The Full Wiki

More info on Czesława Kwoka

Czesława Kwoka: Map

Advertisements
  
  

Wikipedia article:

Map showing all locations mentioned on Wikipedia article:



Czesława Kwoka (August 15, 1928 – March 12, 1943), a Polish Catholic child, perished at Auschwitz concentration campmarker at the age of 14. She was one of the hundreds of thousands of child victims of The Holocaust who died at Auschwitz-Birkenau, in Polandmarker, and is among those memorialized in the Auschwitz-Birkenau State Museum indoor exhibit called Block no. 6: Exhibition: The Life of the Prisoners.

Photographs of Kwoka and others taken by the "famous photographer of Auschwitz," Wilhelm Brasse, from 1940 to 1945, displayed in that Museum photographic memorial, several of which Brasse holds up and discusses in The Portraitist, a 2005 television documentary film about Brasse, became a focus of interviews with Brasse cited in various articles and books.

Brasse's three photographs of Kwoka in particular inspired the creation of Painting Czesława Kwoka (2007), a literary award-winning collaborative work of art and verse which attempts to transport her "image and voice into our lives."

Personal background

Czesława Kwoka was born in Wólka Złojeckamarker, a small village in Polandmarker, to a Catholic mother, Katarzyna Kwoka. Along with her mother (prisoner number 26946), Czesława Kwoka (prisoner number 26947) was deported and transported from Zamośćmarker, Polandmarker, to Auschwitzmarker, on December 13, 1942. On March 12, 1943, less than a month after her mother died (February 18, 1943), Czesława Kwoka died at the age of 14; the circumstances of her death were not recorded.

General historical contexts of child victims of Auschwitz

Czesława Kwoka was one of the "approximately 230,000 children and young people aged less than eighteen" among the 1,300,000 people who were deported to Auschwitz-Birkenaumarker from 1940 to 1945.

The Auschwitz-Birkenau State Museum's Centre for Education About the Holocaust and Auschwitz documents the wartime circumstances that brought children like Kwoka and young adults to the concentration camps in its 2004 press release announcing the publication of an album of photographs of some of them, many years in development, compiled by its historian Helena Kubica; these photographs were first published in the Polish/German version of Kubica's book in 2002. According to the Museum's press release, of the approximately 230,000 children and young people deported to Auschwitz, more than 216,000 children, the majority, were of Jewish descent; more than 11,000 children came from Gypsy (Roma) families; the other children had Polish, Belarusian, Ukrainian, Russian, or other ethnic backgrounds.

Most of these children "arrived in the camp along with their families as part of the various operations that the Nazis carried out against whole ethnic or social groups"; these operations targeted "the Jews as part of the drive for the total extermination of the Jewish people, the Gypsies as part of the effort to isolate and destroy the Gypsy population, the Poles in connection with the expulsion and deportation to the camp of whole families from the Zamośćmarker region and from Warsawmarker during the Uprising there in August 1944," as well as Belarusians and other citizens of the Soviet Unionmarker "in reprisal for partisan resistance" in places occupied by Germanymarker.

Of all these children and young people, "Only slightly more than 20,000 ... including 11,000 Gypsies, were entered in the camp records. No more than 650 of them survived until liberation [in 1945]."

Czesława Kwoka was one of those thousands of children who did not survive Auschwitz and among those whose "identity photographs", along with captions constructed from the so-called Death Books, are featured in a memorial display on a wall in Block no. 6: Exhibition: Life of the Prisoners.

Particular historical contexts of photographs of Czesława Kwoka

After her arrival at Auschwitz, Czesława Kwoka was photographed for the Reich's concentration camp records, and she has been identified as one of the approximately 40,000 to 50,000 subjects of such "identity pictures" taken under duress at Auschwitz-Birkenau by Wilhelm Brasse, a young Polish inmate in his twenties (known as Auschwitz prisoner number 3444). Trained as a portrait photographer at his aunt's studio prior to the 1939 German invasion of Poland beginning World War II, Brasse and others had been ordered to photograph inmates by their Nazi captors, under dreadful camp conditions and likely imminent death if the photographers refused to comply.

These photographs that he and others were ordered to take capture each inmate "in three poses: from the front and from each side." Though ordered to destroy all photographs and their negatives, Brasse became famous after the war for having bravely helped to rescue some of them from oblivion.

Such acts of courage as Brasse's and his colleagues enabled many like Kwoka not to become forgotten as mere bureaucratic statistics, but to be remembered as individual human beings.

Auschwitz "Identification photographs" in memorial exhibits and photo archives

While most of these photographs of Auschwitz inmates (both victims and survivors) are not extant, some photographs do populate memorial displays at the Auschwitz-Birkenau State Museummarker, where the photographs of Kwoka reside, and at Yad Vashemmarker, the Holocaust Martyrs' and Heroes' Remembrance Authority, Israelmarker's official memorial to the Jewish victims of the Shoah.

Captions attached to the photographs in the Auschwitz-Birkenau State Museum photo archives and memorial indoor exhibits have been constructed by the Museum Exhibition Department from camp registries and other records confiscated when the camps were liberated in 1945 and archived subsequently. These Museum photo archive captions attached to photographs assembled and/or developed from photographs and negatives rescued by Brasse and fellow inmate darkroom worker Bronislaw Jureczek during 1940 to 1945 identify the inmate by name, concentration-camp prisoner number, date and place of birth, date of death and age at death (if applicable), national or ethnic identity, religious affiliation, and date of arrival in the camp. Some photographs credited to Brasse, including the "identity picture" with 3 poses of Kwoka, are in the Auschwitz-Birkenau State Museum's photographic memorial to prisoners who did not survive Auschwitz, part of a permanent indoor exhibit called Block no. 6: Exhibition: The Life of the Prisoners, first mounted in 1955, and featured in a photograph taken by its Exhibition Department photographer on its official Website (©1999-2008), in some of the Museum's photographs in albums and catalogues that it published in 2000 and later by Kubica and others, and in the 2005 Polish television documentary film about Brasse, The Portraitist, shown on TVP1 and in film festivals, beginning in 2006. All visitors to the Museum are asked explicitly to respect the Site of the Death Camp and not to use cameras (both still and video) in its indoor exhibits.

The photo mural including Kwoka's "identity pictures" ("identification photographs" or "mug shots") displayed on a wall in the Auschwitz-Birkenau State Museum's permanent indoor exhibition The Life of the Prisoners in Block no. 6 is captured in Ryszard Domasik's photograph cropped (without the photographs of Kwoka) featured on its official Website.

Brasse's memories of photographing Kwoka

Brasse recalls his experience photographing Kwoka specifically in The Portraitist, an account corroborated by Fergal Keane, who interviewed Brasse about his memories of taking them, in "Returning to Auschwitz: Photographs from Hell", a "Live Mag" feature article occasioned by the film's London premiere (April 22, 2007), published in the Mail Online on April 7, which does not include illustrations of these photographs of Kwoka.

As a visitor to the Auschwitz-Birkenau State Museum memorial exhibit in Block no. 6, Keane also describes his own impressions of the photographs of Kwoka in some detail:

Commemoration in art: Painting Czesława Kwoka

"Bring[ing] Czeslawa's image and voice into our lives," Theresa Edwards (verse) and Lori Schreiner (art) created Painting Czesława Kwoka, a collaborative work of mixed media inspired by the three photographs of Kwoka taken by Wilhelm Brasse in 1942 or 1943.

Displayed at the Windham Art Gallery in Brattleboro, Vermontmarker, from June 1 to July 1, 2007, as part of the exhibition Words & Images: A Collaboration, Painting Czesława Kwoka further commemorates Kwoka and all child victims of the Holocaust, as well as others who lost their lives as a result of war.

It received the 2007 Tacenda Literary Award for Best Collaboration, presented by BleakHouse Publishing.

See also



Notes

References



External links

  • Archives. United States Holocaust Memorial Museummarker (USHMM). (Description of all its archives, including: "A combined catalog of published materials available in the Museum's Library, and unpublished archival materials available in the Museum's Archives. The published materials include books, serials, videos, CDs and other media. The unpublished archival materials include microfilm and microfiche, paper collections, photographs, music, and video and audio tapes." Among "unpublished" photographs in the USHMM searchable online Photo Archives are some of Wilhelm Brasse's "identification photographs", featured online with identification of Brasse as the photographer, credit to the "National Auschwitz-Birkenau Museum", identification of individual donors, and/or USHMM copyright notices. Those who download any of its archived photographs are directed to write to the USHMM for terms and conditions of use.)
  • Auschwitz-Birkenau Memorial and Museum. Auschwitz-Birkenau State Museum, Poland. version. (Includes Centre for Education About Auschwitz and the Holocaust.) Further reference: "Technical page", with credits and copyright notice, pertaining to the official Website and official publications of the Auschwitz-Birkenau State Museum.
  • "Auschwitz-Birkenau State Museum Publications: Albums, Catalogues". (English version; also available in Polish and German.)
  • International Tracing Service – "The International Tracing Service (ITS) in Bad Arolsenmarker serves victims of Nazi persecutions and their families by documenting their fate through the archives it manages. The ITS preserves these historic records and makes them available for research." (Opened to the public in November 2007.)
  • "Portraitist" ("Portrecista") – Official Webpage of Rekontrplan Film Group (Distributor). Adobe Flash content, including video clip. (Access: >Productions>Documentaries>Portraitist). Television documentary film produced for TVP1, "a television channel owned by TVP (Telewizja Polska S.A.)" [Updated "Events/News" re: screenings at Polish film festivals and awards also on site.] ( and Polish language options.) (Original language of film: Polish. With subtitles.)
  • "Resources & Collections: About the Photo Archive" at Yad Vashemmarker.



Embed code:
Advertisements






Got something to say? Make a comment.
Your name
Your email address
Message