The Full Wiki

Gigantor: Map


Wikipedia article:

Map showing all locations mentioned on Wikipedia article:

Gigantor, which arrived to the United States television in 1964, is a local adaptation of the anime version of Tetsujin 28-go, a manga by Mitsuteru Yokoyama released in 1956. As with Speed Racer, the characters’ original names were altered and the original series’ violence was toned down for American viewers. Originally produced in black and white, the show was colorized and revived in the 1990s.


The series is set in the year 2000. The show follows the exploits of Little Jimmy Sparks, a 12-year-old boy who controls Gigantor , a huge flying robot, with a remote control. The robot is made of steel, and has a rocket-powered backpack for flight, a pointy nose, eyes that never move, and incredible strength, but no intelligence (although he started to tap his head as if trying to think in one episode). Whoever has the remote control controls Gigantor.

Originally developed as a weapon by Jimmy’s father, Gigantor was later reprogrammed to act as a guardian of peace. Jimmy Sparks lives with his uncle Dr. Bob Brilliant on a remote island. Jimmy usually wears shorts and a jacket, carries a firearm and occasionally drives a car. Together, Jimmy and Gigantor battle crime around the world, and clash with the many villains who are always trying to steal, or otherwise undermine, the giant robot.


In 1963, Fred Ladd, while working on the animated feature Pinocchio in Outer Space and on the animated TV series The Big World of Little Adam had seen artwork of Mitsuteru Yokoyama presenting a giant robot remote-controlled by a young boy. The Tokyomarker-based artist had designed the robot for a Japanesemarker shōnen manga series Tetsujin 28 and later a black-and-white animated TV series called Tetsujin 28-go.

Ladd, who had produced the successful international, English-language adaptation of Astroboy, and Al Singer formed a corporation called Delphi Associates, Inc. in order to produce and distribute an English-language version of Tetsujin 28-gō. They took only 52 episodes of the Japanese series for the American market, and renamed the series Gigantor. Peter Fernandez wrote much of the English script, and participated in the dubbing. The series became an immediate hit with juvenile audiences, though adult reactions were sometimes hostile.

It was playing at 7:00 p.m. on New York's WPIX-TVmarker in January 1966 when Variety gave it a particularly scathing review, calling it a "loud, violent, tasteless and cheerless cartoon." which was "strictly in the retarded babysitter class."

The reviewer added that Gigantor was popular; he said "Ratings so far are reportedly good, but strictly pity the tikes and their misguided folks."

Gigantor became a popular Japanese export during this time. The series was shown on Melbournemarker television in January 1968 through Trans-Lux, on Channel 10marker at 5:00pm. It was described by the TV Week as an "animated science fiction series about the world's mightiest robot, and 12-year-old Jimmy Sparks who controls the jet-propelled giant." The series aired in other markets around Australia, including New South Walesmarker (presumably around the same time) on the 0-10 Network's Sydneymarker affiliate, and in South Australiamarker on SAS-10marker, (making its Adelaidemarker debut on Monday 22 November 1971 at 4.30pm). It was also screened in New Zealandmarker around the same time.

Gigantor was one of a number of Japanese TV series that enjoyed strong popularity with young viewers in Australia during the 1960s. The first and undoubtedly the most successful of these was the hugely successful live-action historical adventure series The Samurai, the first Japanese TV series ever screened in Australia, which premiered in late 1964. It was followed by a contemporary ninja-based live action espionage series, Phantom Agents, and a number of popular Japanese animated series including Astro Boy, Ken The Wolf Boy, Prince Planet, Marine Boy and Kimba the White Lion, the cartoon series which is reputed to have been the uncredited basis for Disney's The Lion King.

In July 1994, Fox Family Films, a division of 20th Century Fox, acquired the rights to "Gigantor" for a live-action motion picture. Anticipating that Gigantor would become a franchise for the studio, Fox tapped screenwriters Steve Meerson and Peter Krikes to prepare the script and budgeted between $35 million and $50 million for the film. Executive producers Fred Ladd and Aeiji Katayama indicated that Mitsuteru Yokoyama would get an executive producer credit and that the 50 foot robot would be updated and modernized for the 1990s with a 12 foot height and morphed and computer-generated features. However, the project has yet to come to fruition and Mitsuteru Yokoyama has since died.


Whimsical English names were given to the show's characters, such as "Dick Strong", a secret agent; a funny policeman named "Inspector Blooper"; and enemies, such as, "The Spider", "Dubble Trubble", and "Dr. Katzmeow".

Jimmy Spark's voice was that of Billie Lou Watt. The voice of Inspector Blooper was that of Ray Owens. Gilbert Mack voiced Dick Strong. Peter Fernandez provided the voices of other Gigantor characters.

Theme song

The title song "Gigantor" was written by Louis C. Singer and Eugene Raskin.

A cover of the theme song "Gigantor", performed by The Dickies, reached #72 in the U.K in 1982. It can be also found on their re-release of Dawn of the Dickies 2000 Captain Oi! Records

A cover of the theme song "Gigantor", performed by Helmet, is included on the 1995 tribute album Saturday Morning: Cartoons' Greatest Hits, produced by Ralph Sall for MCA Records.

The theme song of Gigantor is parodied in the Pinky, Elmyra & the Brain episode "How I Spent My Weekend".


# Title

Sequels and Spin Offs

The 1980-81 Iron Man #28 (Tetsujin-nijuhachi-go) series was created with 51 episodes based on a modernized take upon the original concept art. In 1993, Ladd and the TMS animation studio converted the series into The New Adventures of Gigantor and broadcast it on America's Sci-Fi Channel from September 9, 1993 to June 30, 1997.

There was also a sequel series, Iron Man #28 FX (Tetsujin-nijuhachi-go-Efu-Ekkusu), about the son of the original controller operating a new robot (with Daddy and the original FX-less #28 appearing from time-to-time to help), which ran in Japan in 1992.

In 2004, a new Iron Man #28 series was made which returned to the original story established by the manga and original anime series. This version was released in the United States on DVD under the original Japanese title of Tetsujin 28. Unlike Gigantor however, the English transation of this series is closer to the original Japanese version, with all Japanese names retained.

A number of characters and robots from the Tetsujin 28 series appeared (albeit with altered backgrounds) in Giant Robo: The Animation, an OAV series that drew on Mitsuteru Yokoyama's entire body of work. In one of the Giant Robo parodic spin-off OAVs, "Mighty GinRei" (Tetsuwan GinRei), a version of the original Tetsujin appears under the name "Jintetsu".

A comic version of Gigantor ran in the Triple Action anthology series from Eternity Comics from issues #1-4.

An American made Gigantor comic book series was released in 2000 by Antarctic Press. The comic lasted for twelve issues and was later collected in 2005 in trade paperback form. The comic used elements from the anime Giant Robo as well as Marvel Comics references though the later issues became closer to the original animation.

Creators behind Gigantor have unveiled plans for another updated design, a "Gigantor for the New Millennium." This newest form of the giant robot is called G3 and differs from past designs. The new Gigantor is a meld of robot and cyborg. According to the main site: "Driven by a complex neuro-system of DNA-impregnated neurochips, Gigantor G3 is a living Cybot!".[104592]


  1. CD liner notes: Saturday Mornings: Cartoons’ Greatest Hits, 1995 MCA Records
  2. Variety, January 26, 1966
  3. Parker, Donna. (July 19, 1994) Hollywood Reporter Fox reinvents "Gigantor" robot. Page 3.
  4. Boehm, Mike. (February 16, 1988) Los Angeles Times Punks Make Contact at Lively Dickies/Circle Jerks Show. Section: Calendar; Page 8.

External links

Embed code:

Got something to say? Make a comment.
Your name
Your email address