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Carmen Jones is a 1943 Broadwaymarker musical, later made into a 1954 musical film; the play also ran for a season in 1991 at Londonmarker's Old Vicmarker and most recently in London's Royal Festival Hallmarker in the Southbank Centremarker in 2007. It is an updating of the Georges Bizet opera Carmen in an African American setting. (Bizet's opera was, in turn, based on the 1846 novella by Prosper Mérimée.) The Broadway musical was produced by Billy Rose, using an all-black cast, and directed by Hassard Short. Oscar Hammerstein II wrote the book (dialogue) and lyrics, but stuck rather closely to Bizet's original music, which was re-orchestrated for a Broadway orchestra by Robert Russell Bennett.

The original Broadway cast members were nearly all new to the stage; Kennedy and Muir write that on the first day of rehearsal only one member had ever been on a stage before.

The 1954 film was adapted by Hammerstein and Harry Kleiner. It was directed by Otto Preminger and starred Dorothy Dandridge and Harry Belafonte.

Plot

Parachute maker Carmen Jones makes a play for a "fly boy" airforce man, Joe, who is in love with sweet Cindy Lou and about to marry her on a day pass when Carmen gets into a cat fight and stabs another woman.

Joe's pass is cancelled in order for him to drive her to the next town to be handed over to the non-military police. Instead, she charms and seduces him, and he is put in the stockade for not delivering her to the authorities.

While she waits for Joe to be released from military prison, she hangs around Billy Pastor's jive cafe where she encounters boxer Husky Miller, who is instantly besotted with Carmen, calling her "heatwave".

She is initially uninterested. But her friends Frankie and Mert know that their invitation from Husky's Manager to see him fight in Chicago depends on Carmen being there, too.

Then Joe turns up at the cafe but gets into a fight with his sergeant, who is making a move on Carmen. The train ticket to Chicago originally given to Carmen offer them a way of avoiding the MPs. After a few days holed up with no money and no future with Joe, Carmen pays a visit to her two friends, now covered in diamonds and furs, at Husky's training camp. She's only looking for a loan, but they try to draw her to give up Joe and "go with the money" by staying with Husky.

Later, at Husky's apartment, Frankie reads Carmen's "cards", and reveals the Nine of Spades - the card of Death. In the belief that her days are numbered, she gives in to Husky's advances, abandoning Joe for the luxurious life Husky can offer her.

Cindy Lou comes to look for Joe, but he is still in love with Carmen and spurns Cindy Lou. The night of Husky's title fight, Joe turns up to try and convince Carmen to come back to him, but when she rejects him, he kills her, thus making the cards' prophecy a reality.

Music

Although Oscar Hammerstein II translated the libretto for Georges Bizet's opera Carmen from French into English for his Broadway production, "The music was pretty much left intact," explains Arts and Entertainment Editor Elisabeth Vincentelli, "but Hammerstein transferred the action to WWII America. Carmen's tobacco factory became Carmen Jones' parachute factory, bullfighter Escamillo became boxer Husky Miller, and so on. As if this weren't enough, there also was the 'small' detail of casting the show only with African-Americans."

Vincentellli goes on to say, "...many of the show's songs retain a surprising impact. The feverish intensity of 'Beat Out dat Rhythm on a Drum,' for instance, hasn't dimmed over the years, and the song's been covered by a wide variety of performers, from Pearl Bailey and Marc Almond to Mandy Patinkin." The majority of the actors performing the songs in the film Carmen Jones were dubbed. Even Harry Belafonte, the singer famous for "The Banana Boat Song," was dubbed with LeVern Hutcherson, and Dorothy Dandridge was dubbed by Marilyn Horne long before the singer became famous.

Songs

The Broadway production Carmen Jones features the following songs:
  • Overture
  • Lift 'Em Up and Put 'Em Down (Sur la place, chacun passe in Bizet's original opera)
  • Dat's Love (Habanera in Bizet's opera)
  • You Talk Just like My Maw (Parle-moi de ma mère in Bizet's opera)
  • Dere's a Cafe on de Corner (Seguidilla in Bizet's opera)
  • Beat Out Dat Rhythm on a Drum (Gypsy Song in Bizet's opera)
  • Stan' Up and Fight (Toreador Song, also known as March of the Toreadors in Bizet's opera)
  • Whizzin' Away Along de Track (Quintet in Bizet's opera)
  • Dis Flower (Flower Song in Bizet's opera)
  • De Cards Don't Lie (Card Song in Bizet's opera)
  • My Joe (Micaela's Air in Bizet's opera)
  • Dat's Our Man (Les voici in Bizet's opera)


See also



References

  1. southbankcentre.co.uk/carmenjones, Carmen Jones at the Royal Festival Hall in London (25th July - 2nd September 2007)
  2. Kennedy and Muir 1998, p.77.


Further reading



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