Melvin "Mel" Kaminsky (born June 28, 1926), better
known by his
stage name Mel
Brooks, is an American
film
director,
screenwriter,
composer,
lyricist,
comedian,
actor and
producer, best known as a creator of
broad film
farces and comic
parodies. Brooks is a member of
the short list of entertainers with the distinction of having
won an
Emmy, a
Grammy, an
Oscar
and a
Tony award. Three of his films
(
Blazing Saddles,
The Producers and
Young Frankenstein)
ranked in the Top 20 on the
American Film Institute's list of
the Top 100 comedy films of all-time.
Early life
Brooks was
born Melvin Kaminsky in Brooklyn
, New
York
, the son of Kate (née Brookman), a garment worker, and Maximilian Kaminsky, a process
server. Brooks and his family are Jewish; his maternal grandparents immigrated from
outside Kiev
in the
Russian
Empire
and his paternal family was from Danzig
in the
German
Empire
. His father died of kidney disease at age
34.
As a child, Brooks was a small and sickly boy. He was bullied and
picked on by his peers. By taking on the comically aggressive job
of
Tummler (master entertainer) in various
Catskills resorts, he overcame his childhood of bullying and name
calling.
Brooks was a corporal in the U.S. Army. The graduate of the
Virginia Military Institute served in World War II, fought in the
Battle of the Bulge, and on occasion, defused landmines.
Early career
Brooks started out in show business as a stand-up comic, telling
jokes and doing movie-star impressions. He found more rewarding
work behind the scenes, becoming a comedy writer for television. He
joined the hit comedy series
Your
Show of Shows with
Sid Caesar
and
Carl Reiner. Reiner, as creator of
The Dick Van Dyke
Show, based
Morey
Amsterdam's character Buddy Sorell on Brooks.
Brooks later moved into film, working as an actor, director,
writer, and producer. Brooks's first film was
The Critic (1963), an animated
satire of arty, esoteric cinema, conceived by Brooks and directed
by
Ernest Pintoff. Brooks supplied
running commentary as the baffled moviegoer trying to make sense of
the obscure visuals. The short film won an Academy Award. With
Buck Henry, Brooks created the successful
TV series
Get Smart, starring
Don Adams as a bumbling secret agent. This
series added to Brooks's reputation as a clever satirist.
Brooks's first feature film,
The Producers, was a dark
comedy about two theatrical partners who deliberately contrive the
worst possible Broadway show. The film was so brazen in its satire
(its big production number was "
Springtime for Hitler") that the major
studios wouldn't touch it, nor would many exhibitors. Brooks
finally found an independent distributor, which released it like an
art film, as a specialized attraction. The film received an Oscar
for
Best Original
Screenplay. The film became a smash underground hit, first on
the nationwide college circuit, then in revivals and on home video.
Brooks later turned it into a musical, which became hugely
successful on Broadway, receiving an unprecedented twelve Tony
awards.
His two most financially successful films were released in 1974:
Blazing Saddles (co-written
with
Richard Pryor,
Andrew Bergman, Norman Steinberg and Alan
Uger), and
Young
Frankenstein (co-written with
Gene
Wilder). He followed these up with an audacious idea: the first
feature-length silent comedy in four decades.
Silent Movie (co-written with
Ron Clark, 1976) featured Brooks in his
first leading role, with
Dom DeLuise and
Marty Feldman as his sidekicks. The
following year he released his
Hitchcock parody
High Anxiety (also written with Clark),
which was the first movie produced by Brooks himself.
Brooks developed a repertory company of sorts for his film work:
performers with three or more of Brooks's films (
The Producers,
The Twelve Chairs, Blazing Saddles, Young Frankenstein, Silent
Movie, High Anxiety, History of the World: Part I, Spaceballs, Life
Stinks, Robin Hood: Men in Tights, and Dracula: Dead and Loving
It) to their credit include
Gene
Wilder,
Dom DeLuise,
Madeline Kahn,
Harvey
Korman,
Cloris Leachman,
Ron Carey and
Andréas Voutsinas.
Dom DeLuise appeared in six of Brooks's 12
films, the only person with more appearances being Brooks
himself.
In 1975, at the height of his movie career, Brooks tried TV again
with
When Things Were
Rotten, a
Robin Hood parody that
lasted only 13 episodes. Nearly twenty years later, in response to
the 1991 hit film
Robin Hood: Prince of
Thieves, Brooks mounted another Robin Hood parody with
Robin Hood: Men in
Tights. Brooks's film resurrected several pieces of dialog
from his TV series, as well as from earlier Brooks films.
Later career
In 1980, Brooks became interested in producing the dramatic film
The Elephant Man
(directed by
David Lynch). Knowing that
anyone seeing a poster reading "Mel Brooks presents
The
Elephant Man" would expect a comedy, he set up the company
Brooksfilms. Brooksfilms has since produced a number of non-comedy
films, including
David Cronenberg's
The Fly,
Frances, and
84 Charing Cross Road,
starring
Anthony Hopkins and
Anne Bancroft, as well as comedies,
including
Richard Benjamin's
My Favorite Year.
The 1980s saw Brooks produce and direct only two films, the first
being
History of the
World Part I in 1981, a tongue-in-cheek look at human
culture from the
Dawn of Man to the
French Revolution. As part of the
film's soundtrack, Brooks, then aged 55, recorded a rap entitled
"It's Good to Be the King", a parody of
Louis XVI and the
French Revolution; it was released as a
single, and became a surprise US dance hit. His second movie
release of the decade came in 1987 in the form of
Spaceballs, a parody of
science fiction, mainly
Star Wars. Both films featured him in
multiple roles. He also starred in the 1983 remake of
To Be or Not to Be,
which spawned a highly controversial single that featured as part
of the film's soundtrack album (although not in the film itself) -
"To Be Or Not To Be (The Hitler Rap)". The song -
satirising German society in the 1940s with Brooks playing Hitler -
was banned from both radio airplay and television in Germany due to
its deliberately ironic portrayal of the
Nazi
involvement in
World War Two, but was
an unlikely hit elsewhere, peaking at #12 on the Billboard Hot 100
in February 1984 and #3 on the Australian Singles Chart (Kent Music
Report) that same year.
Brooks's
most recent success has been a transfer of his film The Producers to the Broadway
stage. Brooks also had a vocal role in the 2005 animated
film
Robots. He is currently
working on an
animated series
sequel to
Spaceballs.
Spaceballs: The TV Series
premiered on September 21, 2008 on
G4
TV.
Brooks is one of the few artists who have received an
Oscar,
Emmy,
Tony, and
Grammy. He was awarded his first Grammy award
for Best Spoken Comedy Album in 1999 for his recording of
The
2000 Year Old Man in the Year 2000 with Carl Reiner. His two
other Grammys came in 2002 for Best Musical Show Album, for the
soundtrack to
The Producers, and for Best Long Form Music
Video for the DVD "Recording the Producers - A Musical Romp with
Mel Brooks". He won his first of four Emmy awards in 1967 for
Outstanding Writing Achievement in Variety for a
Sid Caesar special. He went on to win three
consecutive Emmys in 1997, 1998, and 1999 for Outstanding Guest
Actor in a Comedy Series for his role of Uncle Phil on
Mad About You. He won his three Tony
awards in 2001 for his work on the musical,
The Producers.
He won Tonys for Best Musical, Best Original Musical Score, and
Best Book of a Musical. Additionally, he won a
Hugo Award and a
Nebula
Award for
Young Frankenstein. In a 2005 poll to find
The Comedian's
Comedian, he was voted #50 of the top 50 comedy acts ever
by fellow comedians and comedy insiders. Three of Brooks's films
are on the
American Film
Institute's list of
funniest American films:
Blazing Saddles (#6),
The Producers (#11), and
Young Frankenstein (#13).
Brooks and his wife
Anne Bancroft
acted together in
Silent Movie and
To Be or Not to
Be, and Bancroft also had a bit part in the 1995 film
Dracula: Dead and Loving
It. Years later, the Brookses appeared as themselves in
the fourth season finale of
Curb Your Enthusiasm, spoofing the
finale of
The Producers. It is reported that Bancroft
encouraged Brooks (after an idea suggested by David Geffen) to take
The Producers to Broadway where it became an enormous
success, as the show broke the Tony record with 12 wins, a record
that had previously been held for 37 years by
Hello, Dolly! at 10 wins. Such
success has translated to a big-screen version of the Broadway
adaptation/remake with actors
Matthew
Broderick and
Nathan Lane reprising
their stage roles, in addition to new cast members
Uma Thurman and
Will
Ferrell. As of early April 2006, Brooks had begun
composing the score to a Broadway
musical adaptation of
Young Frankenstein, which he says is "perhaps the best
movie [he] ever made."
The world premiere was performed at Seattle's
most historic theatre (originally built as a movie palace), The
Paramount Theatre, between August 7, 2007, and September 1, 2007
after which it opened on Broadway at the Hilton Theatre
, New York, on October 11, 2007. It has since
earned moderate to poor reviews from the critics.
TIME reports, "Mel Brooks is no longer the inspired
amateur. Now he's a Broadway monster, repeating himself."
In interviews broadcast on WABC radio, Brooks has discussed with
NYC radio personality
Mark Simone the
possibilities of turning other works from his creative oeuvre (such
as the movie
Blazing Saddles) into future musical
productions. Specifically, in a conversation airing March 1, 2008,
he and Simone speculated on what show tunes might be incorporated
into a theatrical adaptation of the
Get
Smart property.
Personal life
Brooks was married to Florence Baum from 1951 to 1961. Their
marriage ended in divorce. Mel and Florence had three children,
Stephanie, Nicky, and Eddie.
Brooks was married to the Academy Award winning actress
Anne Bancroft from 1964 until her death from
uterine cancer on June 6, 2005. They met on rehearsal for the
Perry Como Variety Show in 1961 and married three years
later, August 5, at the
Manhattan Marriage Bureau. Their
son,
Max Brooks, was born in 1972.
Work
Writer/director
Theatre
- Leonard Sillman's New Faces of
1952 (1952) (sketches for a revue)
- Shinbone Alley (1957)
(co-book-writer)
- All-American
(1962) (book-writer)
- The Producers
(2001) (composer, lyricist, co-book-writer, producer; Tony Award for Best Musical,
Tony Award for
Best Book of a Musical, Tony Award for Best Original
Score, Drama
Desk Award for Outstanding Lyrics, Drama Desk
Award for Outstanding Book of a Musical)
- Young
Frankenstein (2007) (composer, lyricist, co-book-writer,
producer)
Other works
See also
Further reading
- Jeff Rovin. Cat Angels,
Harper Paperbacks, ISBN 0-06-100972-5
- Parish, James Robert. It's Good to Be the King: The
Seriously Funny Life of Mel Brooks (2007) Wiley ISBN
0471752673
References
- Parish, pp. 16–17
- AFI's list
- "Mel Brooks Biography (1926-)" at
Filmreference.com
- [1]
-
http://www.military.com/veterans-day/these-guys-served.html
External links