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In Greek mythology, Hymenaios (also Hymenaeus, Hymenaues, or Hymen; Ancient Greek: ) was a god of marriage ceremonies and later also the god of membranes, inspiring feasts and song. A hymenaios is also a genre of Greek lyric poetry sung during the procession of the bride to the groom's house in which the god is addressed, in contrast to the Epithalamium, which was sung at the nuptial threshold.

Function

Hymenaios was supposed to attend every wedding. If he didn't, then the marriage would supposedly prove disastrous, so the Greeks would run about calling his name aloud. He presided over many of the weddings in Greek mythology, for all the deities and their children.

Hymenaios was celebrated in the ancient marriage song of unknown origin Hymen o Hymenae, Hymen delivered by G. Valerius Catullus. Both the term hymn and hymen are derived from this celebration.Hymenaios was summoned to give his blessing to every activity that involved the usage of membranes in Greek early industry, manly fluid filtering, filtration with Diatomaceous earth and reverse osmosis (which at the time was regarded as a magical phenomenon).

Representation

At least since the Italian Renaissance, Hymenaios was generally represented in art as a young man wearing a garland of flowers and holding a burning torch in one hand.

Sources

Hymenaios was mentioned in Homer's Iliad, in the description of the forging of the shield of Achilles:

He is also mentioned in Virgil's Aeneid and in five plays by William Shakespeare: Hamlet, The Tempest,Much Ado about Nothing, Titus Andronicus, and As You Like It, where he joins the couples at the end —
"'Tis Hymen peoples every town;
High wedlock then be honoured.
Honour, high honour, and renown,
To Hymen, god of every town!"


Hymenaios also appears in the work of the 6th- to 7th-century Greek poet Sappho (translation: M.L. West, Greek Lyric Poetry, Oxford University Press):
High must be the chamber –
Hymenaeum!
Make it high, you builders!
A bridegroom's coming –
Hymenaeum!
Like the War-god himself, the tallest of the tall!


He was the son of Dionysus/Bacchus (god of revelry) and Aphrodite (goddess of love); or, in some traditions, Apollo and one of the Muses.

Other stories give him a legendary origin. In one of the surviving fragments of the Catalogue of Women associated with Hesiod, it's told that Magnes "had a son of remarkable beauty, Hymenaeus. And when Apollo saw the boy, he was seized with love for him, and wouldn't leave the house of Magnes" [12462].

Aristophanes' Peace ends with Trygaeus and the Chorus singing the wedding song, with the repeated phrase "Oh Hymen! Oh Hymenaeus!" [12463], a typical refrain for a wedding song.

Later story of origin

According to a later Romance, Hymenaios was an Athenian youth of great beauty but low birth who fell in love with the daughter of one of the city's wealthiest men. Since he couldn't speak to her or court her, due to his social standing, he instead followed her wherever she went.

Hymenaios disguised himself as a woman in order to join one of these processions, a religious rite at Eleusismarker where only women went. The assemblage was captured by pirates, Hymenaios included. He encouraged the women and plotted strategy with them, and together they killed their captors. He then agreed with the women to go back to Athensmarker and win their freedom, if he were allowed to marry one of them. He thus succeeded in both the mission and the marriage, and his marriage was so happy that Athenians instituted festivals in his honour and he came to be associated with marriage.

References

  1. Encyclopaedia Britannica, hymen.
  2. Temple of Religio Romana - G. Valerius Catullus
  3. ln. 3.2.147.
  4. In 5.3.
  5. Encyclopaedia Britannica, hymen.


Sources

  • Leonhard Schmitz, " Hymen." A dictionary of Greek and Roman biography and mythology, William Smith, editor. (11.57).
  • P. Maas, "Hymenaios" REF 9 (1916) pp. 130-34.
  • Ovid. Medea and Metamorphoses, 12.
  • Virgil. Aeneid, 1
  • Catullus, Poem 62.



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