Creative Commons
(CC) is a non-profit organization
headquartered in San Francisco, California
, United States devoted to expanding the range of
creative works available for others to
build upon legally and to share. The organization has
released several
copyright-
licenses known as
Creative Commons licenses for free
to the public. These licenses allow creators to communicate which
rights they reserve, and which rights they
waive for the benefit of recipients or other creators.
Wikipedia is one of the notable web-based
projects using one of its licenses.
The organization was founded in 2001 with the generous support of
the Center for the Public Domain, however first set of copyright
licenses were released in December 2002.
Aim and influence
Creative Commons has been described as being at the forefront of
the
copyleft movement, which seeks to
support the building of a richer
public
domain by providing an alternative to the automatic "all rights
reserved"
copyright, dubbed "some rights
reserved." David Berry and Giles Moss have credited Creative
Commons with generating interest in the issue of
intellectual property and contributing
to the re-thinking of the role of the "
commons" in the "
information age". Beyond that, Creative
Commons has provided "institutional, practical and legal support
for individuals and groups wishing to experiment and communicate
with culture more freely."
Creative Commons works to counter what the organization considers
to be a dominant and increasingly restrictive
permission culture. According to
Lawrence Lessig, founder of Creative
Commons, it is "a culture in which creators get to create only with
the permission of the powerful, or of creators from the past".
Lessig maintains that modern culture is dominated by traditional
content distributors in order to maintain and strengthen their
monopolies on cultural products such as popular music and popular
cinema, and that Creative Commons can provide alternatives to these
restrictions.
Governance
The current CEO of Creative Commons is
Joi
Ito.
Mike Linksvayer is Vice
President,
John Wilbanks is Vice
President of Science, and Ahrash Bissell is the Executive Director
of ccLearn.
Board
The current Creative Commons Board include:
Hal Abelson, Glenn Otis Brown,
Michael W. Carroll,
Caterina Fake,
Davis Guggenheim,
Joi
Ito,
Lawrence Lessig, Laurie
Racine, Eric Saltzman, Molly Shaffer Van Houweling,
Jimmy Wales, and
Esther Wojcicki (Chair).
Technical Advisory Board
The Technical Advisory Board includes five members: Hal Abelson,
Ben Adida, Barbara Fox, Don McGovern and
Eric Miller. Hal Abelson also serves on the
Creative Commons Board.
Audit Committee
Creative Commons also has an Audit Committee, with two members:
Molly Shaffer Van Houweling and Lawrence Lessig. Both serve on the
Creative Commons Board.
Types of Creative Commons licenses

Mayer and Bettle explain what Creative
Commons is.
There are six major licenses of the Creative Commons:
- Attribution (CC-BY)
- Attribution Share Alike (CC-BY-SA)
- Attribution No Derivatives (CC-BY-ND)
- Attribution Non-Commercial (CC-BY-NC)
- Attribution Non-Commercial Share Alike (CC-BY-NC-SA)
- Attribution Non-Commercial No Derivatives (CC-BY-NC-ND)
There are four major conditions of the Creative Commons:
Attribution (BY), requiring attribution to the original author;
Share Alike (SA), allowing
derivative works under the same or a similar
license (later or jurisdiction version); Non-Commercial (NC),
requiring the work is not used for commercial purposes; and No
Derivative Works (ND), allowing only the original work, with out
derivatives.
As of the current versions, all Creative Commons licenses allow the
"core right" to redistribute a work for non-commercial purposes
without modification. The NC and ND options will make a work
non-free.
Additional options include the CC0 option, or "No Right Reserved."
For
software, Creative Commons has three
available licenses: the
BSD License, the
CC
GNU LGPL license, and the
CC
GNU GPL.
Usage of Creative Commons licenses
Creative Commons is maintaining a content directory
wiki of organizations and projects using Creative
Commons licenses. On its website CC also provides case studies of
projects using CC licenses across the world. CC licensed content
can also be accessed through a number of content directories and
search engines (see
CC
licensed content directories).
On January 13, 2009, some broadcasting content from Al Jazeera on
the
2008–2009
Israel–Gaza conflict was released under the Creative Commons
Attribution 3.0 license.
Creative Commons International
The original non-localized Creative Commons licenses were written
with the U.S. legal system in mind, so the wording could be
incompatible within different local legislations and render the
licenses unenforceable in various
jurisdictions. To address this issue,
Creative Commons
International has started to port the various licenses to
accommodate local copyright and private law. As of December 2008,
there are 50 jurisdiction-specific licenses, with 8 other
jurisdictions in drafting process, and more countries joining the
worldwide project.
Criticism
General Criticism
Péter Benjamin Tóth asserts that CC’s objectives are already
well-served by the current copyright regime, and that CC’s “some
rights reserved” slogan, as against Copyright’s “all rights
reserved”, creates a false dichotomy. “Copyright provides a list of
exclusive rights to the rightholder, from which he decides which
ones he wishes to "sell" or grant and which to retain. The ‘Some
rights reserved’ concept is therefore not an alternative to, but
rather the very nature of classical copyright.” Other critics fear
that Creative Commons could erode the copyright system over
time.
Some of Creative Commons’ critics support revision of the copyright
act, but believe CC to be merely a contractual quick fix which
dissuades the public from mobilizing towards a real revision of the
Copyright Act and copyright term lengths. Others, such as Jeffrey
Harrison, believe the Creative Commons system to be too lax, and
caution against “allowing some of our most precious resources--the
creativity of individuals--to be simply tossed into the commons to
be exploited by whomever has spare time and a magic marker."
Other critics question whether Creative Commons licenses are truly
useful for artists, suggesting that CC is directed mainly toward a
“remix culture” that is too much of the times and fails to account
for the real needs of fine artists, especially in the visual arts
world.
License Proliferation and Incompatibility
Critics have also argued that Creative Commons worsens
license proliferation, by providing
multiple licenses that are
incompatible. The Creative Commons
website states, “Since each of the six CC licenses functions
differently, resources placed under different licenses may not
necessarily be combined with one another without violating the
license terms.” Works licensed under incompatible licenses may not
be recombined in a derivative work without obtaining permission
from the license-holder. Some worry that "without a common legal
framework, works which inadvertently mix licenses may become
unshareable."
License Misuse
Some copyright holders have complained that internet users
erroneously brand their copyrighted works with Creative Commons
licenses, and re-upload the works to the internet. Critics assert
that this stems from rampant user-confusion about the licenses. At
present, there are no checks in place to hold users accountable for
mislicensing.
The Free Software Foundation
Some Creative Commons licenses do not meet the standards of the
Free Software Foundation
and other
free content organizations.
Specifically, the Creative Commons NC license has been denounced by
FSM founder Richard Stallman because, he says, it denies users a
“basic freedom” to reuse materials as they see fit.
Mako Hill asserts that Creative Commons fails to establish a “base
level of freedom” that all Creative Commons licenses must meet, and
with which all licensors and users must comply. “By failing to take
any firm ethical position and draw any line in the sand, CC is a
missed opportunity.... CC has replaced what could have been a call
for a world where ‘essential rights are unreservable’ with the
relatively hollow call for ‘some rights reserved.’” Some critics
fear that Creative Commons' popularity may detract from the more
stringent goals of other free content organizations.
Other Criticisms of the Non-Commercial License
Other critics, such as Erik Moller, raise concerns about the use of
CC’s non-commercial license. Works distributed under the Creative
Commons Non-Commercial license are not compatible with many
open-content sites, including wikipedia, which explicitly allow and
encourage some commercial uses. Moller explains that “the people
who are likely to be hurt by an -NC license are not large
corporations, but small publications like weblogs,
advertising-funded radiostations, or local newspapers.”
Debian
The maintainers of
Debian, a
GNU and
Linux
distribution known for its rigid adherence to a particular
definition of
software freedom, do
not believe that even the Creative Commons Attribution License, the
least restrictive of the licenses, adheres to the
Debian Free Software
Guidelines (DFSG) due to the license's anti-
DRM provisions (which could
restrict private redistribution to some extent) and its requirement
in section 4a that downstream users remove an author's credit upon
request from the author.
As the other licenses are identical to the Creative Commons
Attribution License with further restrictions, Debian considers
them non-free for the same reasons. There have been efforts to
remove these problems in the new version 3.0 licenses, so they can
be compatible with the DFSG. In contrast to the CC-SA 2.0 license,
version 3.0 is considered to be compatible to the DFSG.
Legal Cases
Dutch Tabloid
A
Creative Commons license
was first tested in court in early 2006, when podcaster
Adam Curry sued a Dutch tabloid who published
photos without permission from his Flickr page. The photos were
licensed under the Creative Commons Non-Commercial license. While
the verdict was in favour of Curry, the tabloid avoided having to
pay restitution to him as long as they did not repeat the offense.
An analysis of the decision states, "The Dutch Court’s decision is
especially noteworthy because it confirms that the conditions of a
Creative Commons license automatically apply to the content
licensed under it, and bind users of such content even without
expressly agreeing to, or having knowledge of, the conditions of
the license."
Virgin Mobile
In 2007,
Virgin Mobile launched a
bus stop ad
campaign promoting their cellphone
text messaging service using the work of
amateur photographers who uploaded their work to
Flickr using a Creative Commons-by (Attribution)
license. Users licensing their images this way freed their work for
use by any other entity, as long as the original creator was
attributed credit, without any other compensation required. Virgin
upheld this single restriction by printing a URL leading to the
photographer's Flickr page on each of their ads. However, one
picture, depicting 15 year-old Alison Chang at a fund-raising
carwash for her church, caused some controversy when she sued
Virgin Mobile. The photo was taken by Alison's church youth
counselor, Justin Ho-Wee Wong, who uploaded the image to Flickr
under the Creative Commons license. In 2008, the case was thrown
out of court for lack of jurisdiction meaning Virgin Mobile were
not liable for any accountability or subsequent damages.
CC-Music - Spanish Court (2006)
The issue in this case was not whether the CC license was
enforceable, but instead whether the major
collecting society in Spain could
collect royalties from a bar that played CC-licensed music.
List of projects that release contents under Creative Commons
licenses
See also
Citations
- (Creative Commons FAQ)
- Berry & Moss 2005
- Creative Commons Case Studies
- project
-
http://blog.internetcases.com/2009/01/22/no-personal-jurisdiction-over-australian-defendant-in-flickr-right-of-publicity-case/
- http://creativecommons.org/weblog/entry/5830
References
- Asschenfeldt, Christiane. " Copyright and Licensing Issues—The International
Commons." In CERN Workshop Series on Innovations in
Scholarly Communication: Implementing the Benefits of OAI (OAI3),
12 February-14
February 2004 at CERN, Geneva,
Switzerland. Geneva: CERN, 2004. (video)
- Brown, Glenn Otis. " Academic Digital Rights: A Walk on the Creative
Commons." Syllabus Magazine (April 2003).
- ———. " Out of the Way: How the Next Copyright Revolution
Can Help the Next Scientific Revolution." PLoS Biology
1, no. 1 (2003): 30-31.
- Chillingworth, Mark. " Creative
Commons Attracts BBC's Attention." Information World
Review, 11 June 2004.
- Conhaim, Wallys W. " Creative Commons Nurtures the Public Domain."
Information Today 19, no. 7 (2002): 52, 54.
- Denison, D.C. "For Creators, An Argument for Alienable Rights."
Boston Globe, 22 December
2002, E2.
- Fitzgerald, Brian, and Ian Oi. " Free
Culture: Cultivating the Creative Commons." (2004).
- Hietanen, Herkko " The
Pursuit of Efficient Copyright Licensing — How Some Rights Reserved
Attempts to Solve the Problems of All Rights Reserved" (2008)
PhD dissertation.
- Johnstone, Sally M. "Sharing Educational Materials Without
Losing Rights." Change 35, no. 6 (2003): 49-51.
- Möller Erik, The Case for Free Use: Reasons Not to Use a
Creative Commons -NC License, in Open Source
Jahrbuch 2006.
- Weitzman, Jonathan B., and Lawrence Lessig. " Open Access and Creative Common Sense."
Open Access Now, 10 May 2004.
External links