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Ben Bagley
Ben Bagley (October 18 1933, Burlington, VermontmarkerMarch 21, 1998) was an Americanmarker musical theatre and record producer.

Bagley moved to New York Citymarker during the early 1950s, and at age 22 he produced his first hit, Shoestring Revue, starring (among others) Beatrice Arthur and Chita Rivera (and, later, Jane Connell), and with songs by Charles Strouse, Lee Adams, June Carroll, and Sheldon Harnick.

The glowing notices from Shoestring enabled him to mount a more lavish and sophisticated revue the following year, The Littlest Revue. This featured the young, unknown Joel Grey, Larry Storch, and Charlotte Rae; as well as Tammy Grimes making her off-Broadway debut. Contributing lyricists and composers included Vernon Duke, John Latouche, Ogden Nash and others. (Particularly memorable was a snappy number by Sammy Cahn and Jule Styne, called "Good Little Girls." Performed by flame-haired newcomer Beverly Bozeman, this song had actually been written for Bette Davis for an unproduced 1950 stage musical.) Critics noted the revue's pleasant songs and dull, overlong sketches: it closed after a month, possibly because its venue, the Phoenix Theatre at 2nd Avenue and 12th Street, was too inaccessible for the casual theatergoer. Bagley sprang back a few months later with Shoestring '57 at the Barbizon-Plaza on Central Park Southmarker, and this turned out to be his most successful show yet (119 performances).

Bagley's 1965 Off-Broadway revue The Decline and Fall of the Entire World as Seen Through the Eyes of Cole Porter drew on the composer's lesser-known songs. It ran for 15 months in New York, starring Kaye Ballard, Harold Lang, Bobby Short, Tammy Grimes, and Dody Goodman, among others. Following that, it ran for 13 months in San Franciscomarker, before moving to the regional theater stage. According to Variety, the show "helped pave the way for later Broadway revues like Ain't Misbehavin' and Sophisticated Ladies, which surveyed the work of a single composer."

Shortly after his 1958 revue, Shoestring Revue in Fort Worth, Bagley was diagnosed with tuberculosis. He was hospitalized until 1960. During this time of sickness and recuperation, he learned what true friendship was and what else he could do with his career.

He began recording albums dedicated to American Popular Song (later collectively referred to as Great American Songbook) and licensed them to various companies, including MGM and RiC in the United States, and CBS in the United Kingdom. He later founded his own recording label, Painted Smiles Records, and through it reissued thoses albums and several newer ones, producing 48 albums in toto. The greater part of his record production consisted largely of the "Revisited" series, which promoted the body of work produced by the likes of Richard Rodgers & Lorenz Hart, Oscar Hammerstein II, Jerome Kern, Irving Berlin, Kurt Weill, Cole Porter, Leonard Bernstein, Harold Rome, Howard Dietz & Arthur Schwartz, Frank Loesser, Noël Coward, Harold Arlen, Vernon Duke, Alan Jay Lerner, and DeSylva, Brown, & Henderson. These albums focused largely upon the composers's lesser-known songs, and contained performances by some of the leading jazz and the theatrical singers of the day (such as Bobby Short and Kaye Ballard), as well as many great theatre and film actors not generally known for their singing ability (among them Katharine Hepburn, Ellen Burstyn, and Laurence Harvey).

Playbill has called Bagley's liner notes for his "Revisited" albums "odd and iconoclastic." The recordings themselves are "hardly scholarly and sometimes downright unpleasant to listen to (note the antic, drowsy, caffeinated, tinny arrangements and uneven voices — a festival of sharps and flats)." However, "the discs are nonetheless embraced by fans hungry to explore old, mothballed material by extraordinary songwriters."

The Painted Smiles "Revisited" Series


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