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The Holy Crown of Hungary (Hungarian: Magyar Szent Korona, German: Stephanskrone, Croatian: Kruna svetoga Stjepana, Latin: Sacra Corona), also known as the Crown of Saint Stephen, appears to be the only secular crown today with the "holy" attribute; the Crown of Thorns is also known as the Holy Crown of Jesus, but is in a reliquary in Notre Dame Cathedralmarker.

The Hungarian coronation insignia consists of the Holy Crown, the sceptre, the orb, and the mantle. Since the twelfth century kings have been crowned with the still extant crown. The orb has the coat-of-arms of the Hungarian king Károly Róbert of Anjou (1310-1342); the other insignia can be linked to Saint Stephen.

The Crown was bound to the Lands of the Crown of Saint Stephen, (sometimes the Sacra Corona meant the Land, the Carpathian Basin, but it also meant the coronation body, too). No king of Hungary was regarded as having been truly legitimate without being crowned with it. In the history of Hungary, more than fifty kings were crowned with it (the two kings who were not so crowned were Sigismund Johann II and Joseph II).

It was first called the Holy Crown in 1256. During the 14th century royal power came to be represented not simply by a crown, but by just one specific object: the Holy Crown. This also meant that the Kingdom of Hungary was a special state: they were not looking for a crown to inaugurate a king, but rather, they were looking for a king for the crown; as written by Crown Guard Péter Révay. He also depicts that "the Holy Crown is the same for the Hungarians as the Lost Ark is for the Jewish".

Since 2000, the Holy Crown is in the Dome Hall of the Hungarian Parliament Buildingmarker.

Facts about the Crown

  • The exact date and location of the Crown's origin are unknown.
  • In the documents, the crown is considered to be a living entity. This derives from the legal point that the crown is the sole sovereign of the kingdom (and not the king), as stated in the Doctrine of the Holy Crown.
  • Latin letters can be found on the pictures of the upper part, and Greek letters can be found on the pictures of the lower part of the Crown.
  • The Crown’s shape is elliptic (the width is 203,9 mm, the length is 215,9 mm) and is larger than a (healthy) human’s head. During coronation, the would-be king had to wear a so-called 'kapa' made of leather, which was sewn for the size of the king, to hold the crown.
  • The weight of the Crown is 2056 g.
  • The gold-silver alloys used are different in case of the upper and the lower parts of the Crown.
  • The lower part of the Crown is asymmetric (the shape against the pattern).
  • A reliable consistent measurement system can be found which is true for almost all the parts of the Crown.

Why "Holy"?

As is the case with all European Christian crowns, it symbolizes a "frozen halo" and thus signifies that the wearer rules by Divine Right. According to popular tradition, St Stephen I held up the crown during the coronation (in the year 1000) to offer it to the "Nagyboldogasszony" (the Virgin Mary) to seal a divine contract between her and the divine crown. After this, the "Nagyboldogasszony" was depicted not only as patrona (patron saint) for the Kingdom of Hungary but also as regina (i.e. "queen"). This contract was supposed to empower the crown with divine force to help the future kings of Hungary and did help reinforce the political system based on the Doctrine of the Holy Crown.

If this crown had been received from the Pope it would have a double significance. On the one hand it meant that the Hungarian king was spiritually a direct descendant of the Pope, and not, therefore, a vassal of the Holy Roman Emperor. So it symbolized, within bounds, the sovereignty of the kingdom. On the other hand, it was an emblem of secular rule given by the Pope to the king so that he might support the aspirations of the Roman Catholic Church in the country.

However, according to scientific research, accepted also by the Hungarian Catholic Church, this crown was created during the reign of Béla III (1172-1196), with the possible use of golden elements coming from an earlier piece of jewelry, sent from the Vatican to the coronation of St Stephen I.

Origin of the crown

Holy Crown
According to the most accepted theory, which is represented in the publications of the Hungarian Academy of Sciences and also of the Hungarian Catholic Episcopal Conference, the Holy Crown of Hungary consists of two main parts: the corona graeca and the corona latina. It was created during the reign of Béla III under Byzantine influence. (The Hungarian king Béla III was brought up in the Byzantine court and was for a period the official heir to the throne there.)

The crowning of Stephen I, the first king of Hungarymarker, who was later canonized Saint Stephen, marks the beginning of Hungarian statehood. The date is variously given as Christmas 1000 or 1 January 1001.

One version of the origin of the crown is written by bishop Hartvik (between 1095-1116), in which the "Pope" has sent King Stephen I "his blessings and a crown". The basis for this belief is a biography by bishop Hartvik written around 1100-1110 at the request of King Könyves Kálmán. According to "Hartvik’s legend", St Stephen sent Archbishop Astrik of Esztergommarker to Romemarker to ask for or require (both are possible from original Latin script) a crown from the "Pope", but it does not tell the name of the Pope. No matter how much Astrik hurried, the Polishmarker king, Mieszko I's envoy was quicker, and the crown was prepared for the Polish king. The Pope had seen a dream during the night, seeing the angel of the Lord telling him there will be another envoy from another nation, asking for a crown for their own king. The angel told the Pope: "There will be another envoy from an unknown folk, who will ask for [or require] a crown, too, please give the crown to them, as they deserve it". The next day Astrik approached the Pope so he gave the crown to him. "Hartvik’s legend" appeared in the liturgical books and breviaries in Hungary around 1200, recalling the then-existing Pope, Pope Sylvester II. Consequently the story of how the crown had been sent by Pope Sylvester II spread throughout the Christian world, so in 1613, crown guard Péter Révai states that the entire crown was given to St Stephen by Pope Sylvester II. However, this legend can be considered biased, as Mieszko I was not living at the same time as either St. Stephen I or Pope Sylvester II. Also, in the "Greater Legend" of St Stephen, written around the time he was canonised (1083), we learn only that "in the fifth year after the death of his father (...) they brought a Papal letter of blessings (...) and the Lord’s favoured one, Stephen, was chosen to be king, and was anointed with oil and fortunately crowned with the diadem of royal honour". This legend clearly lacks the information that the crown was from Rome. Moreover, there are no documents found in Vatican Citymarker on the granting of the crown, even though the Vatican has a clear interest in handing over the crown from Rome, as it is representing subservience over the Kingdom of Hungary.

There is another version on the origin of Holy Crown, which is a popular fallacy: Thietmar von Merseburg (died in 1018) reports that Otto III of the Holy Roman Empire has consented to the coronation of St. Stephen, and the Pope is sending his blessings; so many historians argued he has also sent a crown, however, does not report on any crown, so it cannot follow any fact.

Beside the two main theories – donation by the pope and creation in the time of Béla III – there exist a number of different theories of the more romantic kind, putting the origin of the crown into the far past and into Asia.

The question to what extent the upper part of the Holy Crown indeed belonged to the crown of King Stephen I remained open until 1978, when the coronation insignia was returned to Hungary and a thorough examination could be carried out.

The differing styles and techniques used in making the enamel pictures and the fact that the inscriptions on the diadem are in Greek and on the bands in Latin suggest that the two parts were probably made in two different periods. However, we have to note that there are no known representations of any kind in which the crown is separated: the Holy Crown is always shown as one.

Type of the crown

There are three types of crowns:
  • domestic crown, which has no restrictions of usage,
  • the governing crown, which should be worn on pre-determined occasions, and
  • imparting crown (which is the Holy Crown of Hungary).

This crown should be worn only on the occasion of a coronation, and for the rest of the time two crown guards (koronaőr) guard it. Apart from this, there are only two other people who can touch it, the nádorispán (the highest secular title), who puts it onto a pillow during coronation, and the archbishop (the highest ecclesiastical title), who places it on the head of the king.

Structure of the crown and its icons

The Holy Crown was made of gold and decorated with nineteen enamel pictures as well as semi-precious stones, genuine pearls, and almandine. It has three parts: the lower diadem (corona greca), the upper intersecting bands (corona latina), and the cross on the top, which is today crooked.

There are four pendants (pendilium) hanging from chains on each side of the diadem and one in the back.

Corona Græca

The corona graeca ("Greek Crown") is 5.2 cm wide with a diameter of 20.5 cm.

The two aquamarine stones with cut surfaces on the back of the diadem were added as replacements by King Mátyás II (1608-1619). The enamel picture on the front depicts Christ Pantokrator. On the rim to the right and left of Jesus are pictures of the archangels Michael and Gabriel, followed by half-length images of the Saints George and Demetrius, and Cosmas and Damian.

In the arched frame on the back of the diadem Emperor Michael Dukas VII (1071-1078) is depicted. Below it to the left is the half-length picture of "Kon. Porphyrogennetos", this probably being either Emperor Michael’s brother and co-emperor Konstantios Doukas or of his son and heir Constantine Doukas, both having been born in the purple. To the right there is a picture of the Hungarian King Géza I (1074-1077), with the Greek inscription: "ΓΕΩΒΙΤZΑC ΠΙΣΤΟC ΚΡΑΛΗC ΤΟΥΡΚΙΑC" (Geōvitzas pistós králēs Tourkías, to be read probably as "Géza I, faithful kralj of the land of the Turksmarker"). The contemporary Byzantine name for the Hungarians was "Turks". As was customary in the hierarchy of the Byzantine state, clear differentiation is made between style of the emperors and that of the Hungarian king by using a hellenized form of the common South Slavic word for "king" (Kralj) for Géza. The saints and the Greek rulers have halos while Géza does not. The inscriptions of the emperors’ names are in red, while the Hungarian king’s is in dark blue or black.

The enamel plaques on the circular band, the panel depicting Christ Pantokrator, and the picture of Emperor Michael were all affixed to the crown using different techniques. The picture of the emperor could not be attached to the rim in the same way as the Pantokrator picture on the front. The frame was folded upwards and the picture of the emperor was nailed to the edge. We can thus conclude that the picture of Michael VII was not originally designed for this crown, but was probably used first somewhere else.

The corona græca with its pointed and arched plaques is identical to the form of the crowns of the Byzantine empresses – in other words it was a woman’s crown. It was given by Emperor Michael Dukas VII to King Géza’s wife, who was of the Greek Synadenos family, around 1075. The gift was not a new crown, but rather an old crown designed for a woman that had to be selected from the Emperor’s treasury and remodelled. The enamel pictures that become outdated were removed, since either represented earlier historical figures or were not appropriate for the Hungarian queen according to court protocol. It was in this form that the crown was sent to Hungary.

Corona Latina

The corona latina ("Latin Crown") is not an independent object, as it has no function alone. It was designed to be attached to the top rim of the Corona Græca and provide a cupola-shaped top. It was made of four 5.2-cm-wide gold sheets welded to the edge of a square central panel (7.2*7.2 cm).

The inscription on the pictures of the saints and the style of their lettering suggest the date when they were made. Amidst the antique-style capital letter, the T in Thomas and the second U in Paulus are formed in the style characteristic of the Latin letters used on Byzantine coins, a practice abandoned in the middle of the eleventh century. They may have decorated a reliquary box or a portable altar given to István I by the pope. It is also possible, although cannot be verified, that István I received a crown as a gift from one of the popes, reciprocating his – historically documented - gifts. The picture of the apostles, however, based on their style, cannot be dated to around 1000.

The intersecting bands are edged with beaded gold wire that closes off the lower end of the bands and finishes off the system of decoration. There are twelve pearls on the central panel and a total of seventy-two altogether on the Corona Latina, symbolising the number of Christ’s disciples,. (Acts 10.1).

The central panel is decorated with a square cloisonné enamel picture depicting Christ Pantokrator. Each band has two (altogether eight) pictures of standing apostles identical to the first eight listed in Acts 1.13.

Éva Kovács and Zsuzsa Lovag suggest that the corona latina was originally a large Byzantine liturgical asterisk from a Greek monastery in Hungary. In order to get it to fit into it new role the apostles at the bottom of each of the four arms of this asterisk were cut off before it was very crudely attached to the inside of the corona graeca to transform this Byzantine open crown into a closed crown (i.e., the type of crown proper to the Autocrat, the senior emperor or monarch in Byzantine imperial protocol) and to provide a base for the reliquary cross at its summit (see Cross).


The cross is attached to the crown in a rough manner, breaking through the image of Christ on the top. This addition might have taken place during the XVI century. The cross was knocked crooked in the 17th century when the crown was damaged, possibly by the top of the iron chest housing the insignia being hastily closed without the crown having been placed in it properly. The cross has since been left in this slanted position, and is always depicted as such.

Éva Kovács and Zsuzsa Lovag suggest that the present plain cross on the top of the crown is a replacement of an original double barred reliquary cross containing three pieces of the True Cross and that it was this presence of the True Cross in the Holy Crown which made it holy. They note that the carved sapphire set in the cross on the top of the St. Wenceslas Crown of Bohemia similarly contains a sliver of the True Cross. They suggest that in one of the dynamic squabbles over the possession of the Holy Crown one of the parties broke off this reliquary cross to prevent the most essential element of the Holy Crown from falling into the hands of their rivals. Later, it was the Crown itself that came to be regarded as holy through its traditional association with St. Stephen. One might note in this regard the early use of the double barred cross and crown in the ancient Hungarian royal coat of arms. This also helps to substantiate the theory that the Holy Crown was always intended to serve its historical role of legitimatizing the position of its wearer as the true divinely appointed king of Hungary.

The crown as a whole

The form of the Holy Crown is identical to that of the kamelaukion-type crowns with closed tops introduced in the Byzantine Empire. The use of many pictures is also typical of Byzantine crowns. When the intersecting bands were added to the corona graeca during the rule of Béla III, who had been brought up in Constantinople, the bands were decorated just as the corona graeca was, perhaps with the intention of imitating the Byzantine crowns.

Links to the first Hungarian king, St István

Beside the using of the intersecting bands of the corona latina, which probably came from the treasury of St. István, at the time of the creation of the crown there existed further expectation that the coronation insignia would eventually include additional gold works that could be linked to the first, beatified Hungarian king, István.

The inscription embroidered onto the coronation mantle indicates with all certainty that István I and Queen Gizella had it made in 1031.

The coronation sceptre with the orb at the end can also be dated to the time of St István. On the seals of Henry II, Holy Roman Emperor, and Rudolph III of Burgundy, the rulers are holding identically shaped sceptres. Such short-staffed sceptres ending in orbs were not in use as insignia earlier or later.

Legal personality concept of the crown

The crown's raw gold and jewelry value was assessed at a mere 20,000 gold forints in the early 19th century, but its artistic value and spiritual power are immense. Charles Robert (Charles I of Hungary) had to be crowned three times because it was not until he was crowned with the Holy Crown, in 1310, that the coronation was seen as legally binding. Another, more recent, example of the powers of the Crown is the fact that inter-war Hungary after the last Habsburg king of Hungary, Charles IV, tried and failed to retain the throne in 1921 remained a kingdom without a king until 1946.

In such times the Virgin Mary would be considered a formal monarch of Hungary, but this venue was not pursued due to regent Horthy's Protestant faith. Instead the favored idea was Szent Korona Állameszmény, which assigned legal personhood to the Holy Crown and declared that all state powers of the monarch or the government stem solely from the sacred powers of the headgear. A monarch or a regent was formally seen as a mere arm for the crown. The concept was used to push Hungary toward a rightist regime intent on re-securing the Lands of Saint Stephen, a course which ultimately tied the country to Hitler's Third Reich and ended in severe World War II destruction.

The present day use of the Holy Crown in Hungarian state heraldry and official papers is still controversial with neighbouring countries who continue to suspect that it represents Magyar intentions to reclaim the lost territories of the former Kingdom of Hungary. The people of Hungary generally respect the crown as a symbolic reminder of the nation's successful survival through a millennium of turbulent central European history, but they are deeply divided over the conservative political movements' efforts to claim specific powers for the crown.

The regalia in modern times

The Holy Crown has had a lively history, having been stolen, hidden, lost, recovered, and taken abroad many times. During the Árpád dynasty (1000 - 1301), the coronation insignia were kept in the coronation city of Székesfehérvármarker. Later the crown was housed in one of three locations: Visegrádmarker (in Pest countymarker); Pozsonymarker (present-day Bratislava); or Buda. Lajos Kossuth took the crown and the coronation jewels with him after the collapse of the Hungarian Revolution of 1848 and buried them in a wooden box in a willow forest, near Orsovamarker in Transylvania. They were subsequently dug up and returned to the royal castle in Buda in 1853.

At the end of the Second World War the crown jewels were recovered in Mattseemarker, Austria on 4 May 1945 by the U.S. 86th Infantry Division. The crown jewels were transported to Western Europe and eventually given to the American Army by the Hungarian Crown Guard for safekeeping from the Soviet Union. For much of the Cold War the crown was held at the United States Bullion Depositorymarker (Fort Knoxmarker, Kentuckymarker) alongside the bulk of America's gold reserves and other priceless historical items. After undergoing extensive historical research to verify the crown as genuine, it was returned to the people of Hungary by order of U.S. President Jimmy Carter on 6 January 1978. Most current academic knowledge about Hungarian royal garments originates from this modern research. Following substantial U.S. political debate, the agreement to return the jewels contained many conditions to ensure the people of Hungary, rather than its Communist government, took possession of the jewels.

After the fall of Communism, the crown was incorporated into the national coat of arms in 1990, the National Assembly choosing the pre-war coat of arms in preference to the crown-less Kossuth arms of 1849.

In a unique case in Europe, almost the entire medieval ensemble of coronation insignia survived. On January 1, 2000, the Holy Crown of Hungary was moved to the Hungarian Parliament Buildingmarker from the Hungarian National Museummarker. The sceptre, orb and the coronation sword were also moved to the Parliament.

The very large coronation mantle remains in a glass inert gas vault at the National Museum due to its delicate, faint condition. Unlike the crown and accompanying insignia, the originally red coloured mantle is considered genuine to Stephen I, as it was made circa 1030. Codices describe the robe as a donation handiwork of the queen and her sisters and the mantle's middle back bears the king's only known portrait (which shows his crown was not the currently existing one). Circular inscription sewing in Latin identifies the coat as a bishop's chasuble.

The scepter is considered the artistically most valuable piece of the Hungarian royal inventory. It contains a solid rock crystal ball decorated with engraved lions, a rare product of the 10th century Fatimid empire. Its handle contains a wooden rod surrounded by very fine wrought silver ornaments.

The ceremonial straight sword kept in the Holy Crown collection is a 14th century Italian product. However, the original daily use sword of Stephen I survives in Praguemarker's St. Vitus Cathedralmarker since 1368. The good condition of this short-bladed (60 cm ~ 2 ft) ivory-decorated Norman sword pays homage to the art of smiths at Ulfberht, a 10th century Viking steelwork on the Rhinemarker--see Oakeshott typology. Although the sword regularly visits Hungary as a museum loan, it has never been featured in Hungarian royal inaugurations.

The titular lance of King Stephen I (as seen on the Mantle portrait) was reportedly obtained by the Holy Roman Emperor circa 1100.

Other representations

See also


  1. "De sacra corona regni Hungariae ortu, virtuti, victoria, fortuna... brevis commentarius, 1613
  2. Németh Zsolt: A magyar Szent Korona, BKL Kiadó, 2007.
  3. Beöthy et al.: Eppur si ..., Fizikai Szemle, 1984/2.
  4. Zombori, I, Cséfalvay, P., Maria Antonietta De Angelis: A Thousand Years of Christianity in Hungary – Hungariae Christianae Millennium – Published by the Hungarian Catholic Episcopal Conference, Budapest, 2001, for the exhibition in the Musea of Vatican, Vatican City, 10 October 2001 – 12 January 2002 – under the auspices of Prime Minister Viktor Orbán
  5. Magyar koronazasi jelvenyek, Eva Kovacs and Zsuzsa Lovag Budapest: Corvina Kiado, 1980; The Hungarian crown and other regalia translated by Peter Balban; translated and revised by Mary and Andras Boros-Kazai.
  6. Ibid.


  • Bárány-Oberscall M. von, Die Sankt Stephans-Krone und die Insinien des Königreichs Ungarn, Vienna-Munich 1974

  • Benda K.-Fügedi E. Tausend Jahre Stephanskrone, Budapest 1988.

  • Deér J., Die Heilige Krone Ungarnsin, in Denkschriften der Österreichsischen akademie d. Wiss. Phil.hist. Kl, 91, Vienna 1966.

  • Fügedi E., Medieval Coronations in Hungary in Studies in Mediaeval and Renaissance History 3, 1981.

  • Kovács É.-Lovag Zs., Die Ungarischen Krönungsingien, Budapest 1980.

  • Tóth E., Szelényi K., Die heilige Krone von Ungarn, Budapest 2000.

  • Tóth E., A koronázási palást és jogar (The Coronational Cloak and Sceptre), Szeged 2000.

  • Tóth E. Das ungarische Krönungspectrum, in Folia Archaeologia 47, 2000.

  • Vajay Sz. De Corona Regia. Corona. Regni, Sacra Corona: Königskronen und Kronensymbolik in mittelalterlichen Ungarn, in Ungarn Jahrbuch 7, 1976m pp. 37-64.

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