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In critical theory, and particularly postmodernism, a metanarrative (from meta-narrative, sometimes also known as a master- or grand narrative) is an abstract idea that is thought to be a comprehensive explanation of historical experience or knowledge. According to John Stephens it "is a global or totalizing cultural narrative schema which orders and explains knowledge and experience". The prefix meta means "beyond" and is here used to mean "about", and a narrative is a story. Therefore, a metanarrative is a story about a story, encompassing and explaining other 'little stories' within totalizing schemes.

The concept was criticized by Jean-François Lyotard in his work, The Postmodern Condition: A Report on Knowledge (1979). In this text, Lyotard refers to what he describes as the postmodern condition, which he characterized as increasing skepticism toward the totalizing nature of "metanarratives" (or "grand narratives," typically characterised by some form of 'transcendent and universal truth'):

Examples of metanarratives

There is only one metanarrative as defined by Lyotard. Modernist and philosophers address the problem by telling a story-the story of progress through universal human reason, as Logos triumphs over Mythos. The problem is that once a proof is accepted as the standard of believability not only must we prove our claims, we must also prove our proofs, and so on, ad infinitum. This is what Lyotard was referring to when he made the claim that the postmodern condition is one of incredulity toward metanarratives. Only recently has the term "metanarrative" been used to define religions which are in actuality pre-modern narratives. Or, narratives that do not seek to place Logos over Mythos—the great problem of the modern era.

Poststructuralist skepticism toward metanarratives

Lyotard and many other poststructuralist thinkers have viewed this as a positive development for a number of reasons. First, attempts to construct grand theories tend to dismiss the naturally existing chaos and disorder of the universe. Second, metanarratives are created and reinforced by power structures and are therefore not to be trusted. 'Metanarratives' ignore the heterogeneity or variety of human existence. They are also seen to embody unacceptable views of historical development, in terms of progress towards a specific goal. The latent diverse passions of human beings will always make it impossible for them to be marshalled under some theoretical doctrine and this is one of the reasons given for the collapse of the Soviet Unionmarker in the early 1990s.

Replacing grand, universal narratives with small, local narratives

According to the advocates of postmodernism, metanarratives have lost their power to convince – they are, literally, stories that are told in order to legitimise various versions of "the truth". With the transition from modern to postmodern, Lyotard proposes that metanarratives should give way to 'petits récits', or more modest and "localised" narratives. Borrowing from the works of Wittgenstein and his theory of the "models of discourse", Lyotard constructs his vision of a progressive politics that is grounded in the cohabitation of a whole range of diverse and always locally legitimated language games. Postmodernists attempt to replace metanarratives by focusing on specific local contexts as well as the diversity of human experience. They argue for the existence of a "multiplicity of theoretical standpoints" rather than grand, all-encompassing theories.

Is poststructuralism a metanarrative?

Lyotard's analysis of the postmodern condition has been criticized as being internally inconsistent. For example, thinkers like Alex Callinicos and Jürgen Habermas argue that Lyotard's description of the postmodern world as containing an "incredulity toward metanarratives" could be seen as a metanarrative in itself. According to this view, post-structuralist thinkers like Lyotard criticise universal rules but postulate that postmodernity contains a universal skepticism toward metanarratives; and this 'universal skepticism' is in itself a contemporary metanarrative. Like a post-modern neo-romanticist metanarrative that intends to build up a 'meta' critic, or 'meta' discourse and a 'meta' belief holding up that Western science is just taxonomist, empiricist, utilitarian, assuming a supposed sovereignty around its own reason and pretending to be neutral, rigorous and universal. This is itself an obvious sample of another 'meta' story, self-contradicting the postmodern critique of the metanarrative.

Thus, Lyotard's postmodern incredulity towards metanarratives could be said to be self-refuting. If one is skeptical of universal narratives such as "truth", "knowledge", "right", or "wrong", then there is no basis for believing the "truth" that metanarratives are being undermined. In this sense, this paradox of postmodernism is similar to the liar's paradox ("This statement is false."). Perhaps postmodernists, like Lyotard, are not offering us a Utopian, teleological metanarrative, but in many respects their arguments are open to metanarrative interpretation. They place much emphasis on the irrational, though in doing so apply the instruments of reason .

See also



References

  1. Stephens, John (1998). Retelling Stories, Framing Culture : Traditional Story and Metanarratives in Children's Literature. ISBN 0-8153-1298-9.
  2. Hans Bertens, The Idea of the Postmodern: A History, Routldge, 1995, p124. ISBN 0415060117
  3. Michael A. Peters, Poststructuralism, Marxism, and Neoliberalism: Between Theory and Politics, Rowman & Littlefield, 2001, p7. ISBN 0742509877
  4. Callinicos, Alex. Against Postmodernism: A Marxist Critique. Cambridge: Polity Press, 1991.
  5. Habermas, Jürgen. "Modernity versus Postmodernity". New German Critique, No. 22, Special Issue on Modernism, pp. 3-14. 1981.


Further reading

  • Lyotard, Jean-François. The Postmodern Condition: A Report on Knowledge. Minneapolis: U of Minnesota P, 1984, reprint 1997. Translated by Geoff Bennington and Brian Massumi.
  • Stephens, John and Robyn McCallum (1998). Retelling Stories, Framing Culture : Traditional Story and Metanarratives in Children's Literature. ISBN 0-8153-1298-9.



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