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Jeff Koons (born January 21, 1955) is an Americanmarker artist known for his giant reproductions of banal objects such as balloon animals produced in stainless steel with mirror finish surfaces, often brightly colored. Koons' work has sold for substantial sums including at least one world record auction price for a work by a living artist. Critics are sharply divided in their views of Koons. Some view his work as pioneering and of major art-historical importance. Others dismiss his work as kitsch: crass and based on cynical self-merchandising. Koons himself has stated that there are no hidden meanings in his works.

Life and art

Early life and work

Koons was born in York, Pennsylvaniamarker and as a child he went door to door after school selling gift-wrapping paper and candy to earn pocket-money. As a teenager he revered Salvador Dalí, to the extent that he visited him at the St. Regis Hotel in New York Citymarker. Koons studied painting at the School of the Art Institute of Chicagomarker and the Maryland Institute College of Artmarker. After college, he worked as a Wall Streetmarker commodities broker while establishing himself as an artist. He gained recognition in the 1980s and subsequently set up a factory-like studio in a SoHo loft on the corner of Houston and Broadway in New York. It was staffed with over 30 assistants, each assigned to a different aspect of producing his work—in a similar mode as Andy Warhol's Factory.

Koons's early work was in the form of conceptual sculpture, an example of which is Three Ball 50/50 Tank (1985), consisting of three basket balls floating in distilled water that half-fills a glass tank.

Arts journalist Arifa Akbar reported for The Independent that in “an era when artists were not regarded as ‘stars’, Koons went to great lengths to cultivate his public persona by employing an image consultant." Featuring photographs by Matt Chedgey, Koons placed "advertisements in international art magazines of himself surrounded by the trappings of success” and gave interviews “referring to himself in the third person.”

Koons then moved on to Statuary, the large stainless-steel blowups of toys, followed by the Banality series that culminated in 1988 with Michael Jackson and Bubbles, a series of three life-size gold-leaf plated porcelain statues of the sitting singer cuddling Bubbles, his pet chimpanzee. Three years later, one of these sold at Sotheby's New York for $5.6 million and now is in the permanent collection of the San Francisco Museum of Modern Artmarker. The statue was included in a 2004 retrospective at the Astrup Fearnley Museum of Modern Art in Oslomarker which traveled a year later to the Helsinki City Art Museum. It also featured in his second retrospective at the Museum of Contemporary Art, Chicago, in 2008.

Relationships

Koons and his college girlfriend had a daughter together who was given up for adoption: now named Shannon Rodgers, she reconnected with Koons in 1995.

In 1991, he married Hungarian-born naturalized-Italian pornography star Cicciolina (Ilona Staller) who for five years (1987–1992) pursued an alternate career as a member of the Italian parliament. His Made in Heaven series of paintings, photographs, and sculptures portrayed the couple in explicit sexual positions and created even more controversy.

In 1992, they had a son, Ludwig. The marriage ended soon afterward. They agreed to joint custody of the child, but Staller absconded from New York to Rome with the child, where mother and son remain. A long custody battle ensued with the award of sole custody to Koons by the U.S. court in 1998, which had also dissolved the marriage. However, he ended up losing custody when the case went to Italy's Supreme Court.

In 2008, Staller filed suit against Koons for failing to pay child support.

Koons is now married to Jusine Wheeler, an artist and former employee who began working for Koons' studio in 1995.

Puppy 1992

Tulips in Bilbao
Koons was commissioned in 1992 to create a piece for an art exhibition in Bad Arolsenmarker, Germanymarker. The result was Puppy, a forty-three feet (12.4 m) tall topiary sculpture of a West Highland White Terrier puppy, executed in a variety of flowers on a steel substructure. In 1995, the sculpture was dismantled and re-erected at the Museum of Contemporary Art on Sydney Harbourmarker on a new, more permanent, stainless steel armature with an internal irrigation system.

The piece was purchased in 1997 by the Solomon R. Guggenheim Foundation and installed on the terrace outside the Guggenheim Museum Bilbaomarker. Before the dedication at the museum, an Euskadi Ta Askatasuna (ETA) trio disguised as gardeners attempted to plant explosive-filled flowerpots near the sculpture, but was foiled by Basque police officer Jose María Aguirre, who then was shot dead by ETA members. Currently the square in which the statue is placed bears the name of Aguirre. In the summer of 2000, the statue travelled to New York Citymarker for a temporary exhibition at Rockefeller Centermarker.

Media mogul Peter Brant and his wife, model Stephanie Seymour, have an exact Jeff Koons duplicate of the Bilbaomarker statue on the grounds of their Connecticut estate.

In 1999, Koons commissioned a song about himself on Momus' album Stars Forever.

Recent work

In 2001, Koons undertook a series of paintings titled Easyfun-Ethereal, using a collage approach that combined bikinis (with the bodies removed), food, and landscapes painted under his supervision by assistants.

In 2006, he appeared on Artstar, an unscripted television series set in the New York art world and from February 15 to March 6, 2008, he donated a private tour of his studio to the Hereditary Disease Foundation for auction on www.charitybuzz.com.

In 2006, Koons showed his Hanging Heart, a 9 feet tall highly polished, steel heart, one of a series of five differently colored examples, part of his Celebration series. Large sculptures from that series were exhibited at the Metropolitan Museum of Artmarker in New York in 2008.
A drawing similar to his Tulip Balloons was placed on the front page of the Internet search engine Google. The drawing greeted all who visited Google's main page on April 30, 2008 and May 1, 2008.

Cracked Egg (Blue) won the 2008 Charles Wollaston Award for the most distinguished work in the Royal Academy'smarker Summer Exhibition.

Considered as his first retrospective in France, the 2008 exhibition of seventeen Koons sculptures at the Chateau de Versaillesmarker also marked the first ambitious display of a contemporary American artist organized by the chateau. The New York Times reported that “several dozen people demonstrated outside the palace gates” in a protest arranged by a little-known, right-wing group dedicated to French artistic purity.

Koons had a minor role in the 2008 film Milk playing state assemblyman Art Agnos.

The May 31 – September 21, 2008 Koons retrospective at the Museum of Contemporary Art, Chicagomarker, which was widely publicized in the press, broke the museum's attendance record with 86,584 visitors. In July 2009, Koons had his first major solo show in London, at the Serpentine Gallerymarker. Entitled, "Jeff Koons: Popeye Series," the exhibit included cast aluminum models of children’s pool toys and "dense, realist paintings of Popeye holding his can of spinach or smoking his pipe, a red lobster looming over his head."

Art prices

Koons' works have sold for astronomical prices at auctions and privately. In 2001, one of his three Michael Jackson and Bubbles porcelain sculptures sold for $5.6 million. On November 14, 2007, a magenta Hanging Heart, one of five in different colors, sold at Sotheby's New York for $23.6 million becoming, at the time, the most expensive piece by a living artist ever auctioned. It was bought by the Gagosian Gallery in New York, which the previous day had purchased another Koons sculpture entitled "Diamond (Blue)" for $11.8 million from Christie's London. Gagosian appears to have bought both Celebration series works on behalf of Ukrainian steel oligarch, Victor Pinchuk. In July 2008, his Balloon Flower (Magenta) also sold at Christie's London for a record $25.7 million. During thelate 2000s recession, however, art prices plummeted and a violet Hanging Heart sold for $11 million in a private sale. However prices for the artist's earlier Luxury and Degradation series appear to be holding up. The Economist reported that Thomas H. Lee, a private-equity investor, sold “Jim Beam J.B. Turner Train” in a package deal brokered by Giraud Pissarro Segalot for more than $15 million.

Classification

Among curators and art collectors and others in the art world, Koons's work is labeled as Neo-pop or Post-Pop as part of an 80s movement in reaction to the pared-down art of Minimalism and Conceptualism in the previous decade. Koons resists such comments: "A viewer might at first see irony in my work... but I see none at all. Irony causes too much critical contemplation." Koon's crucial point is to reject any hidden meaning in his artwork. The meaning is only what one perceives at first glance; there is no gap between what the work is in itself and what is perceived.

He has caused controversy by the elevation of unashamed kitsch into the high art arena, exploiting more throwaway subjects than, for example, Warhol's soup cans. His work Balloon Dog (1994-2000) is based on balloons twisted into shape to make a toy dog.

His sculpture differs in two major respects to the original:

  1. it is made of metal (painted bright red to give the appearance of balloons),
  2. it is more than ten feet (three metres) tall.


Evaluation and Influence

Koons has received extreme reactions to his work. Critic Amy Dempsey described his Balloon Dog as "an awesome presence... a massive durable monument." Jerry Saltz at artnet.com enthused that it was possible to be "wowed by the technical virtuosity and eye-popping visual blast" of Koons's art.

Mark Stevens of The New Republic dismissed him as a "decadent artist [who] lacks the imaginative will to do more than trivialize and italicise his themes and the tradition in which he works... He is another of those who serve the tacky rich." Michael Kimmelman of The New York Times saw "one last, pathetic gasp of the sort of self-promoting hype and sensationalism that characterized the worst of the 1980s" and called Koons's work "artificial," "cheap" and "unabashedly cynical."

In an article comparing the contemporary art scene with show business, renowned critic Robert Hughes wrote that Koons is “an extreme and self-satisfied manifestation of the sanctimony that attaches to big bucks. Koons really does think he's Michelangelo and is not shy to say so. The significant thing is that there are collectors, especially in America, who believe it. He has the slimy assurance, the gross patter about transcendence through art, of a blow-dried Baptist selling swamp acres in Florida. And the result is that you can't imagine America's singularly depraved culture without him.” Hughes placed Koons's work just above that of Seward Johnson and was quoted in a New York Times article as having stated that comparing their careers was "like debating the merits of dog excrement versus cat excrement -- although Mr. Hughes would never use a word as flat and unevocative as excrement."

To the question - “Is it important that your work be famous?” - Koons replied: "There’s a difference between being famous and being significant. I’m interested in [my work's] significance — anything that can enrich our lives and make them vaster — but I’m really not interested in the idea of fame for fame’s sake."

He has influenced younger artists such as Damien Hirst (e.g. in Hirst's Hymn, an eighteen-foot version of a fourteen-inch anatomical toy), and Mona Hatoum. In turn, his extreme enlargement of mundane objects owes a debt to Claes Oldenburg and Coosje van Bruggen. Much of his work also was influenced by artists working in Chicago during his study at the Art Institute, including Jim Nutt, Ed Paschke, and H. C. Westermann.

In 2005, he was elected as a Fellow to the American Academy of Arts and Sciencesmarker.

Copyright infringement litigation

Koons has been sued several times for copyright infringement over his use of pre-existing images, the original works of others, in his work. In Rogers v. Koons, 960 F.2d 301 (2d Cir. 1992), the U.S. Court of Appeals for the Second Circuit upheld a judgment against him for his use of a photograph of puppies as the basis for a sculpture, String of Puppies.

Koons also lost lawsuits in United Features Syndicate, Inc. v. Koons, 817 F. Supp. 370 (S.D.N.Y. 1993), and Campbell v. Koons, No. 91 Civ. 6055, 1993 WL 97381 (S.D.N.Y. Apr. 1, 1993).

More recently, he won one lawsuit, Blanch v. Koons, No. 03 Civ. 8026 (LLS), S.D.N.Y., Nov. 1 2005 (slip op.), affirmed by the Second Circuit in October, 2006, brought over his use of a photographic advertisement as source material for legs and feet in a painting, Niagara (2000). The court ruled that Koons had sufficiently transformed the original advertisement so as to qualify as a fair use of the original image.

Sources

Print



Primary sources

  • Koons, Jeff. The Jeff Koons Handbook. New York: Rizzoli, 1993. ISBN 0-8478-1696-6.


Secondary sources



Online



References

Film and video

  • Jeff Koons: the Banality Work by Jeff Koons, Paul Tschinkel, Sarah Berry. Videorecording produced by Inner Tube Video and Sonnabend Gallery (New York, NY), 1990.
  • His Balloon Dog (Red) sculpture was one of the artworks brought to life in Night at the Museum: Battle of the Smithsonian.


Also see



External links




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