert Cowley (ed.), What If? Military historians
imagine what might have been. Pan Books, 1999.
- Gevers, Nicholas. Mirrors of the Past: Versions of History
in Science Fiction and Fantasy. University of Cape Town,
1997
- Hellekson, Karen. The Alternate History: Refiguring
Historical Time. Kent State University
Press, 2001
- Keen, Antony G. "Alternate Histories of the Roman Empire in
Stephen Baxter, Robert Silverberg and Sophia McDougall."
Foundation:
The International Review of Science Fiction 102, Spring
2008.
- McKnight, Edgar Vernon, Jr. Alternative History: The
Development of a Literary Genre. University of North Carolina
at Chapel Hill 1994
- Nedelkovh, Aleksandar B. British and American Science
Fiction Novel 1950-1980 with the Theme of Alternative History (an
Axiological Approach). 1994 (Serbian), 1999 (English)
- Rosenfeld, Gavriel
David. The World Hitler Never Made. Alternate
History and the Memory of Nazism. 2005
- Rosenfeld, Gavriel David. "Why Do We Ask 'What If?' Reflections
on the Function of Alternate History." History and Theory
41, Theme Issue 41 (December 2002), 90-103
External links
Interactive sites
Non-interactive sites