Dalton Trumbo (December 9,
1905 – September 10, 1976) was an American
screenwriter and novelist, and one of the Hollywood Ten, a group of film professionals
who testified before the House Un-American
Activities Committee (HUAC) in 1947 during the committee's
investigation of Communist influences in
the motion picture industry.
Career
Trumbo was
born in Montrose
, Colorado
, and
graduated from Grand Junction
High School. While still in high school, he worked as a
cub reporter for the Grand Junction Daily Sentinel, covering
courts, the high school, the mortuary and civic organizations.
He
attended the University of Colorado
for two years (the central fountain at the
University was named the Dalton Trumbo Free Speech Fountain in his
honor in the mid-1990s), working as a reporter for the Boulder
Daily Camera and contributing to the campus humor magazine, the
yearbook and the campus newspaper. He got his start working
for
Vogue magazine. His
first published novel,
"Eclipse"
was about a town and its people, written in the social realist
style, and drew on his years in Grand Junction. He started in
movies in 1937; by the 1940s, he was one of Hollywood's highest
paid writers for work on such films as
Thirty Seconds Over Tokyo
(1944), and
Our Vines
Have Tender Grapes (1945), and
Kitty Foyle (1940), for which he was
nominated for an
Academy Award for
Writing Adapted Screenplay.
Trumbo's 1939
anti-war novel,
Johnny Got His Gun, won a
National Book Award (then known as an
American Book Sellers Award) that year. The novel was inspired by
an article Trumbo read about a soldier who was horribly disfigured
during
World War I.
Involvement with communism
Trumbo aligned himself with the
Communist Party USA before the 1940s,
although he did not join the party until later.
After the outbreak of
World War II in 1939, American
communists argued that the United States should not get involved in
the war on the side of Great Britain
, since the Molotov-Ribbentrop Pact of
nonaggression meant that the Soviet Union
was at peace with Germany
. In
1941, Trumbo wrote a novel
The
Remarkable Andrew, in which, in one scene, the ghost of
Andrew Jackson appears in order to
caution the United States not to get involved in the war. In a
review of the book,
Time
Magazine sarcastically wrote, "General Jackson's opinions
need surprise no one who has observed
George Washington and
Abraham Lincoln zealously following the
Communist Party Line in recent years."
Shortly after the
1941 German
invasion of the Soviet Union, Trumbo and his publishers decided
to suspend reprinting of
Johnny Got His Gun until the end
of the war.
After receiving letters from individuals,
including pacifists, isolationists, as well as those with apparent
ties to Nazis requesting copies of the book,
Trumbo contacted the FBI
and turned these letters over to them. Thus
did Trumbo, in effect, "named names", something that would come
back to haunt him years later when others would name him before the
House Un-American Committee. Trumbo regretted this decision, which
he called "foolish", after two FBI agents showed up at his home and
it became clear that "their interest lay not in the letters but in
me."
Trumbo was a member of the Communist Party USA from 1943 until
1948. He bragged in
The Daily
Worker that among the films that communist influence in
Hollywood had quashed were adaptations of
Arthur Koestler's
anti-communist works
Darkness at Noon and
The Yogi and the
Commissar.
Blacklisting
In 1947,
Trumbo, along with nine other writers and directors, was called
before the House Un-American Activities Committee as an unfriendly
witness to testify on the presence of communist influence in
Hollywood
. Trumbo refused to give information.
After
conviction for contempt of
Congress, he was blacklisted, and in 1950, spent 11
months in prison in the federal
penitentiary in Ashland, Kentucky
.
After Trumbo was blacklisted, some Hollywood actors and directors,
such as
Elia Kazan and
Clifford Odets, agreed to testify and to
provide names of fellow communist party members to Congress. Many
of those who testified were immediately ostracized and shunned by
their former friends and associates. However, Trumbo always
maintained that those who testified under pressure from HUAC and
the studios were equally victims of the
Red Scare, an opinion for which he was
criticized.
Later life
After he
completed his sentence, Trumbo and his family moved to Mexico
with
Hugo Butler and his wife Jean Rouverol, who had also been
blacklisted. There, Trumbo wrote thirty scripts under
pseudonyms, such as the co-written
Gun Crazy (1950) (
Millard Kaufman acted as a "
front" for Trumbo). He won an
Oscar for
The Brave One (1956), written
under the name Robert Rich.
With the support of
Otto Preminger,
he received credit for the 1960 film
Exodus. Shortly thereafter,
Kirk Douglas made public Trumbo's credit for
the screenplay for
Spartacus. This was the beginning of
the end of the blacklist. Trumbo was reinstated in the
Writers Guild of America,
West, and was credited on all subsequent scripts.
In 1971, Trumbo directed the
film adaptation of Johnny Got His
Gun, which starred
Timothy
Bottoms,
Diane Varsi and
Jason Robards.
One of his last films,
Executive Action, was based on
various
conspiracy theories about
the
Kennedy
assassination.
His account and analysis of the
Smith Act
trials is entitled
The Devil
in the Book.
In 1993, Trumbo was awarded the
Academy
Award posthumously for writing
Roman Holiday (1953). The
screen credit and award were previously given to
Ian McLellan Hunter, who had been a
"front" for Trumbo.
Death
He died on
September 10, 1976 from a heart attack
in Los
Angeles
. He was 70 years old.
Family
Trumbo had three children: one son,
filmmaker Christopher; and two daughters,
photographer Melissa, known as Mitzi, and
psychotherapist Nikola. Mitzi once
had a relationship with actor/comedian
Steve Martin; Martin later confessed that, at
that time in his "tunnel-visioned life," he had never heard of her
father. In his memoir,
Born Standing Up, Martin credits
his time spent with the Trumbo family as having aroused his
interest in politics and art.
Works
- Selected film works:
- Road Gang, 1936
- Love Begins at 20,
1936
- Devil's Playground,
1937
- Fugitives for a
Night, 1938
- A Man to Remember,
1938
- Five Came Back, 1939
(with Nathanael West and J.
Cody)
- Curtain Call,
1941
- Bill of
Divorcement, 1940
- Kitty Foyle,
1940
- The Remarkable
Andrew, 1942
- Tender Comrade,
1944
- A Guy Named Joe,
1944
- Thirty Seconds Over
Tokyo, 1944
- Our Vines Have
Tender Grapes, 1945
- Gun Crazy, 1950 (co-writer,
front Millard Kaufman)
- He Ran All the Way,
1951 (co-writer, front Guy Endore)
- Roman
Holiday, 1953 (front Ian
McLellan Hunter)
- The Brave
One, 1956 (front Robert
Rich)
- Spartacus, 1960, dir.
by Stanley Kubrick
- Exodus, 1960 (based on
Leon Uris' 1958 novel of the same name)
- The Last Sunset,
1961
- Lonely are the
Brave, 1962
- The Sandpiper, 1965
- Hawaii, 1966 (based on
the novel by James Michener,
1959)
- The Fixer, 1968
- Johnny Got His
Gun, 1971 (also directed)
- The Horsemen,
1971
- F.T.A., 1972
- Executive
Action, 1973
- Papillon, 1973 (based
on the novel by Henri
Charrière, 1969)
- Novels, plays and essays:
- Non-fiction:
See also
- The Hollywood Ten
documentary
- Trumbo, a 2007
documentary by Peter Askin based on
Christopher Trumbo's stage play
- "Dalton Trumbo" biography by Bruce Cook
- "Dalton Trumbo: Hollywood Rebel" biography by Peter Hanson
References
External links