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Milk is a 2008 American biographical film on the life of LGBT rights activist and politician Harvey Milk, who was the first openly gay man to be elected to public office in California, and one of the first three in the United States as a whole, as a member of the San Francisco Board of Supervisors. Directed by Gus Van Sant and written by Dustin Lance Black, the film stars Sean Penn as Milk and Josh Brolin as Dan White. The film was released to much acclaim and earned numerous accolades from film critics and guilds. Ultimately, it received eight Academy Award nominations, including Best Picture, winning two for Best Actor in a Leading Role for Penn and Best Original Screenplay for Black.

Attempts to put Milk's life to film followed a 1984 Oscar-winning documentary of his life and the aftermath of his assassination, titled The Times of Harvey Milk, which was loosely based upon Randy Shilts's biography, The Mayor of Castro Street. Various scripts were considered in the early 1990s, but projects fell through for different reasons, until 2007. Much of Milk was filmed on Castro Street and other locations in San Franciscomarker, including Milk's former storefront, Castro Camera.

Milk begins on Harvey Milk's 40th birthday, when he was living in New York Citymarker and had not yet settled in San Francisco. It chronicles his foray into city politics, and the various battles he waged in the Castro neighborhood as well as throughout the city, and political campaigns to limit the rights of gay people in 1977 and 1978 run by Anita Bryant and John Briggs. His romantic and political relationships are also addressed, as is his tenuous affiliation with troubled Supervisor Dan White; the film ends with White's double murder of Milk and Mayor George Moscone. The film's release was tied to the 2008 California voter referendum on gay marriage, Proposition 8, when it made its premiere at the Castro Theatremarker two weeks before election day.


Milk opens with archival footage of police raiding gay bars and arresting patrons during the 1950s and 1960s, followed by Dianne Feinstein's November 27, 1978, announcement to the press that Milk and Moscone have been assassinated. Milk is seen recording his will throughout the film, nine days (November 18, 1978) before the assassinations. The film then flashes back to New York City in 1970, the eve of Milk's 40th birthday and his first meeting with his much younger lover, Scott Smith.

Unsatisfied with his life and in need of a change, Milk and Smith decide to move to San Francisco in the hope of finding larger acceptance of their relationship. They open Castro Camera in the heart of Eureka Valley, a working class neighborhood in the process of evolving into a predominantly gay neighborhood known as The Castromarker. Frustrated by the opposition they encounter in the once Irish-Catholic neighborhood, Milk utilizes his background as a businessman to become a gay activist, eventually becoming a mentor for Cleve Jones. Early on, Smith serves as Milk's campaign manager, but his frustration grows with Milk's devotion to politics, and he leaves him. Milk later meets Jack Lira, a sweet-natured but unbalanced young man. As with Smith, Lira cannot tolerate Milk's devotion to political activism, and eventually hangs himself.

After two unsuccessful political campaigns in 1973 and 1975 to become a city supervisor and a third in 1976 for the California State Assembly, Milk finally wins a seat on the San Francisco Board of Supervisors in 1977 for District 5. His victory makes him the first openly gay man to be voted into major public office in the United Statesmarker. Milk subsequently meets fellow Supervisor Dan White, a Vietnam veteran and former police officer and firefighter. White, who is politically and socially conservative, has a difficult relationship with Milk, and develops a growing resentment for Milk when he opposes various projects of White's.

Milk and White forge a complex working relationship. Milk is invited to, and attends, the christening of White's first child, and White asks for Milk's assistance in preventing a psychiatric hospital from opening in White's district, possibly in exchange for White's support of Milk's citywide gay rights ordinance. When Milk fails to support White because of the negative effect it will have on troubled youth, White feels betrayed, and ultimately becomes the sole vote against the gay rights ordinance. Milk also launches an effort to defeat Proposition 6, an initiative on the California state ballot in November 1978. Sponsored by John Briggs, a conservative state legislator from Orange Countymarker, Proposition 6 seeks to ban gays and lesbians (in addition to anyone who supports them) from working in California's public school. It is also part of a nationwide conservative movement that starts with the successful campaign headed by Anita Bryant and her organization Save Our Children in Dade County, Floridamarker to repeal a local gay rights ordinance.

On November 7, 1978, after working tirelessly against Proposition 6, Milk and his supporters rejoice in the wake of its defeat. The increasingly unstable White favors a supervisor pay raise, but does not get much support, and shortly after supporting the proposition, resigns from the Board. He later changes his mind and asks to be reinstated. Mayor Moscone denies his request, after being lobbied by Milk.

On the morning of November 27, 1978, White enters City Hallmarker through a basement window to conceal a gun from metal detectors. He requests another meeting with Moscone, who rebuffs his request for re-appointment. Enraged, White shoots Moscone in his office and then goes to meet Milk, where he guns him down, with the fatal bullet delivered execution style. The film suggests that Milk believed that White might be a closeted gay man.

The last scene is an aerial shot of the candlelight vigil held by thousands for Milk and Moscone throughout the streets of the city. Pictures of the actual people depicted in the film, and brief summaries of their lives follow. This includes a note that Dan White's lawyers used the infamous Twinkie defense to get White's conviction reduced to voluntary manslaughter, a conviction which explains the White Night Riots in the post script.


Sean Penn filming Milk in 2008.

A number of Milk's associates, including speechwriter Frank M. Robinson, Teamster Allan Baird and school teacher-turned-politician Tom Ammiano portrayed themselves. Additionally, Carol Ruth Silver, who served with Milk on the Board of Supervisors, plays a small role as Thelma. Cleve Jones also has a small role as Don Amador.


In early , Oliver Stone was planning to produce, but not direct, a movie on Milk's life; he wrote a script for the movie, called The Mayor of Castro Street. In July 1992, director Gus Van Sant was signed with Warner Bros. to direct the biopic with actor Robin Williams in the lead role. By April 1993, Van Sant parted ways with the studio, citing creative differences. Other actors considered for Harvey Milk at the time were Richard Gere, Daniel Day-Lewis, Al Pacino, and James Woods. In April 2007, the director sought to direct the biopic based on a script by Dustin Lance Black, while at the same time, director Bryan Singer was developing The Mayor of Castro Street, which had been in development hell. By the following September, Sean Penn was attached to play Harvey Milk and Matt Damon was attached to play Milk's assassin, Dan White. Damon pulled out later in September due to scheduling conflicts. By November, Focus Features moved forward with Van Sant's production, Milk, while Singer's project ran into trouble with the writers' strike. In December 2007, actors Josh Brolin, Emile Hirsch, Alison Pill, and James Franco joined Milk, with Brolin replacing Damon as Dan White. Milk began filming on location in San Franciscomarker in January 2008.

Filmmakers researched San Francisco's history in the city's Gay and Lesbian Archives and talked to people who knew Milk to shape their approach to the era. They also revisited the location of Milk's camera shop on Castro Street and dressed the street to match the film's 1970s setting. The camera shop, which had become a gift shop, was bought out by filmmakers for a couple of months to use in production. Production on Castro Street also revitalized the Castro Theatremarker, whose facade was repainted and whose neon marquee was redone. Filming also took place at the San Francisco City Hallmarker, while White's office, where Milk was assassinated, was recreated elsewhere due to the city hall's offices having become more modern. Filmmakers also intended to show a view of the San Francisco Opera Housemarker from the redesign of White's office. Filming finished March 2008.


In the month leading up to Milk's release, Focus Features kept the film out of fall film festivals and restricted media screenings, seeking to briefly avoid word-of-mouth and the partisanship it could generate. Milk premiered in San Francisco on October 28, 2008, initiating a marketing dilemma that Focus Features struggled to face due to the film's subject matter. The studio hoped to stay above the politics of the ongoing general elections, especially California's anti-gay-marriage Proposition 8, which parallels the anti-gay rights Proposition 6 that is explored in the film.

Regardless, many reviewers and pundit have noted that the highly acclaimed film has taken on a new significance after the successful passage of Proposition 8 as a galvanizing point of honoring a major gay political and historical figure who would have strongly opposed the measure. Activists called on Focus Features to pull the film from the Cinemark Theatres chain as part of a series of boycotts because Cinemark's chief executive, Alan Stock, donated $9,999 to the Yes on 8 campaign.

Box office

In the United States, Milk was given a limited release on November 26, 2008, and expanded to additional theaters each of the following weekends to a maximum of 882 screens. The film made the top 10 box office list on its opening weekend with earnings of $1.4 million in 36 theaters.

DVD release

Milk was released on DVD and Blu-ray on March 10, 2009. The DVD comes with deleted scenes and three featurettes: Remembering Harvey, Hollywood Comes to San Francisco, and Marching for Equality.

As of August 16, 2009, the DVD release of the film has sold an estimated 600,413 units, resulting in an estimated $10,618,012 in revenue. Estimates for the Blu-ray release are not available.

Critical reception

Milk received widespread acclaim from film critics. Rotten Tomatoes reported that 94% of critics gave the film a positive review, based on a sample of 209, with an average score of 8.0/10. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film has received an average score of 84, based on 39 reviews.

Todd McCarthy of Variety called the film "adroitly and tenderly observed," "smartly handled," and "most notable for the surprising and entirely winning performance by Sean Penn." He added, "[W]hile Milk is unquestionably marked by many mandatory scenes . . . the quality of the writing, acting and directing generally invests them with the feel of real life and credible personal interchange, rather than of scripted stops along the way from aspiration to triumph to tragedy. And on a project whose greatest danger lay in its potential to come across as agenda-driven agitprop, the filmmakers have crucially infused the story with qualities in very short supply today — gentleness and a humane embrace of all its characters."

Kirk Honeycutt of The Hollywood Reporter said the film "transcends any single genre as a very human document that touches first and foremost on the need to give people hope" and added it "is superbly crafted, covering huge amounts of time, people and the zeitgeist without a moment of lapsed energy or inattention to detail . . . Black's screenplay is based solely on his own original research and interviews, and it shows: The film is richly flavored with anecdotal incidents and details. Milk surfaces in a season filled with movies based on real lives, but this is the first one that inspires a sense of intimacy with its subjects."

A.O. Scott of The New York Times called Milk, "A Marvel", and wrote the film "is a fascinating, multi-layered history lesson. In its scale and visual variety it feels almost like a calmed-down Oliver Stone movie, stripped of hyperbole and Oedipal melodrama. But it is also a film that like Mr. Van Sant’s other recent work — and also, curiously, like David Fincher’s Zodiac, another San Francisco-based tale of the 1970s — respects the limits of psychological and sociological explanation."

Christianity Today, a major Evangelical Christian periodical, gave the film a positive response. It stated that "Milk achieves what it sets out to do, telling an inspiring tale of one man's quest to legitimize his identity, to give hope to his community. I'm not sure how well it'll play outside of big cities, or if it will sway any opinions on hot-button political issues, but it gives a valiant, empathetic go of it." It also stated that the portrayal of Dan White was very fair and humanized and portrayed as more of a flawed and tragically opinionated character, rather than a "typical 'crazy Christian villain' stereotype".

In contrast, John Podhoretz of the conservative magazine Weekly Standard blasted the portrayal of Harvey Milk, saying that it treated the "smart, aggressive, purposefully offensive, press-savvy" activist like a "teddy bear". Podhoretz also argued that the film glosses over Milk's polyamorous relationships; he opined that this contrasts Milk from present day gay rights activists fighting over monogamous same-sex marriage.

Screenwriter and journalist Richard David Boyle, who described himself as a former political ally of Milk's, stated that the film made a creditable effort of recreating the era. He also wrote that Penn captured Milk's "smile and humanity", and his sense of humor about his homosexuality. Boyle reserved criticism for what he felt was the film's inability to tell the whole story of Milk's election and demise.

The Monthly's Luke Davies applauded the film's ability to bring alive "the atmosphere, the sense of hope and battle; even the sound design, bustling with street noise, adds much vibrancy to the tale," but voiced criticisms in regard to the message of the film, stating "while the film is a political narrative in a grand historical sense, the murder of Milk is neither a political assassination nor an act of homophobic rage. Rather, it is an act of revenge for perceived wrongs and public humiliation," Davies continues to postulate that "It seems as likely that Milk would have been murdered were he heterosexual. So the film can't be the heroic tale of a political martyr it needs to be in order to hold us and take our breath away. It's a simpler story, about a man who fought an extraordinary political fight and who was killed, arbitrarily and unnecessarily." Although Davies found Penn's portrayal of Milk moving, he adds that "on a minor but troubling note, there are times when Penn's version of ‘gay' acting veers dangerously close to a twee version of his childlike (read: ‘mentally retarded') acting in I Am Sam." All his criticisms aside, Davies concludes that "the heart of the film — and while it is not perfect, it is uplifting — lies in Penn's portrayal of Milk's generosity of spirit.

The Advocate, while supporting the film in general, criticized the choice of Penn given the actor's support for the Cuban government despite the country's anti-gay rights record. Human Rights Foundation president Thor Halvorssen said in the article "that Sean Penn would be honored by anyone, let alone the gay community, for having stood by a dictator that put gays into concentration camps is mind-boggling." Los Angeles Times film critic Patrick Goldstein commented in response to the controversy, "I'm not holding my breath that anyone will be holding Penn's feet to the fire."

Top ten lists

The film appeared on many critics' top ten lists of the best films of 2008. Movie City News shows that the film appeared in 131 different top ten lists, out of 286 different critics lists surveyed, the 4th most mentions on a top ten list of the films released in 2008.

Samoa ban

In late March 2009, Samoamarker's Censorship Board banned the film from being distributed in the country. Principal Censor Leiataua Niuapu Faaui, asked by the New Zealand Herald about the reason for the ban, said he could not comment. Samoan human rights activist Ken Moala commented:
"I do not think it should be banned. It is basically a documentary about the human endeavour to conquer something that people tend to discriminate against. It's really harmless, I don't know how it would affect Samoan lifestyle. It is totally different and not applicable to here, it is pretty tame really."

On April 17, the Pacific Freedom Forum issued a press release stating:
"Samoa is the only nation worldwide where censors have specifically banned the multi-academy award winning film, which means those in Samoa will only see the pirated version or overseas-purchased copies smuggled into the country."

Papua New Guineanmarker Susuve Laumaea, the Forum's chair, added: "The Pacific Freedom Forum calls on the Samoan film censors to fully and transparently explain themselves to the Samoan people, and re-consider its decision on banning 'Milk'." American Samoanmarker Monica Miller, the Forum's co-chair, stated: "Given the acclaim this film has received worldwide, and given the silence on exactly why it has been banned in Samoa, observers are left to wonder at the censorship standards being applied in a country where fa’afafine have a well established and respected role." Fa'afafine are biologically men raised to assume female gender roles, making them a third gender well accepted in Samoan society. The Fa'afafine Association also criticised the ban, describing it as a "rejecti[on of] the idea of homosexuality".

On April 30, Principal Censor Leiataua Niuapu released the reason for the ban, saying the film had been deemed "inappropriate and contradictory to Christian beliefs and Samoan culture": "In the movie itself it is trying to promote the human rights of gays. Some of the scenes are very inappropriate in regard to some of the sex in the film itself, it's very contrary to the way of life here in Samoa."

In 2006, Samoa's Censorship Board had banned The Da Vinci Code, reportedly because of its portrayal of Christianity. It later banned Angels & Demons, for being "critical of the Catholic Church". Samoan society is, in the words of the British Broadcasting Corporation, "deeply conservative and devoutly Christian".

Awards and nominations

Milk had received accolades from several film critics organizations. On December 9, the film received eight Critic's Choice Award nominations, including Best Picture and Best Director. Two days later, Sean Penn received one Golden Globe nomination for Best Actor, the film's only nomination. On December 18, the Screen Actors Guild nominated Milk on three categories: Best Actor, Best Supporting Actor and Best Cast in a Motion Picture for the 15th Screen Actors Guild Awards; Sean Penn was chosen as Best Actor. On January 5, the film's producers received a nomination for Producer of the Year for the 20th Producers Guild of America Awards; and on January 8 Gus Van Sant received a nomination for Outstanding Directorial Achievement for the 61st Directors Guild of Americamarker Awards. The film won Best Original Screenplay at the 62nd Writers Guild of America Awards and received four BAFTA award nominations, including Best Film, for the 62nd British Academy Film Awards. On January 22, 2009; Milk received 8 Academy Award nominations, including Best Picture, for the 81st Academy Awards, winning two for Best Original Screenplay and Best Actor in a Leading Role (Sean Penn).


  1. Edelstein D. " 'Milk' Is Much More Than A Martyr Movie." NPR. November 26, 2008. Accessed on: January 3, 2009.
  2.|Box Office Prophets
  3. Milk DVD Release
  5. Rose-Colored Milk. By John Podhoretz. Weekly Standard. Published December 6, 2008. Accessed December 12, 2008.
  6. Boyle, Richard David, Local writer tells inside story of "Milk", Inland Valley Daily Bulletin, December 17, 2008
  7. Davies, Luke, Tales of the City: Gus Van Sant’s "Milk", The Monthly, March 2009, No.43
  8. "Samoa bans gay rights movie 'Milk'", Cherelle Jackson, New Zealand Herald, April 9, 2009
  9. "MILK Ban Unhealthy For Samoa", Pacific Freedom Forum press release, April 19, 2009
  10. "Film ban angers Samoan gay rights group", ABC Radio Australia, May 1, 2009
  11. "Samoa bans 'Milk' film", ABC Radio Australia, April 30, 2009
  12. "Samoa’s government censor bans Da Vinci Code film", Radio New Zealand International, May 21, 2009
  13. "Chief censor bans movie Angels and Demons", Samoa Observer, May 21, 2009
  14. "Country profile: Samoa", BBC, February 29, 2009
  15. [1]
  16. ACE Eddie Awards
  17. American Film Institute
  18. Art Directors Guild Awards
  19. Austin Film Critics Awards
  20. Boston Society of Film Critics Awards
  21. BFCA Critic's Choice Awards
  22. BAFTA Awards
  23. Chicago Film Critics Association Awards
  24. Costume Designers Guild Awards
  25. Dallas-Fort Worth Film Critics Association Awards
  26. Detroit Film Critics Awards
  27. DGA Awards
  28. GLAAD Media Awards
  29. Golden Globe Awards
  30. Houston Film Critics Awards
  31. Independent Spirit Awards
  32. IFMCA Awards
  33. London Film Critics Circle Awards
  34. Los Angeles Film Critics Association Awards
  35. MPSE Golden Reel Awards
  36. National Board of Review
  37. National Society of Film Critics
  38. New York Film Critics Awards
  39. New York Film Critics Online
  40. Oklahoma Film Critics
  41. Phoenix Film Critics Awards
  42. PGA Stanley Kramer Award
  43. PGA Awards
  44. St. Louis Film Critics Awards
  45. San Francisco Film Critics Awards
  46. Satellite Awards
  47. SAG Awards
  48. Society of Camera Operators
  49. Southeastern Film Critics
  50. Toronto Film Critics
  51. Vancouver Film Critics
  52. Washington DC Area Film Critics Awards
  53. WGA Awards

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