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Francisco de Assis Chateaubriand Bandeira de Melo, or Assis Chateaubriand, (1892-1968) was a Brazilianmarker lawyer, journalist and politician. He was born in Umbuzeiro, state of Paraíbamarker, on October 4, 1892, and died on April 4, 1968, in São Paulomarker. He was one of the most influential public figures in Brazil during the 1940s and the 1950s, becoming notable as a journalist, an entrepreneur, an arts patron as well as a politician. He was also a lawyer and Professor of Law, writer and member of the Brazilian Academy of Letters.

Chateaubriand was a media mogul in Brazil between the late 1930s and the early 1960s and the owner of Diários Associados, a conglomerate that has counted in its peak with more than a hundred newspapers, radio and TV stations, magazines and a telegraphic agency. He is also known as the co-creator and founder, in 1947, of the São Paulo Museum of Artmarker (MASP), together with Pietro Maria Bardi, and yet as the responsible for the arrival of television in Brazil in 1950, inaugurating then the first Brazilian TV channel, TV Tupi of São Paulo. He was Senator of the Republic between 1952 and 1957.

An often polemic and controversial figure, hated and feared, Chateaubriand has also been nicknamed “the Brazilian Citizen Kane” and accused of unethical behavior, for allegedly blackmailing companies that didn’t place ads in his media vehicles, and for insulting entrepreneurs with lies, like industry owner Francisco Matarazzo Jr. . His empire would have been built based on political interests and agreements, including tumultuous but profitable ties with Brazilian President Getúlio Vargas.


Assis Chateaubriand (nicknamed Chatô) was founder and director of the then main press chain of Brazil, the Diários Associados: 34 newspapers, 36 radio stations, 18 television stations, one news agency, one weekly magazine (O Cruzeiro), one monthly magazine (A Cigarra) as well as many magazines for children.

Chateaubriand began as a journalist at the age of 15, working for the newspaper Gazeta do Norte. He also wrote for Jornal Pequeno and Diário de Pernambuco. In 1917, having moved to Rio de Janeiromarker, he worked for Correio da Manhã. In this newspaper, he would publish his impressions about his trip to Europe, in 1920.

In 1924, Chatô became the director of O Jornal. This was his first step toward building his press empire, to which were added important newspapers from Brazil, such as Diário de Pernambuco (the oldest newspaper in Latin America) and Jornal do Commercio (the oldest newspaper in Rio de Janeiro). On the following year, a newspaper from São Paulomarker was added to his press conglomerate: Diário da Noite.

From a meager and troublesome youth in the northeast of Brazil - he only learned how to read at the age of 10 - Chateaubriand followed the trail of a self-made man into a position of quasi monopoly in Brazilian press. In the state of Pernambuco, as a young lawyer, he rapidly grew to fame through a series of verbal clashes, or polemics, with political and literary figures. At the same time, he managed, still in his twenties, to become Professor of Roman Law at the Law Faculty of Recife, after a hard fought examination, being formally appointed for the post only after various clashes with the state's politicos, among them General Dantas Barreto and Dr. Manuel Borba. During his struggle he made powerful friends and allies in Rio de Janeiro. What finally settled the battle was a telegram from the president of the republic, Wenceslau Brás, on December 8th, 1915. His stunning victory at attaining the position as professor further became a platform for his even more ambitious goal; to own a newspaper of his own by the age of thirty. Intelligent, learned , hard-headed and stubborn, he soon earned a reputation as a self-made man, who had no scruples about approaching and lobbying for influential people who might be serviceable to his personal interests; already as a teenager, he had already made friends with the powerful local family of industrialists Lundgren.

After moving to Rio, Chateaubriand worked as a journalist and lawyer, and it was in the latter capacity that he made friends with influential people, specially magnates connected with the interests of foreign corporations who wanted hedging through lobby against nationalist politics, among them the publics utilities trust Light & Co's CEO Alexander McKenzie and the American mining magnate Percival Farqhuar.After becoming a press tycoon, he eventually combined undeniable journalist feeling with a totally unscrupulous behaviour, having as the main tool for money making the most extensive use of libel and blackmail, directed against magnates and authorities: in the promotion of his pet projects - as in his campaign for the building of airports and training of pilots across Brazil - he would resort for to any means whatsoever, having even ordered his thugs to shoot a German businessman who refused to be blackmailed by him. Later in life, he would furbish his São Paulo Museum of Art (MASP) with a whole collection of old European masters' works purchased at bargain prices in impoverished post-WW II Europe, by using funds extorted through blackmail from various Brazilian businessmen. Chateaubriand never made a great secret about his peculiar business strategies: "excellency in business means buying without money" he once allegedly said.

Historical influence

If one man is to be pointed out as having formed the basis for a modern Brazilian press and mass culture, it has to be Francisco de Assis Chateaubriand Bandeira de Melo. His power over Brazilian media - as well as his lack of scruple, his upstart drive and gangster-like ethos -during his height from the 1920s and well into the '60s can be compared to that of William Randolph Hearst in the in USA. Chateaubriand was one of the most influential individuals in Brazilian history. He was known for having strong ties to the current leaders within both politics and economy. With a career as solicitor, journalist, media mogul, ambassador and senator, he often was the decisive drop on the scale of political campaigns and decisions. He was part of the creation of presidents and the undisputed ruler of Brazilian press. At the same time, he always lacked a clear ideological agenda - except for being a staunch partisan of the untrammeled Free Market and of consented submission to imperialist interests. At the end of his life - specially after a stroke in 1960, that left him speechless, using a wheelchair and communicating with others mostly by means of notes typed in an specially adapted typewriter - he had become a clownish shadow of himself, "a blackmailer who acted as an interloper in the power game of the ruling class". His media empire, after decades of personal mismanagement, quickly became a rump after his death. In the new ambience of a modernized Brazil, he was quickly dislocated by the new profissionally managed, streamlined, more ideologically coherent and at the time military dictatorship-friendly Rede Globo.



  • Morais, Fernando (1994). Chatô - O rei do Brasil (1st ed.). São Paulo: Editora Schwarcz LTDA (Cia. das Letras). ISBN 85-7164-396-2.

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