Man and Superman by
George Bernard Shaw was written in 1903
as a four act drama, responding to those who had questioned Shaw as
to why he had never written a play based on the
Don Juan theme.
Man and Superman opened at
The Royal Court Theatre in
London on
23 May 1905
without the performance of the 3rd Act. A part of the act,
Don
Juan in Hell (Act 3, Scene 2), was performed when the drama
was staged on June 4, 1907 at the Royal Court.
The play was not
produced in its entirety until 1915 by the Travelling Repertory
Company at the Lyceum Theatre, Edinburgh
.
The long third act of the play is often cut.
Don Juan in Hell consists
of a philosophical debate between Don Juan (played by the same
actor who plays Jack Tanner), and the
Devil
(Mendoza, a
Spaniard), with Doña Ana
(Ann) and the
Statue of Ana's guardian
(Roebuck Ramsden, an aged acquaintance of Tanner's and Ann's
Guardian) looking on.
Don Juan in Hell is often performed
separately as a play in its own right, most famously in the 50's in
a concert version with
Charles Boyer
as Don Juan,
Charles Laughton as
the Devil,
Cedric Hardwicke as the
Commander, and
Agnes Moorehead as
Doña Ana. This version was also released as a
spoken word album on LP, but has yet to
appear on CD. However, the complete performance recording is now
available at various sites on the Internet.
Although
Man and Superman can be performed as a light
comedy of manners Shaw intended
the drama to be something much deeper, as suggested by the title.
This title comes from
Friedrich
Nietzsche's philosophical ideas about the "
Übermensch" ("Superman"). The plot centers
on John Tanner, author of "The Revolutionist's Handbook and Pocket
Companion," which is published with the play as a 58-page appendix.
Tanner is a confirmed bachelor despite the pursuits of Ann
Whitefield and her persistent efforts to make him marry her. Ann is
referred to as "the
Life Force" and
represents Shaw's view that in every culture, it is the women who
force the men to marry them rather than the men who take the
initiative.
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