Folklore culture, including
stories,
music,
dance,
legends,
oral
history,
proverbs,
jokes,
popular beliefs,
customs, and so forth within a particular population comprising the
traditions (including
oral traditions) of that culture,
subculture, or
group. It is also the set of practices
through which those expressive genres are shared. The academic and
usually
ethnographic study of folklore
is sometimes called
folkloristics. The
word 'folklore' was first used by the English antiquarian
William Thoms in a letter published by the
London Journal
Athenaeum in 1846. In usage, there
is a continuum between folklore and
mythology.
Stith
Thompson made a major attempt to index the motifs of both
folklore and mythology, providing an outline into which new motifs
can be placed, and scholars can keep track of all older
motifs.
Types of folklore
Folklore can be divided into four areas of study: artifact (such as
voodoo dolls), describable and transmissible entity (oral
tradition), culture, and behavior (rituals). These areas do not
stand alone, however, as often a particular item or element may fit
into more than one of these areas.
Folklore as describable and transmissible entity
Folklore can contain religious or mythic elements, it equally
concerns itself with the sometimes mundane traditions of everyday
life. Folklore frequently ties the practical and the esoteric into
one narrative package. It has often been conflated with
mythology, and vice versa, because it has been
assumed that any figurative story that does not pertain to the
dominant beliefs of the time is not of the same status as those
dominant beliefs.
Thus, Roman
religion is
called "myth" by Christians. In
that way, both "myth" and "folklore" have become catch-all terms
for all figurative narratives which do not correspond with the
dominant belief structure.
Sometimes
"folklore" is religious in nature, like the tales of the Welsh
Mabinogion or those found in Icelandic
skaldic
poetry. Many of the tales in the
Golden Legend of
Jacob de Voragine also embody folklore
elements in a Christian context: examples of such
Christian mythology are the themes woven
round
Saint George or
Saint Christopher. In this case, the term
"folklore" is being used in a pejorative sense. That is, while the
tales of
Odin the Wanderer have a religious
value to the Norse who composed the stories, because it does not
fit into a Christian configuration it is not considered "religious"
by Christians who may instead refer to it as "folklore."
"Folktales" is a general term for different varieties of
traditional narrative. The telling of stories appears to be a
cultural universal, common to basic and complex societies alike.
Even the forms folktales take are certainly similar from culture to
culture, and comparative studies of themes and narrative ways have
been successful in showing these relationships. Also it is
considered to be an oral tale to be told for everybody.
On the other hand, folklore can be used to accurately describe a
figurative narrative, which has no sacred or religious content. In
the
Jungian view, which is but
one method of analysis, it may instead pertain to unconscious
psychological patterns, instincts or
archetypes of the mind. This may or may not have
components of the
fantastic (such as
magic, ethereal beings or the
personification of inanimate objects). These folktales may or may
not emerge from a religious tradition, but nevertheless speak to
deep psychological issues. The familiar folktale, "
Hansel and Gretel," is an example of this
fine line. The manifest purpose of the tale may primarily be one of
mundane instruction regarding forest safety or secondarily a
cautionary tale about the dangers of
famine to large families, but its latent meaning may evoke a strong
emotional response due to the widely understood
themes and
motifs such as “The Terrible Mother”,
“Death,” and “Atonement with the Father.”
There can be both a moral and psychological scope to the work, as
well as entertainment value, depending upon the nature of the
teller, the style of the telling, the ages of the audience members,
and the overall context of the
performance. Folklorists generally resist
universal interpretations of
narratives
and, wherever possible, analyze
oral
versions of tellings in specific contexts, rather than print
sources, which often show the work or bias of the
writer or
editor.
Contemporary narratives common in the Western world include the
urban legend. There are many forms of
folklore that are so common, however, that most people do not
realize they are folklore, such as
riddles,
children's
rhymes and
ghost stories,
rumors
(including
conspiracy theories),
gossip,
ethnic
stereotypes, and
holiday
customs and life-cycle
rituals.
UFO abduction narratives can be seen, in some
sense, to refigure the tales of pre-Christian
Europe, or even such tales in the
Bible as the Ascent of Elijah to heaven.
Adrienne Mayor, in introducing a bibliography
on the topic, noted that most modern folklorists are largely
unaware of classical parallels and precedents, in materials that
are only partly represented by the familiar designation
Aesopica: "Ancient Greek and Roman
literature contains rich troves of folklore and popular beliefs,
many of which have counterparts in modern contemporary legends"
(Mayor, 2000).
Vladimir Propp's classic study
Morphology of the
Folktale (1928) became the basis of research into the
structure of folklore texts. Propp discovered a uniform
structure in Russian fairy tales. His book has
been translated into English, Italian, Polish and other languages.
The English translation was issued in USA in 1958, some 30 years
after the publication of the original. It was met by approving
reviews and significantly influenced later research on folklore
and, more generally, structural semantics.Though his work was based
on syntagmatic structure, it gave the scope to understand the
structure of folktale where he discovered thirty one function of
folktale
Material culture
Elements such as dolls, decorative items used in religious rituals,
hand-built houses and barns, and handmade clothing and other crafts
are considered to be folk artifacts, grouped within the field as
"material culture." Additionally, figures that depict characters
from folklore, such as statues of the
three wise monkeys may be considered to
be folklore artifacts, depending on how they are used within a
culture. The operative definition would depend on whether the
artifacts are used and appreciated within the same community in
which they are made, and whether they follow a community
aesthetic.
Culture as folklore
Folklorist
William Bascom states that
folklore has many cultural aspects, such as allowing for escape
from societal consequences. In addition, folklore can also serve to
validate a culture (romantic nationalism), as well as transmit a
culture's morals and values. Folklore can also be the root of many
cultural types of music. Folk, country, blues, and bluegrass all
originate from American folklore. Examples of artists which have
used folklore to produce beautiful music would be:
Bill Monroe,
Flatt
and Scruggs,
Old Crow
Medicine Show,
Jim Croce, and many
others. Folklore can also be used to assert social pressures, or
relieve them, in the case of
humor and
carnival.
In addition, folklorists study medical, supernatural, religious,
and political belief systems as an essential, often unspoken, part
of expressive culture.
Behavior as folklore
Many
rituals can sometimes be considered
folklore, whether formalized in a cultural or religious system
(e.g. weddings, baptisms, harvest festivals) or practiced within a
family or secular context. For example, in certain parts of the
United States (as well as other countries) one places a knife, or a
pair of scissors, under the mattress to "cut the birth pains" after
giving birth. Additionally, children's
counting-out games can be defined as
behavioral folklore.
Categories of folklore
National or ethnic
See also
References
Further reading
External links
Africa
Malta
Ireland
Roinn an Bhealoidis: Department of Folklore and Ethnology, 5
Elderwood, College Road, Cork, Ireland.
North America
Russia
Slovakia
Ukraine
United Kingdom