Electra or
Elektra ( /
Ēlektra) is a
Greek tragic
play by
Sophocles. Its date is not known, but various
stylistic similarities with the
Philoctetes (
409 BC)
and the
Oedipus at
Colonus (
401 BC) lead scholars to
suppose that it was written towards the end of Sophocles'
career.
Set in the
city of Argos
a few years
after the Trojan war, it is based around
the character of Electra, and the vengeance
that she and her brother Orestes take on
their mother Clytemnestra and step
father Aegisthus for the murder of their
father, Agamemnon.
Background
When King
Agamemnon returns from the
Trojan War with his new concubine,
Cassandra, his wife
Clytemnestra (who has taken Agamemnon's cousin
Aegisthus as a lover) kills them.
Clytemnestra believes the adultery was justified, since Agamemnon
had sacrificed their daughter
Iphigenia
before the war, as commanded by the gods.
Electra, daughter of Agamemnon and Clytemnestra,
rescued her young, twin brother
Orestes from
her mother by sending him to Strophius of Phocis. The play begins
years later when Orestes has returned as a grown man with a plot
for revenge, as well as to claim the throne.
Storyline
Orestes arrives with his friend
Pylades, son
of Strophius, and a pedagogue, i.e. tutor (an old attendant of
Orestes, who took him from Electra to Strophius). Their plan is to
have the tutor announce that Orestes has died in a chariot
accident, and that two men (really Orestes and Pylades) are
arriving shortly to deliver an urn with his remains.
Electra laments over her father, first on her own, then (in lyrics)
with the newly-arrived chorus. She bitterly argues first with her
sister
Chrysothemis over her
accommodation with her father's killers, and then with her mother
over her father's murder. Her only hope is that one day her brother
will return to avenge him. When the messenger arrives with news of
the death of Orestes, Clytemnestra is relieved to hear it. Electra
however is devastated. Chrysothemis then enters: she has seen some
offerings at the tomb of Agamemnon and (correctly) concludes that
Orestes has returned. Electra dismisses her arguments, sure that
Orestes is now dead. She suddenly turns to her sister with a
proposal to kill Aegisthus, but Chrysothemis refuses to help,
pointing out the impracticability of the plan.
After a choral ode Orestes arrives, carrying the urn supposedly
containing his ashes. He does not recognize Electra, nor she him.
He gives her the urn and she delivers a moving lament over it,
unaware that her brother is in fact standing alive next to her. Now
realizing the truth, Orestes reveals his identity to his emotional
sister. She is overjoyed that he is alive, but in their excitement
they nearly reveal his identity, and the tutor comes out from the
palace to urge them on. Orestes and Pylades enter the house and
slay his mother Clytemnestra. As Aegisthus returns home, they
quickly put her corpse under a sheet and present it to him as the
body of Orestes. He lifts the veil to discover who it really is,
and Orestes then reveals himself. They escort Aegisthus off set to
be killed at the hearth, the same location Agamemnon was slain. The
play ends here, before the death of Aegisthus is announced.
Similar works
The story of Orestes' revenge was told at the end of the lost epic
Nostoi, and the events are also
brought up in the
Odyssey. It was a popular
subject in Greek tragedies, and there are surviving versions from
all three of the great Athenian tragedians:
Aeschylus, Sophocles, and
Euripides. The first is the Libation Bearers in
the Oresteia Trilogy by Aeschylus (
458 BC). Euripides wrote an
Electra play. He tells a very different
version of this same basic story as Sophocles despite their being
written in close proximity and around the same time.
Translations
- Lewis Campbell, 1883
- verse
- Richard C. Jebb, 1904 - prose: full text
- Francis Storr, 1912 - verse
- Francis Fergusson, 1938 -
verse
- E.F. Watling 1953 - prose
- David Grene, 1957 - verse
- H. D. F. Kitto, 1962 - verse
- J. H. Kells, 1973 - verse (?)
- Frank McGuinness, 1997 -
verse
- Henry Taylor, 1998 - verse
- Anne Carson, 2001 - verse
- Jenny March, 2001 - prose (acting edition)
- Tom McGrath, 2003 - prose; full text
- G.Theodoridis, 2006 - prose: [74099]
Adaptations
Commentary