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Jean Gabin (17 May 1904 – 15 November 1976) was a major French actor and war hero.

Biography

Born Jean-Alexis MoncorgĂ© in Parismarker, he grew up in the village of MĂ©rielmarker in the Seine-et-Oisemarker dĂ©partement, about 22 mi (35 km) north of Paris. The son of cabaret entertainers, he worked as a laborer, but at age 19 entered show business with a bit part in a Folies Bergèresmarker production. He continued performing in a variety of minor roles before going into the military.

After completing his military service, Gabin returned to the entertainment business, working under the stage name of Jean Gabin at whatever was offered in the Parisian music halls and operettas imitating the singing style of Maurice Chevalier which was the rage at the time. He was part of a troupe that toured South America and upon returning to France found work at the Moulin Rougemarker. His performances started getting noticed and better stage roles came along that led to parts in two silent films in 1928.

Two years later, he easily made the transition to talkies in a 1930 Pathé Frères production titled Chacun sa Chance. Playing secondary roles, Gabin made more than a dozen films over the next four years, including films directed by Maurice and Jacques Tourneur. However, he only gained real recognition for his performance in Maria Chapdelaine, a 1934 production directed by Julien Duvivier. Cast as a romantic hero in a 1936 war drama titled La Bandera, this second Duvivier-directed film established Gabin as a major star. The following year, he teamed up with Duvivier again, this time in the highly successful Pépé le Moko that became one of the top Grossing Films of 1937 worldwide; its popularity brought Gabin international recognition. That same year, he starred in the Jean Renoir masterpiece La Grande Illusion, an anti-war film that was a huge box office success and given universal critical acclaim, even running at a New York Citymarker theatre for an unprecedented six months. This was followed by another one of Renoir's great successes: La Bête Humaine (The Human Beast), a film noir tragedy based on the novel by Émile Zola and starring Gabin and Simone Simon, as well as Le Quai Des Brumes (Port of Shadows), one of director Marcel Carné's most acclaimed films.

Flooded with offers from Hollywoodmarker, for a time Gabin turned them all down until the outbreak of World War II. Following the Germanmarker occupation of France, he joined Jean Renoir and Julien Duvivier in the United States. Divorced from his second wife in 1939, during his time in Hollywood, Gabin began a torrid romance with actress Marlene Dietrich. However, his films in America proved less than successful.

A difficult personality, he did serious damage to his Hollywood career while working for RKO Pictures. Scheduled to star in an RKO film, at the last minute he demanded Dietrich be given the co-starring role. The studio refused. After Gabin remained steadfast in his demand, he was fired, and the film project was shelved.

Undaunted, Jean Gabin joined General Charles de Gaulle's Free French Forces and earned the MĂ©daille Militaire and a Croix de Guerre for his wartime valor fighting with the Allies in North Africa. Following D-Day, Gabin was part of the military contingent that entered a liberated Paris.

In 1946, Gabin was hired by Marcel Carné to star in the film, Les Portes de la Nuit, but his conduct got him fired again. He then found a French producer and director willing to cast him and Marlene Dietrich together, but their film Martin Roumagnac was not a success and their personal relationship soon ended. Following another box office failure in 1947, Gabin returned to the stage, but there too, the production was another financial disaster. Nevertheless, he was cast in the lead role of the 1949 René Clément film Au-Delà Des Grilles that won the Academy Award for Best Foreign Language Film. Despite this recognition, the film did not do well at the French box office, and the next five years brought little more than repeated box office failures.

Gabin's career seemed headed for oblivion. However, he made a comeback in the 1954 film, Touchez pas au grisbi. Directed by Jacques Becker, his performance earned him critical acclaim, and the film was a very profitable international success. Later, worked once again with Jean Renoir in French Cancan, with Maria Felix and Françoise Arnoul. Over the next twenty years, Gabin made close to 50 more films, most of them very successful commercially and critically, including many for Gafer Films, his production partnership with fellow actor Fernandel.

His co-stars included leading figures of post-war cinema such as Brigitte Bardot (En cas de malheur), Alain Delon (Le Clan des Siciliens and Deux hommes dans la ville) and Jean-Paul Belmondo (Un singe en hiver).

Gabin died of a leukaemia at the American Hospital of Paris, in the Parisian suburb of Neuilly-sur-Seine. His body was cremated and with full military honours, his ashes were dispersed into the sea from a military ship.

Considered one of the great stars of French cinema, he was made a member of the Legion of Honor. The Musée Jean Gabin in his native town, Mériel, contains his story and features his war and film memorabilia.

Selected filmography



References



Bibliography

  • World's Coolest Movie Star: The Complete 95 Films (and Legend) of Jean Gabin, by Charles Zigman (Allenwood Press 2008). Features introductions by Gabin's co-stars Michele Morgan and Brigitte Bardot, and an 'appreciation' by David Mamet.


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