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Eliot Porter (1901–1990) was an Americanmarker photographer best known for his color photographs of nature.

Photography career

An amateur photographer since childhood, when he photographed the Great Spruce Head Islandmarker owned by his family, Porter earned degrees in chemical engineering and medicine, and worked as a biochemical researcher at Harvardmarker University. Around 1930 he was introduced to Ansel Adams by a friend of the family and to Alfred Stieglitz by his brother Fairfield Porter. Stieglitz continued to critique Porter’s black and white work, now taken with a small Linhof view camera. In 1938, Stieglitz showed Porter's work in his New York Citymarker gallery. The exhibit's success prompted Porter to leave Harvard and pursue photography full-time. In the 1940s, he began working in color with Eastman Kodak's new dye transfer process, a technique Porter would use his entire career.

Porter's reputation increased following the publication of his 1962 book, In Wildness Is the Preservation of the World. Published by the Sierra Club, the book featured Porter's color nature studies of the New Englandmarker woods and quotes by Henry David Thoreau. A best-seller, several editions of the book have been printed.

Porter traveled extensively to photograph ecologically important and culturally significant places. He published books of photographs from Glen Canyon (Utah), Mainemarker, Baja Californiamarker, Galápagos Islandsmarker, Antarcticamarker, East Africa, and Icelandmarker. Cultural studies included Mexicomarker, Egyptmarker, Chinamarker, Czechoslovakiamarker, and ancient Greek sites.

James Gleick’s book Chaos: Making a New Science (1987) caused Porter to reexamine his work in the context of chaos theory. They collaborated on a project published in 1990 as Nature's Chaos, which combined his photographs with a new essay by Gleick. Porter died in Santa Fe, New Mexicomarker in 1990 and bequeathed his personal archive to the Amon Carter Museummarker.

Eliot Porter's brother, Fairfield, was a realist painter and art critic. His brother-in-law Michael W. Straus was the commissioner of the federal Bureau of Reclamation.


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