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John McLaughlin (born 4 January, 1942 in Doncastermarker), also known as Mahavishnu John McLaughlin, is an Englishmarker jazz fusion guitarist and composer. He played with Tony Williams's group Lifetime and then with Miles Davis on his landmark electric jazz-fusion albums In A Silent Way and Bitches Brew. His 1970s electric band, The Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused eclectic jazz and rock with eastern and Indian influences. His guitar playing includes a range of styles and genres, including jazz, Indian classical music, fusion, and Western Classical music, and has influenced many other guitarists. He has also incorporated Flamenco music in some of his acoustic recordings. The Indian Tabla maestro Zakir Hussain has called John McLaughlin "one of the greatest and most important musicians of our times". In 2003, McLaughlin was ranked 49th in Rolling Stone magazine list of the "100 Greatest Guitarists of All Time"

Biography

1960s

From a family of musicians (his mother being a concert violinist), McLaughlin studied violin and piano as a child, but took up the guitar at the age of 11, exploring styles from flamenco to the jazz of Stephane Grappelli. McLaughlin moved to London from Yorkshire in order to involve himself in the thriving music scene in the early 1960s, starting with outfits such as the Marzipan Twisters before moving on to Georgie Fame's backing band, the Brian Auger band, and importantly, the Graham Bond Quartet in 1963. During the 1960s he often had to support himself with session work, which he often found unedifying, but which radically enhanced his playing and sight-reading skills.

Before moving to the U.S.marker, McLaughlin recorded Extrapolation (with Tony Oxley and John Surman) in 1969, in which he showed technical virtuosity, inventiveness and the ability to play in odd meters. He moved to the U.S. in 1969 to join Tony Williams's group Lifetime. He subsequently played with Miles Davis on his landmark albums In A Silent Way, Bitches Brew (which has a track named after him), On The Corner, Big Fun (where he is featured soloist on Go Ahead John) and A Tribute to Jack Johnson — Davis paid tribute to him in the liner notes to Jack Johnson, calling McLaughlin's playing "far in." McLaughlin returned to the Davis band for one recorded night of a week-long club date, which was released as part of the album Live-Evil and as part of the Cellar Door boxed set.

A recording from the Record Plant, NYC, dated 3/25/69 exists of McLaughlin jamming with Jimi Hendrix. McLaughlin recollects "we played one night, just a jam session. And we played from 2 until 8, in the morning. I thought it was a wonderful experience! I was playing an acoustic guitar with a pick-up. Um, flat-top guitar, and Jimi was playing an electric. Yeah, what a lovely time! Had he lived today, you'd find that he would be employing everything he could get his hands on, and I mean acoustic guitar, synthesizers, orchestras, voices, anything he could get his hands on he'd use!"

His reputation as a "first-call" session player grew, resulting in recordings as a sideman with Miroslav Vitous, Larry Coryell, Joe Farrell, Wayne Shorter, Carla Bley, The Rolling Stones, and others.

1970s

He recorded Devotion in early 1970 on Douglas Records (run by Alan Douglas), a high-energy, psychedelic fusion album that featured Larry Young on organ (who had been part of Lifetime), Billy Rich on bass, and the R&B drummer Buddy Miles (who had played with Jimi Hendrix). Devotion was the first of two albums he released on Douglas.

On the second Douglas album, however, McLaughlin went in a different direction in 1971 when he released My Goal's Beyond in the U.S., a collection of unamplified acoustic works. Side A ("Peace One" and "Peace Two") offers a fusion blend of jazz and Indian classical forms; side B features some of the most melodic acoustic playing McLaughlin ever recorded, including such standards as "Goodbye Pork Pie Hat", by Charles Mingus whom McLaughlin considered an important influence on his own development. Other tracks that expressed some of McLaughlin's other influences include "Something Spiritual" Dave Herman, "Hearts and Flowers" (P.D. Bob Cornford), "Phillip Lane", "Waltz for Bill Evans" (Chick Corea), "Follow Your Heart", "Song for My Mother" and "Blue in Green" (Miles Davis). "Follow Your Heart" had been released earlier on Extrapolation under the title "Arjen's Bag".

My Goal's Beyond was inspired by McLaughlin's decision to follow the Indian spiritual leader Sri Chinmoy, to whom he had been introduced in 1970 by Larry Coryell's manager. The album was dedicated to Chinmoy, with one of the guru's poems printed on the liner notes. It was on this album that McLaughlin took the name "Mahavishnu."

Around this time, McLaughlin began a rigorous schedule of woodshedding, resulting in a transformation in his playing from his usual odd-timed, angular guitar lines to a more powerful, aggressive and fast style of playing, which would be put on display in his next project, the Mahavishnu Orchestra.

In 1979 he formed a short-lived funk fusion power trio named the Trio of Doom with Tony Williams on Drums and famed Bass player Jaco Pastorius on Bass. Their only live performance was on March 3,1979 at the Havana Jam Festival (March 2-4 1979) in Cubamarker, part of a US State Department sponsored visit to Cuba. Later on March 8, 1979 the group recorded the songs they had written for the festival at Columbia Studios, New York, on 52nd St. [41326]. Recollections from this performance are captured on Ernesto Juan Castellanos's documentary Havana Jam '79.

Mahavishnu Orchestra

John McLaughlin, Zirkus Krone, Munich, West Germany 1973 April 13 (photo by Peter Duray-Bito)
's 1970s electric band, The Mahavishnu Orchestra, included violinist Jerry Goodman (later Jean-Luc Ponty), keyboardist Jan Hammer (later Gayle Moran and Stu Goldberg), bassist Rick Laird (later Ralphe Armstrong), and drummer Billy Cobham (later Narada Michael Walden). The band performed a technically virtuosic and complex style of music that fused eclectic jazz and rock with eastern and Indian influences. This band established fusion as a new and growing style within the jazz and rock worlds. McLaughlin's playing at this time was distinguished by fast solos and exotic musical scales.

In 1973, McLaughlin collaborated with Carlos Santana, also a disciple of Sri Chinmoy, on an album of devotional songs, Love Devotion Surrender, which included recordings of Coltrane compositions including a movement of A Love Supreme. He has also worked with the jazz composers Carla Bley and Gil Evans.

The Mahavishnu Orchestra's personality clashes were as explosive as their performances and consequently the first incarnation of the group split in late 1973 after just two years and three albums, one of which was a live recording "Between Nothingness and Eternity". In 2001 the "Lost Trident Sessions" album was released, recorded in 1973 but shelved when the group disbanded. McLaughlin then reformed the group with Narada Michael Walden (drums), Jean-Luc Ponty (violin), Ralphe Armstrong (bass), and Gayle Moran (keyboards and vocals), and a string and horn section (McLaughlin referred to this as "the real Mahavishnu Orchestra"). This incarnation of the group recorded an additional two Mahavishnu albums, Apocalypse with the London Symphony Orchestra and Visions of the Emerald Beyond. A scaled-down quartet was formed with McLaughlin on guitar, Walden on drums, Armstrong on bass and Stu Goldberg on keyboards/synth which generated a third Mahavishnu 2 recording in 1976 largely due to contractual obligations-- "Inner Worlds". McLaughlin then became absorbed in his acoustic playing with his Indian classical music based group Shakti (see below). Around this time, McLaughlin also appeared on Stanley Clarke's School Days, among a host of other musicians.

Other activities

After the first reincarnation of the Mahavishnu Orchestra split, McLaughlin worked with acoustic group Shakti. This group combined Indian music with elements of jazz and thus may be regarded as a pioneer of world music. McLaughlin had already been studying Indian classical music and playing the veena for several years. The group featured Lakshminarayanan L. Shankar (violin), Zakir Hussain (tabla), Thetakudi Harihara Vinayakram (ghatam) and earlier Ramnad Raghavan (mridangam). John was one of the earliest westerners to attain any acclaim performing Indian music for Indian audiences.

In this group, McLaughlin played a custom made steel string acoustic guitar made by luthier Abe Wechter and the Gibson guitar company, which featured two tiers of strings over the soundhole: a conventional six string configuration with an additional seven strings strung underneath on a forty-five degree angle - these were independently tunable and were played as "sympathetic strings" much like a sitar or veena. The instrument also featured a scalloped fretboard along the full length of the neck which enabled McLaughlin to play bends far beyond the reach of a conventional fretboard.

In 1979, he teamed up with flamenco guitarist Paco de Lucía and jazz guitarist Larry Coryell (replaced by Al Di Meola in the early 1980s) as the Guitar Trio. For the fall tour of 1983, they were joined by Dixie Dregs guitarist Steve Morse, who opened the show as a soloist and participated with The Trio in the closing numbers. The Trio, again featuring McLaughlin along with de Lucía and Di Meola, reunited in 1996 for a second recording session and a world tour. In 1979, McLaughlin recorded the album Johnny McLaughlin: Electric Guitarist, the title on McLaughlin's first business cards as a teenager in Yorkshiremarker. This recording was a return to more mainstream jazz/rock fusion and to the electric instrument after three years of playing acoustic guitars, particularly his Gibson 2-tier custom-made steel string with the Shakti group. McLaughlin was so used to the scalloped fretboard from his Shakti days and so accustomed to the freedom it provided him that he had the fretboard scalloped on his Gibson Byrdland Electric hollowbody.

He also formed the short-lived One Truth Band who recorded one studio album, Electric Dreams. The group had L. Shankar on violins, Stu Goldberg on keyboards, Fernando Saunders on electric bass, and Tony Smith on drums. 1979 also saw the formation of the very short-lived Trio of Doom, consisting of McLaughlin with Jaco Pastorius (bass) and Tony Williams (drums). They only played one concert, at the Karl Marx Theater in Havanamarker, Cubamarker on March 3, 1979, as part of the Havana Jam festival, a US State Departmentmarker cultural exchange program known by some musicians as the 'The Bay of Gigs'. Their performance is clearly captured on Ernesto Juan Castellanos's documentary Havana Jam '79. They later recorded three tracks at CBS Studios in New York, March 8, 1979.

1980s

In the late '80s and early '90s McLaughlin recorded and performed live with a trio including bassist Kai Eckhardt and percussionist Trilok Gurtu. The group recorded two albums: "Live at The Royal Festival Hall" and "Que Alegria", with latter featuring Dominique DiPiazza on bass for all but two tracks. These recordings saw a return to acoustic instruments for McLaughlin, performing on nylon-string guitar. On "Live at the Royal Festival Hall" McLaughlin utilised a unique guitar synth which enabled him to effectively "loop" guitar parts and play over them live. The synth also featured a pedal which provided sustain when pressed. McLaughlin played parts which sound overdubbed and creating lush soundscapes, aided by Gurtu's unique percussive sounds. This approach is used to great effect in the track "Florianapolis", amongst others.

With the group Fuse One, he released two albums in 1980 and 1982.

In 1986 he appeared with Dexter Gordon in Bertrand Tavernier's film "Round Midnight." He also composed The Mediterranean Concerto, orchestrated by Michael Gibbs. The world premier featured McLaughlin and the Los Angeles Philharmonic. It was recorded in 1988 with Michael Tilson Thomas conducting the London Symphony Orchestra. McLaughlin does improvise in certain sections.

1990s

In the early 1990s he toured with his Quartet on the Que Alegria album. The quartet comprised John McLaughlin, Trilok Gurtu, Kai Eckhardt and Dominique DiPiazza. Following this period he recorded and toured with The Heart of Things featuring Gary Thomas, Dennis Chambers, Matthew Garrison, Jim Beard and Otmaro Ruíz. In recent times he has toured with Remember Shakti.

In addition to original Shakti member Zakir Hussain, this group has also featured eminent Indian musicians U. Srinivas, V. Selvaganesh, Shankar Mahadevan, Shivkumar Sharma, and Hariprasad Chaurasia. In 1996, John McLaughlin, Paco DeLucia and Al Di Meola (known collectively as "The Guitar Trio") reunited for a world tour and recorded an album by the same name.

2000s

In 2003, he recorded a ballet score, Thieves and Poets, along with arrangements for classical guitar ensemble of favorite jazz standards, and a three-DVD instructional video on improvisation entitled "This is the Way I Do It" (which contributed to the development of video lessons ) In June 2006, he released a hard bop/jazz fusion album entitled Industrial Zen, on which McLaughlin experiments with the Godin Glissentar as well as continuing to expand his guitar-synth repertoire.

2007, he left Universal Records and joined hip and artist friendly Music Label and Distribution House Abstract Logix that works closely with independent jazz, progressive rock, and world music bands. Recording sessions for his first album on the label took place in April. That summer, he began touring with a new jazz fusion quartet, the 4th Dimension, consisting of keyboardist/drummer Gary Husband, bassist Hadrian Feraud, and drummer Mark Mondesir. During the 4th Dimension's tour, an "instant CD" entitled "Live USA 2007: Official Bootleg" was made available comprising soundboard recordings of 6 pieces from the group's first performance. The album was available after that and all subsequent performances and a limited number were made available through Abstract Logix. Following completion of the tour, McLaughlin personally sorted through recordings from each night to release a second MP3 download-only collection entitled "Official Pirate: Best of the American Tour 2007". During this time, McLaughlin also released another instructional DVD entitled "The Gateway to Rhythm", featuring Indian percussionist and Remember Shakti bandmate Selva Ganesh Vinayakram (or V. Selvaganesh), focusing on the Indian rhythmic system of konnakol. John also remastered and released a shelved project dating back to 1980 called "The Trio of Doom" featuring jazz/fusion luminaries Jaco Pastorius and Tony Williams. The project had been aborted due to conflicts between Williams and Pastorius as well as what was at the time a mutual dissatisfaction with the results of their performance.

On July 28, 2007 John performed at Eric Clapton's Crossroads Guitar Festival in Bridgeview, Illinoismarker.


On April 28, 2008 the recording sessions from the previous year surfaced on the album "Floating Point", featuring the rhythm section of keyboardist Louis Banks, bassist Hadrien Feraud, percussionist Sivamani and drummer Ranjit Barot bolstered on each track by a different Indian musician. Coinciding with the release of the album was another DVD, "Meeting of the Minds", which offered behind the scenes studio footage of the "Floating Point" sessions as well as interviews with all of the musicians. Floating Point, Meeting of the Minds, Live at Belgrade were all released in collaboration with Abstract Logix and Mediastarz (Johns Company)

McLaughlin engaged in a late summer/fall 2008 tour with Chick Corea, Vinnie Colaiuta, Kenny Garrett and Christian McBride under the name "Five Peace Band", from which came an eponymous double-CD live album in early 2009.

Label

Abstract Logix

Influence

McLaughlin has been cited as a major influence on many '70s and '80s fusion guitarists, including prominent players such as Steve Morse, Eric Johnson, Mike Stern, Jeff Beck, Al Di Meola, and Scott Henderson. According to Pat Metheny, McLaughlin has changed the evolution of the guitar during several of his periods of playing. McLaughlin is also considered a major influence on composers in the fusion genre. In an interview with Downbeat, Chick Corea remarked that "...what John McLaughlin did with the electric guitar set the world on its ear. No one ever heard an electric guitar played like that before, and it certainly inspired me. John's band, more than my experience with Miles, led me to want to turn the volume up and write music that was more dramatic and made your hair stand on end".

Discography

Equipment

  • Gibson EDS-1275, McLaughlin played the Gibson doubleneck between 1971 and 1973 at which point the Double Rainbow was completed.
  • Double Rainbow doubleneck guitar made by Rex Bogue, which McLaughlin played between 1973 - 1975.




See also



References

External links




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