Edward Franklin Albee III ( ; born March 12, 1928)
is an American
playwright best known for
Who's Afraid of
Virginia Woolf?,
The Zoo
Story,
A Delicate
Balance and
Seascape. His works are considered
well-crafted, often unsympathetic examinations of the modern
condition. His early works reflect a mastery and Americanization of
the
Theatre of the Absurd that
found its peak in works by European playwrights such as
Jean Genet,
Samuel
Beckett, and
Eugène Ionesco.
Younger American playwrights, such as Pulitzer Prize-winner
Paula Vogel, credit Albee's daring mix
of theatricalism and biting dialogue with helping to reinvent the
post-war American theatre in the early 1960s. Albee continues to
experiment in new works, such as
The Goat: or, Who Is
Sylvia? (2002).
Biography
According
to Magill's Survey of American Literature (2007), Edward
Albee was born somewhere in Virginia
(the popular
belief is that he was born in Washington, D.C.
). He was adopted two
weeks later and taken to Larchmont, New York
in Westchester County, where he grew up.
Albee's adoptive father,
Reed A.
Albee, the wealthy son of
vaudeville magnate
Edward Franklin Albee II, owned
several theaters. Here the young Edward first gained familiarity
with the theatre as a child. His adoptive mother, Reed's third
wife, Frances tried to raise Albee to fit into their social
circles.
Albee
attended the Rye Country Day School
in New York, then the Lawrenceville
School
in New Jersey, from which he was expelled.
He then
was sent to Valley Forge Military Academy
in Wayne, Pennsylvania
, where he graduated in 1945 at the age of
17. He enrolled in the graduate studies program at
Choate prep school in Connecticut,
graduating in 1946.
His formal education continued at Trinity
College
in Hartford, Connecticut
, where he was expelled in 1947 for skipping classes
and refusing to attend compulsory chapel. In response to his
expulsion, Albee's play "Who's Afraid of Virginia Woolf?" is
believed to be based on his experiences at Trinity
College
.
Albee left home for good when he was in his late teens. In a later
interview, he said: "I never felt comfortable with the adoptive
parents. I don't think they knew how to be parents. I probably
didn't know how to be a son, either." More recently, he told
interviewer
Charlie Rose that he was
"thrown out" because his parents wanted him to become a "corporate
thug", and didn't approve of his aspirations to become a
writer.
Albee
moved into New York's Greenwich Village
, where he supported himself with odd jobs while
learning to write plays. His first play,
The Zoo
Story, was first staged in Berlin. The less than diligent
student later dedicated much of his time to promoting American
university theatre.
He frequently spoke at campuses and served as
a distinguished professor at the University of Houston
from 1989 to 2003.
Honors
A member of the
Dramatists Guild
Council, Albee has received three
Pulitzer Prizes for
drama—for
A Delicate Balance (1967),
Seascape (1975), and
Three Tall Women (1994); a
Special
Tony Award for Lifetime
Achievement (2005); the Gold Medal in Drama from the
American
Academy and Institute of Arts and Letters (1980); as well as
the
Kennedy Center Honors and
the
National Medal of Arts
(both in 1996).
Albee is the President of the
Edward F. Albee Foundation, Inc.,
which maintains the William Flanagan Creative Persons Center, a
writers and artists colony in Montauk, New York
. Albee's longtime partner, Jonathan Thomas,
a sculptor, died on May 2, 2005, from
bladder cancer.
In 2008,
in celebration of Albee's eightieth birthday, a number of his plays
were mounted in distinguished Off
Broadway venues, including the historic Cherry Lane
Theatre
. The playwright directed two of his
one-acts,
The American Dream and
The Sandbox
there. These were first produced at the theater in 1961 and 1962,
respectively.
Plays
Essays
- Stretching My Mind: Essays 1960–2005 (Avalon
Publishing, 2005)
Quotes
- "What could be worse than getting to the end of your life and
realizing you hadn't lived it?"
- "A usefully lived life is probably going to be, ultimately,
more satisfying."
- "Writing should be useful. If it can't instruct people a little
bit more about the responsibilities of consciousness there's no
point in doing it."
- "If you're willing to fail interestingly, you tend to succeed
interestingly."
- "That's what happens in plays, yes? The shit hits the
fan."
- "Creativity is magic. Don't examine it too closely."
- "Sometimes it's necessary to go a long distance out of the way
in order to come back a short distance correctly."
Discography
- Mark Richman & William Daniels in The Zoo Story by
Edward Albee - Directed by Arthur Luce Klein (LP, Spoken Arts
SA 808)
Awards and nominations
- Awards
- 1960 Drama Desk Award Vernon Rice Award - The Zoo
Story
- 1963 Tony Award for Best Play - Who's Afraid of Virginia
Woolf?
- 1967 Pulitzer Prize for Drama - A Delicate
Balance
- 1975 Pulitzer Prize for Drama - Seascape
- 1994 Pulitzer Prize for Drama - Three Tall Women
- 1996 National Medal of Arts
- 2002 Drama Desk Award Outstanding New Play - The Goat, or
Who Is Sylvia?
- 2002 Tony Award for Best Play - The Goat, or Who Is
Sylvia?
- 2005 Special Tony Award for Lifetime Achievement
- 2008 Drama Desk Award Special Award
- Nominations
- 1964 Tony Award for Best Play - The Ballad of the Sad
Cafe
- 1965 Tony Award for Best Author of a Play - Tiny
Alice
- 1965 Tony Award for Best Play - Tiny Alice
- 1967 Tony Award for Best Play - A Delicate
Balance
- 1975 Drama Desk Award Outstanding New Play -
Seascape
- 1975 Tony Award for Best Play - Seascape
- 1976 Drama Desk Award Outstanding Director of a Play -
Who's Afraid of Virginia Woolf?
- 1994 Drama Desk Award Outstanding Play - Three Tall
Women
- 2001 Pulitzer Prize for Drama - The Play About the
Baby
- 2003 Pulitzer Prize for Drama - The Goat, or Who Is
Sylvia?
- 2005 Tony Award for Best Revival of a Play - Who's Afraid
of Virginia Woolf?
The Pulitzer Prize committee for the Best Play in 1963 recommended
Who's Afraid of
Virginia Woolf?, but the Pulitzer board, who have sole
discretion in awarding the prize, rejected the recommendation, due
to the play's perceived vulgarity, and no award was given that
year.
References
- "Edward Albee Interview", Academy of
Achievement, June 2, 2005
- "Albee interview", The Charlie Rose Show,
May 27, 2008
- Edward Albee Interview - page 6 / 6 - Academy of
Achievement
- Edward Albee - Me, Myself & I - Peter and Jerry
- Theater - New York Times
- Klein, Alvin. "Albee's 'Tiny Alice', The Whole Enchilada",
The New York Times, 24 May 1998: CT11.
External links
- Guardian (UK) Profile of Edward Albee, The
Guardian, 2004
- "Edward Albee", The Paris Review
- The William Flanagan Memorial Creative Persons
Center
- "Interviews with Edward Albee", TonyAwards
- Notes on a Colloquy with Edward Albee, Artslynx
- Performance by Edward Albee, Interview by Neal
Marshad, Long House Theatre
- Cherry Lane Theatre website
- "The Friars Club"
- Who's afraid of Edward Albee, Laura Parker,
Intelligent Life, 2009