The
Misfits are an American
rock band often recognized as the progenitors of
the
horror punk subgenre, blending
punk rock and other musical influences
with
horror film themes and imagery.
Founded in
1977 in Lodi, New
Jersey
by singer and songwriter Glenn Danzig, the group had a fluctuating
lineup during its first six years with Danzig and bassist Jerry Only as the only consistent members.
During this time they released several
EPs and
singles
and, with Only's brother
Doyle as guitarist, the
albums
Walk Among Us (1982)
and
Earth A.D./Wolfs
Blood (1983), both considered touchstones of the
early-1980s
hardcore punk movement.
The Misfits disbanded in 1983 and Danzig went on to form
Samhain and then
Danzig. Several albums of reissued and
previously unreleased material were issued after the group's
dissolution, and their music became influential to punk rock,
heavy metal, and
alternative rock music of the late 1990s
and early 2000s.
After a series of legal battles with Danzig, Only and Doyle
regained the rights to record and perform as the Misfits. They
formed a new version of the band in 1995 with singer
Michale Graves and drummer
Dr. Chud. This incarnation of the Misfits had a
sound much more rooted in heavy metal and released the albums
American Psycho
(1997) and
Famous Monsters
(1999) before dissolving in 2000. Only then took over lead vocals
and recruited former
Black Flag
guitarist
Dez Cadena and former
Ramones drummer
Marky
Ramone for a Misfits 25th Anniversary tour. This lineup
released an album of
cover songs
entitled
Project 1950 and
toured for several years. In 2005 Ramone was replaced by
Robo, who had played with Black Flag in the
early 1980s and had also previously been the Misfits' drummer from
1982 to 1983. The current lineup of Only, Cadena, and Robo
continues to tour and has announced plans to record an album of new
material.
History
1977–1978: Formation and Static Age
The
Misfits were formed in January 1977 in Lodi, New Jersey
by Glenn Danzig, who
had previous experience performing in local bands. Naming
the band after actress
Marilyn
Monroe's final film
The
Misfits (1961), Danzig recruited
guitarist Jimmy Battle,
bassist Diane
DiPiazza, and
drummer Manny Martínez to fill out the lineup
while Danzig himself
sang and played the
electric piano. Both Battle and
DiPiazza left the band after a month of practices. Martínez
recommended his friend
Jerry Caiafa to
Danzig as a replacement, as Caiafa had recently received a
bass guitar as a
Christmas gift. Caiafa was accepted into the band
despite having only been practicing his instrument for two months.
He and Danzig would remain the only consistent members of the
Misfits until the group disbanded in 1983. The trio of Danzig,
Martínez, and Caiafa rehearsed for three months without a
guitarist, using Danzig's electric piano to provide the songs'
rhythm. They recorded the band's first
single, "
Cough/Cool", which they released through their
own label
Blank Records in August
1977. Caiafa's
surname was misspelled on the
record's sleeve, prompting him to insist that in the future he be
credited as "Jerry, only Jerry". "Jerry Only" quickly became his
pseudonym, which he would continue to use
for the rest of his career.
The band played their first two performances
at CBGB
in New York
City
, followed by other local performances over the
following two months.
In August 1977 guitarist
Frank
Licata joined the band under the pseudonym Franché Coma. The
addition of a permanent guitar player allowed Danzig to phase out
the electric piano and focus on singing, and pushed the band's
sound in a
punk rock direction. Danzig and
Only ejected Martínez from the band in December, judging him to be
unreliable, and replaced him with
"Mr. Jim"
Catania. The band found themselves with a recording opportunity
when
Mercury Records wished to use
the name Blank Records for one of its subdivisions and offered
Danzig thirty hours of free studio time in exchange for the
trademark to the name. Danzig accepted, and in January 1978 the
Misfits entered a New York recording studio to record their first
album. Seventeen songs were recorded, fourteen of which were mixed
for the proposed
Static Age
album. However, the band were unable to find a record label
interested in releasing the album. Instead they released four of
the songs in June 1978 as the "
Bullet" single on their new label
Plan 9 Records, named after the 1959
science fiction horror film Plan 9 from Outer Space.
Static Age would not be released in its entirety until
1997.
1978–1981: Singles and early tours
the
Static Age sessions the Misfits began a shift in
songwriting and appearance, with Danzig writing more songs inspired
by
B horror and science fiction films. He
painted skeletal patterns on his performance clothing, while Only
began applying dark
makeup around his eyes
and styling his hair in a long point hanging from his forehead
between his eyes and down to his chin, a style that became known as
a "
devilock" and which both Danzig and
Only's brother Doyle would eventually copy. This new style and
musical direction would later be described as the
subgenre "
horror punk".
The band performed more frequently and went on short tours in
support of the "Bullet" single.
While in Canada
in October
1978 Franché Coma quit the band because he did not enjoy touring,
and guitarist Rick Riley filled in temporarily to finish the
tour. Jim Catania also quit following the tour, citing a
distaste for the horror direction in which the band was heading.
Within two months the pair were replaced by drummer
Joey Poole, under the pseudonym Joey Image, and
guitarist
Bobby Steele. The new lineup
of Danzig, Only, Image, and Steele began performing in December
1978 and continued to evolve the horror elements of the band. They
released the "
Horror Business"
single in June 1979, the cover of which featured a skeletal figure
inspired by a poster for the 1946
film
serial The Crimson
Ghost. The figure became a
mascot
for the band, and its skull image would serve as the Misfits'
logo for the rest of their career. The band
also launched a
fan club named the "Fiend
Club" which Danzig operated in a
do-it-yourself fashion from his mother's
basement in Lodi,
silkscreen
t-shirts, assembling records, mailing
merchandise catalogs, booking shows for the band, and answering
fan mail.
In June 1979 the Misfits performed as openers for
The Damned in New York City.
Only spoke with singer
Dave Vanian about the possibility of the
Misfits touring the United Kingdom
with The Damned. That November the band
released the "Night of
the Living Dead" single and flew to England
to tour with
The Damned. Upon arriving there, however, they learned that
Vanian had not taken his conversation with Only seriously and had
not planned on having the Misfits on the tour. Vanian attempted to
arrange for the Misfits to take part in the tour, but the band
members were unhappy with the situation and left the tour after
only two shows. Image then quit the band and flew back to the
United States.
With their return flight not scheduled until
late December, the remaining band members stayed in London
. Only spent time with
Sid Vicious' mother Anne Ritchie, whom he had
befriended after Vicious' death in February 1979.
Danzig and Steele got
into a fight with skinheads while waiting
to see The Jam, were arrested, and spent two
nights in jail in Brixton
; this
experience inspired the later song "London Dungeon".
Upon their return to the United States the Misfits released the
Beware EP in January 1980, then took a four-month
break before adding
Joseph McGuckin as
their new drummer under the pseudonym Arthur Googy. During this
time Only's younger brother
Paul Caiafa,
a longtime fan of the band who went by the nickname Doyle, began
learning to play guitar with help from Danzig and Only. The Misfits
began working on an album which they planned to release through
their Plan 9 label, recording twelve songs in a studio in August
1980. Doyle practiced with the band and recorded his own guitar
tracks for the songs, and Only began persuading Danzig that Doyle
would fit into the band better than Steele. That October Steele was
ejected from the band in favor of the sixteen-year-old Doyle.
Steele
went on to form The Undead, while Doyle
made his debut with the Misfits at their annual Halloween performance at Irving
Plaza
in New York City. After several more
performances the band took another hiatus for six months.
After reconvening, the band selected three of the twelve songs from
their August 1980 album sessions and released them as
3 Hits from Hell in April 1981.
Throughout the rest of 1981 they continued to record tracks for a
full-length album, to be titled
Walk
Among Us. They had planned to release it through Plan 9
but instead accepted an offer from
Slash
Records, deciding to rework the album before its release. In
October 1981 they released two more tracks from the August 1980
sessions as the "
Halloween" single.
On November 20 they
recorded a performance at On Broadway in San Francisco
. Black Flag
were also performing that night at the
Mabuhay Gardens downstairs from On Broadway,
and Black Flag singer
Henry Rollins, a
longtime fan of the band, came up to watch the Misfits'
soundcheck. He stayed to watch the band's set and
sang guest vocals on "We Are 138". The two bands crossed paths
again on
Christmas in Lodi, where Black
Flag wound up playing as the opening band for the
Necros and the Misfits.
1982–1983: Albums and dissolution
Walk Among Us was released in March 1982 through
Ruby and Slash Records. It was the first
full-length Misfits album to be properly released, and the only
album to be released while the early incarnation of the band was
still active. A national tour in support of the album followed, and
the band's performances began to grow more intense and violent.
Danzig and Googy clashed frequently during the tour, and after a
heated argument at a
McDonald's
restaurant Danzig kicked Googy out of the band, delaying their
plans to record their next EP. They offered the vacant drummer
position to their friend
Eerie Von, who
had served as their occasional
roadie and
photographer, but he had already
committed to drumming for
Rosemary's
Babies. Henry Rollins recommended former Black Flag drummer
Robo, who flew to New Jersey to join
the Misfits in July 1982. Doyle graduated from high school and he
and Only began working full-time at their father's machine shop,
earning money to purchase new instruments, fund the band's tours,
and press records, while Danzig ran the Fiend Club and continued
writing new songs.
In September 1982 the Misfits embarked on a national tour, with the
Necros as their opening act. During the tour they stopped at a
studio to record the instrumental tracks for their next EP.
They were
arrested in New
Orleans
on charges of grave
robbing while attempting to locate the grave of voodoo practitioner Marie Laveau, but bailed
themselves out of jail and skipped their court date in order to
drive to their next performance in Florida
. Following the tour they released seven
songs from the November 1981 performance in San Francisco in
limited numbers only to members of the Fiend Club as the
Evilive EP.
By this time Danzig was growing increasingly dissatisfied with the
Misfits and had begun writings songs for a new band project. In
June 1983 he confided to
Henry Rollins
that he planned to quit the group. In July 1983 the Misfits
finished recording their EP, and Danzig decided to record two more
songs that he had intended for his new project, turning it into a
full album.
Earth A.D./Wolfs
Blood demonstrated the increased influence of
hardcore punk and
heavy metal on the band, though they would
break up just two months before it was released. After a series of
arguments with Danzig, Robo left the band in August and Danzig
became further disenchanted, beginning to audition musicians for
his next project.
On October 29, 1983, the Misfits played
their annual Halloween performance at
Greystone Hall in Detroit
with the Necros. Danzig had selected
Brian Damage, formerly of
Genocide and
Verbal
Abuse, as the band's new drummer. However, Damage became
drunk before the show and could not play
properly. After several songs Doyle escorted him off the stage and
Todd Swalla of the Necros filled in for the remainder of the
performance. Tensions came to a head and Danzig announced to the
audience that it would be the band's final show. Upon returning to
Lodi the band members went their separate ways.
1984–1995: New projects and legal battles
Following the breakup of the Misfits Danzig launched his new band
Samhain, moving away from
punk rock and towards more experimental
heavy metal with a grim atmosphere.
Several Misfits songs were re-recorded for Samhain albums,
including "Horror Business" (as "Horror Biz"), "All Hell Breaks
Loose" (as "All Hell"), "Halloween II", "Death Comes Ripping", and
"London Dungeon". In 1987 the band signed to a major record label
and Danzig replaced most of the
rhythm
section, renaming the group
Danzig. He continues to front Danzig, who have
released eight albums ranging in style from
blues-rock-influenced heavy metal to
industrial rock, and has also released two
solo albums.
Jerry
Only and Doyle, meanwhile, moved to Vernon, New
Jersey
to work at their father's machine parts factory
full-time. Only had married and had a daughter and became
more serious about his
Christian faith,
regretting some of the things he had done with the Misfits. In 1987
he and Doyle formed the short-lived
Kryst the Conqueror, a
Christian heavy metal band with
barbarian imagery meant to contrast the darker, more
Satanic path chosen by Danzig.
Though the Misfits had not gained significant popularity during
their seven years of activity, public interest in the band
increased in the years following their breakup. The success of
Danzig's post-Misfits' work led to interest in his past work, and
several high-profile rock bands professed fondness for the Misfits.
Most notably,
Metallica covered the Misfits songs "Last Caress" and
"Green Hell" on
The $5.98 E.P.: Garage
Days Re-Revisited (1987), and
Guns N' Roses covered "Attitude" on
"The Spaghetti Incident?"
(1993). Several albums of reissued and previously unreleased
Misfits material were issued between 1985 and 1987, the first being
the
compilation album Legacy of Brutality (1985) which
included many of the songs from the unreleased
Static Age album. Danzig
overdubbed many of the album's instrument tracks
in order to avoid having to pay
royalties
to the other former band members.
Misfits, more commonly referred to as
Collection I, followed in 1986. The
Evilive EP was reissued as a full album in 1987
with five additional tracks.
Only contacted Danzig about receiving a portion of the royalties
from these albums' sales, beginning a legal battle that lasted
several years and involved other past members of the band. All of
the Misfits material had been credited to Danzig, and though Only
later conceded that Danzig had written nearly all of the lyrics and
most of the music, he contended that he and Doyle "wrote 25% or
maybe 30% of the music" and deserved compensation. Danzig, however,
insisted that he had written all of the songs in their entirety and
that the other members' creative input had been minimal. Eventually
Only ceased his pursuit of songwriting credits and sought the
rights to use the Misfits name and imagery. In 1995 the parties
reached an out-of-court settlement that allowed Only and Doyle to
record and perform as the Misfits, sharing merchandising rights
with Danzig.
Collection II, a
third compilation of Misfits songs, was released later that
year.
1996–2000: Reformation and new lineup
Only and Doyle immediately set about reforming the Misfits,
bringing in drummer
David Calabrese, aka
"Dr. Chud", who had worked with them in Kryst the Conqueror. Glenn
Danzig rejected their offer to return as the band's lead singer.
Dave Vanian of
The Damned was also approached but
declined. The band then held open auditions for a new vocalist.
Nineteen-year-old singer
Michael
Emanuel had recently recorded a demo tape in hopes of starting
a music career, and the owner of the recording studio suggested
that he audition for the Misfits. Being unfamiliar with the band,
Emanuel listened to
Collection I on a
walkman to learn the lyrics and melodies while
working his job as a greenskeeper. He impressed the band with his
audition and was accepted as the new lead singer under the
pseudonym Michale Graves, while Doyle adopted the
new stage name "Doyle Wolfgang von Frankenstein". The new lineup
made an appearance in the 1995 film
Animal Room.
In 1996 the
Misfits Box
Set was released, containing nearly all of the band's
Danzig-era material recorded from 1977 to 1983 (with the exception
of
Walk Among Us). The set
included the complete fourteen-song
Static Age album,
released for the first time in its entirety, as well as the
overdubbed and alternate versions of songs that had previously been
released on
Legacy of Brutality,
Collection I,
and
Collection II.
Static Age was also released
as a separate album the following year, including all seventeen
tracks that had been recorded during the January 1978 sessions. The
release of the box set and
Static Age made the Misfits'
complete early catalog widely available for the first time. A
tribute album was also released in
1997 entitled
Violent World,
featuring numerous
punk rock and
hardcore bands covering song's from the Glenn
Danzig era. Another tribute album,
Hell on Earth,
was released in 2000 featuring
death
metal,
hard rock, and
gothic rock acts.
The new incarnation of the Misfits released their debut album
American Psycho in
1997 and filmed
music videos for the
songs "American Psycho" and "
Dig Up Her
Bones". The band toured Europe and North America in support of
the album and appeared as characters in
World Championship Wrestling.
Graves took a hiatus from the band during 1998, during which Myke
Hideous of
The Empire Hideous filled
in as singer during tours of South America and Europe. After
Graves' return the band signed to
Roadrunner Records, releasing
Famous Monsters in October
1999 and filming a music video for the single "
Scream!" They made additional
film appearances in
Big Money
Hustlas (2000),
Bruiser (2000), and
Campfire Stories (2001) and continued
to tour, but tensions between the band members began to grow.
During a
performance at the House of Blues in
Orlando,
Florida
on October 25, 2000, Graves and Chud both quit the
band and walked offstage. The two later released an album
under the name
Graves before splitting
up; Graves went on to sing for
Gotham
Road and then launched a solo career, while Chud formed
Dr. Chud's X-Ward. Meanwhile,
Doyle took an indefinite hiatus from performing as he divorced,
remarried, had a fourth child, and dealt with
tendinitis in his elbow.
2001–2005: 25th Anniversary and all-star lineup
the sole remaining member of the Misfits, Jerry Only took over lead
vocal duties in addition to playing bass guitar and recruited
veteran musicians
Dez Cadena, former
guitarist of
Black Flag, and
Marky Ramone, former drummer of the
Ramones, for a Misfits 25th Anniversary Tour
which lasted intermittently for nearly three years. Former Black
Flag and Misfits drummer
Robo filled
in for Ramone during some stretches of the tour. Only released
Cuts from the Crypt in
2001, a compilation of demos and rarities covering the band's
period with Graves and Chud from 1995 to 2001. This fulfilled the
band's contractual obligations to Roadrunner Records, whom Only had
grown dissatisfied with. Also in 2001
Caroline Records announced that they would
release recordings from the Misfits' August 1980 album sessions as
12 Hits from Hell.
However, both Only and
Glenn Danzig
abruptly called off production of the album, citing concerns with
the mixing, mastering, layout, and packaging.
Only and longtime collaborator
John
Cafiero soon launched their own label,
Misfits Records, and released
a split single featuring the
Misfits and Japanese
horror punk band
Balzac. The Only/Cadena/Ramone lineup
of the Misfits released the covers album
Project 1950 in 2003, performing
renditions of classic
rock and roll
songs from the 1950s and 1960s. The album featured guest
appearances from
Ronnie Spector,
Jimmy Destri,
Ed
Manion, and John Cafiero. The band toured intermittently in
support of the album until 2005, when Ramone left the band and was
replaced by Robo. They booked a full European tour that year, but
problem's with Robo's
visa led to
the cancellation of all dates in the United Kingdom. A rescheduled
UK tour followed in September.
had meanwhile reunited with Glenn Danzig, joining
Danzig onstage during performances in December
2004 to play guitar for 30-minute sets of old Misfits songs midway
through the band's setlist. It was the first time the two had
performed together in over twenty years, and the first time Doyle
had performed since his hiatus. Danzig called the performances "the
closest thing to a Misfits reunion anyone is ever going to see".
These sets featuring Doyle continued through Danzig's 2005
"Blackest of the Black" tour and 2006 Australian tour. Glenn Danzig
had announced his intention to retire from touring following these,
though he later contradicted this by announcing a Danzig 20th
anniversary tour in 2008. In 2007 he produced Doyle's new project
Gorgeous Frankenstein. Doyle
later indicated that plans had been in place for the Misfits to
reunite with Glenn Danzig beginning in 2002, but that Jerry Only
and his manager had "put a fuckin' monkey wrench in it."
2006–present: Recent activity
The Misfits are currently performing on an extended 30th
anniversary world tour. A new single, "
Land of the Dead" was released
October 27, 2009, marking the band's first release of new studio
material in six years and the first release by the current lineup
of Only, Cadena, and Robo.
Style
Each incarnation of the Misfits has made use of
horror film and
science fiction film-inspired themes
and imagery, with makeup, clothing, artwork, and lyrics drawn from
B movies and television serials, many from
the 1960s and 1970s. Musically the band are often recognized as the
progenitors of the
horror punk and have
drawn from punk rock, heavy metal, and 1950s
rock and roll and
rockabilly to inform their style.
Rolling Stone describes them as "the
archetypal horror-punk band of the late 1970s and early '80s", and
they are considered icons in punk music and culture.
The early incarnations of the Misfits are associated with the
hardcore punk movement of the early
1980s, though
American Hardcore
author
Steven Blush notes that "though
crucial to the rise of hardcore, [they] were in fact in a league of
their own...The Misfits delivered a hyper-yet-melodic assault based
in 50/60s-style rock, taking the
Buddy
Holly/
Gene Vincent foundation and
making it nuclear." Jon DeRosa of
Pitchfork Media describes how the band's
sound was different from the punk rock coming out of New York at
the time: "New York punk was just punk, simple and static. When
Glenn started the Misfits, he mutated the punk sound and image into
something darker and more sinister, a punk-metal hybrid that later
found bloom in the quiet, boring suburbs of Oslo and the boggy
backwaters surrounding Tampa. Punk belonged to the media/celebrity
hubs of London and New York. Ghoul rock was for the kids in the
suburbs where nothing ever happens." Andy Weller of the
Necros recalls the band's transition from traditional
punk rock in the late 1970s to hardcore in the early 1980s: "[Y]ou
could hear it on the records. It went from this
Ramones-type stuff, to nine months later, where they
put out records that were so fast it's unreal." By the recording of
Earth A.D./Wolfs
Blood the band were playing faster, more aggressive
material. According to Blush, "The Misfits' strengths as a hardcore
group lay in non-[hardcore] attributes–melodic songs and
larger-than-life-aura–but by the time of
Earth A.D. Glenn
was writing hyperspeed blasts that sounded very standard."
The new version of the Misfits launched by Jerry Only and Doyle in the 1990s had a style that was much more heavy metal than punk, an outgrowth of the brothers' experience with their short-lived Christian metal act Kryst the Conqueror. Reviewing American Psycho, Stephen Erlewine of Allmusic called the new incarnation "a kitschy goth-punk outfit that relies more on metal than hardcore", while Rolling Stone remarked that the band's new style blended "some old-style punk, a little metal and an occasional all-out thrasher." Greg Prato, reviewing the 2001 album Cuts from the Crypt, noted that "the latter-day Misfits are much more heavy metal based than in their earlier work – as their punk roots have all but been erased."
Legacy
Discography
- Studio albums
Filmography
The Misfits appeared as characters or in cameos in the following
movies.
Members
Current members
Former members
See also
References
Notes
- Citizine Interview - Misfits' Jerry Only (Glenn Danzig,
Ramones
- punknews.org
- punknews.org
- punknews.org
- Blush, 195
- Blush, 202
- Blush, 204
- Static
Age was recorded in 1978, but was not released in its
entirety until 1996, as part of the Misfits box set. It was
released as a separate album in 1997.
External links