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An 1830 drawing of Charles Kemble by J.
Dickinson
Charles Kemble (25 November 1775 – 12 November 1854) was a British actor, the youngest son of Roger Kemble.

A younger brother of John Philip Kemble, Stephen Kemble and Sarah Siddons, he was born at Breconmarker, South Walesmarker. Like John Philip, he was educated at Douaimarker. After returning to England in 1792, he obtained a job in the post office, but soon resigned to go on the stage, making his first recorded appearance at Sheffieldmarker as Orlando in As You Like It in that year. During the early part of his career as an actor he slowly gained popularity. For a considerable time he played with his brother and sister, chiefly in secondary parts, and received little attention.

His first Londonmarker appearance was on 21 April 1794, as Malcolm to his brother's Macbeth. Ultimately he won independent fame, especially in such characters as Archer in George Farquhar's Beaux' Stratagem, Dorincourt in Hannah Cowley's Belle's Stratagem, Charles Surface and Ranger in Benjamin Hoadley's Suspicious Husband. His Laërtes and Macduff were as accomplished as his brother's Hamlet and Macbeth. His production of Cymbeline in 1827 inaugurated the trend to historical accuracy in stagings of that play that reached a peak with Henry Irving at the turn of the century.

In comedy he was ably supported by his wife, Marie Therese De Camp, whom he married on 2 July 1806. His visit, with his daughter Fanny, to America during 1832 and 1834, aroused much enthusiasm. The later part of his career was beset by money troubles in connection with his joint proprietorship of Covent Gardenmarker theatre.He formally retired from the stage in December 1836, but his final appearance was on 10 April 1840. For some time he held the office of examiner of plays. In 1844-1845 he gave readings from Shakespeare at Willis's Rooms. Macready regarded his Cassio as incomparable, and summed him up as "a first-rate actor of second-rate parts."

See also



Bibliography

  • Oxberry, Dramatic Biography (London, 1826)
  • Fitzgerald, The Kembles (London, 1871)
  • Fanny Kemble, Record of a Girlhood (London, 1878)
  • Lane (edited), Charles Kemble's Shakespearean Readings (second edition, London, 1879)
  • Matthews, Actors and Actresses of Great Britain and the United States (volume ii, New York, 1886)
  • Doran, Annals of the Stage (London, 1888)


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