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Miss Havisham is a significant character in the Charles Dickens novel Great Expectations (1861). She is a wealthy spinster, who lives in her ruined mansion with her adopted daughter, Estella, while she herself is described as looking like "the witch of the place."

Although she has often been portrayed in film versions as very elderly, Dickens's own notes indicate that she is only in her mid-fifties. However, it is also indicated that her long life away from the sunlight has in itself aged her, and she is said to look like a cross between a waxwork and a skeleton, with moving eyes.

Character history

Miss Havisham's mother died when she was just a baby, and her father, a wealthy brewer, spoiled her as a result. When he died, he left her most of his money as inheritance for her.

As an adult, she fell in love with a man named Compeyson, who was only out to swindle her of her riches. Her cousin Matthew Pocket warned her to be careful, but she was too much in love to listen. At twenty minutes to nine on their wedding day, while she was dressing, Havisham received a letter from Compeyson and realized that he had defrauded her and she had been left at the altar.
Miss Havisham with Estella and Pip.
Art by H.
Humiliated and heartbroken, Havisham had all the clocks stopped at the exact point in which she had learned of her betrayal. From that day on, she remained by herself in her decaying mansion, Satis House, never removing her wedding dress (as a result of being in the process of getting dressed when she receives the letter, she only has one shoe on), leaving the wedding cake uneaten on the table and only allowing a few people to see her. She can be called eccentric.

Miss Havisham later had her lawyer, Mr. Jaggers, adopt a daughter for her.

From protection to revenge

While wishing Estella to never suffer as she had at the hands of a man was Miss Havisham's original goal, it changed as Estella grew older:

While Estella was still a child, Miss Havisham began casting about for boys who could be a testing ground for Estella's education in breaking men's hearts as vicarious revenge for Miss Havisham's pain. Pip, the narrator, is the eventual victim, and Miss Havisham readily dresses Estella in jewels to prettify her all the more, and to exemplify all the more the vast social gulf between her and Pip. It is this that drives Pip to ultimately agree to become a gentleman, and when, as a young adult, Estella leaves for Francemarker to receive education, Miss Havisham eagerly asks him, "Do you feel you have lost her?"


Miss Havisham begging Pip for forgiveness.
Art by F.A.
Miss Havisham is repentant late in the novel when Estella leaves to marry Pip's rival, Bentley Drummle, and she realises that she has caused Pip’s heart to be broken in the same manner as her own; rather than achieving any kind of personal revenge, she has only caused more pain. Miss Havisham begs Pip for forgiveness.

After Pip leaves, Miss Havisham's dress catches on fire from her fireplace. Pip rushes back in and saves her. However, she has suffered severe burns to the front of her torso (she is laid on her back), up to the throat. The last words she speaks in the novel are (in a delirium) to Pip, referencing both Estella and a note she, Miss Havisham, has given him with her signature: "Take the pencil and write under my name, 'I forgive her!'"

A surgeon dresses her burns, and says that they are "far from hopeless". However, despite rallying for a time, she dies a few weeks later, leaving Estella as her chief beneficiary, and a considerable sum to Herbert Pocket, as a result of Pip's reference.

Claimed prototypes

Eliza Emily Donnithorne (1827-1886) of Camperdownmarker, Sydneymarker, was jilted by her groom on her wedding day in 1846 and spent the rest of her life in a darkened house, her rotting wedding cake left as it was on the table, and with her front door kept permanently ajar in case her groom ever returned (although he died in 1852). She was widely considered at the time to be Dickens' model for Miss Havisham, although this cannot be proven. Although Charles Dickens had a deep-seated interest in Australia, saw it as a place of opportunity and encouraged two of his sons to emigrate there, the great writer never visited it himself, but it features in highly accurate detail in many of his works, notably ‘Great Expectations’. He obtained his information on colonial life in NSW from two Sydney researchers. He also had numerous friends and acquaintances who settled in Australia who sent him letters detailing curious aspects of life in the colonies and personalities encountered knowing he could use it as source material for future novels, they could easily have conveyed the Donnithorne story to him. Australia features prominently in ‘Great Expectations’, NSW is where Pip’s benefactor Abel Magwich made his fortune. In ‘Great Expectations’ Miss Havisham is jilted by a bounder called Compeyson and Eliza Emily Donnithorne was jilted by a man with the surname Cuthbertson.

In the 1965 Penguin edition, Angus Calder notes at Chapter 8, "James Payn, a minor novelist, claimed to have given Dickens the idea for Miss Havisham - from a living original of his acquaintance. He declared that Dickens's account was 'not one whit exaggerated'." Although it is documented Dickens encountered a wealthy recluse called Elizabeth Parker on whom it is widely believed he based the character, whilst staying in Newport, Shropshiremarker, it is also claimed that Emily Morgan of Guildfordmarker, Surreymarker was the inspiration for Miss Havisham.

Alternate versions

Miss Havisham's Fire

An opera called Miss Havisham's Fire revolves around Havisham's character (her first name revealed to be Aurelia). The entire story is told in flashback during an inquiry into Miss Havisham’s death.

The Thursday Next series

Dickens's Miss Havisham is a main character in the Thursday Next series by Jasper Fforde, a current detective/mystery series. The stories are set in a fantasy/alternate universe milieu in which characters borrowed from the Dickens era play a prominent role.

She is one of the leading operatives of Jurisfiction, the organisation that polices the BookWorld. Her capabilities are portrayed as very advanced, she takes Thursday on as an Apprentice, and one of their first assignments together is to circumvent a plot hole in Great Expectations. It is never explained in Dickens's novel how the heavily-manacled Magwitch was able to make it to land from the prison ship where he was incarcerated.

In film and television

In film adaptations of Great Expectations, Miss Havisham has been played by a number of distinguished actresses, including:

Characters inspired by Miss Havisham

Both Sunset Boulevard and What Ever Happened to Baby Jane? were inspired by David Lean's adaptation of Great Expectations, as were, by extension, the characters of Norma Desmond and Baby Jane Hudson and their homes. In Sunset Boulevard, Joe Gillis even compares Norma Desmond to Havisham during his narration. A character in the cartoon show Chowder, Endive, has had a similar event to Havisham when her fiancee never showed up on the wedding day. She also has an apprentice whom she teaches to avoid men.

In science

The condition "The Miss Havisham effect" has been coined by scientists to describe a person who suffers a painful longing for lost love, which can become a physically addictive pleasure by activation of reward and pleasure centers in the brain, which have been identified to regulate addictive behavior - regions commonly known to be responsible for craving and drug, alcohol and gambling addiction.

In popular culture

  • In "Pip," a South Park episode based on Great Expectations, Miss Havisham is depicted similar to her novel counterpart, with the twist that she ultimately plans to fuse her soul into Estella's body in order to extend her life, using a "Genesis Device." She controls an army of robotic monkeys.

  • Her character was an inspiration for Melanie Ravenswood in the Phantom Manormarker attraction at Disneyland Parismarker. In Melanie's case, her groom was murdered by a mysterious phantom by hanging, though she did not find out what happened to him, wandering the haunted house searching for him to her dying day.

  • The poem "Havisham," by Carol Ann Duffy is based on the character Miss Havisham.

  • The song "Goodbye Miss Havisham" by Sullivan directly relates to her character.

  • In the British comedy Peep Show, Mark Corrigan states "I don't want to end up lonely like Havisham, wanking into a flannel" while explaining his desire to get married.

  • In the sixth episode of season three of the American TV series Supernatural (Red Sky at Morning), Sam Winchester refers to an elderly woman who has been flirting with him (Ms. Gert Case) as "Mrs. Havisham".

  • In the film P.S. I Love You, the character Holly, who is depressed over the death of her husband, says to her friend Sharon, "...Become the Miss Havisham of the Lower East Side. Never leave my apartment 'til I'm old. Sit in my wedding dase. With an old piece of wedding cake." Other characters also compare her to Havisham throughout the film implicity and explicity.

  • In the Family Guy episode Stuck Together, Torn Apart, Peter Griffin looks up his old prom date, who has allegedly not taken off her prom dress since she and Peter went to the prom together, not washed her hand since the last time Peter held it, and kept her toilet exactly the same as it was when Peter last used it (even going so far as to talk to it and "feed it"). These mannerisms are similar to those displayed by Miss Havisham during her years of isolation and distress.

  • In the Discworld novel Reaper Man, Miss Flitworth references Miss Havisham when she says that after her fiance died she thought "What life expects me to do now is moon around the place in the wedding dress for years and go completely doolally". Instead, she got on with things, and they had the reception anyway because there's no sense wasting good food.


  1. Eliza Emily Donnithorne's Great Expectations
  2. Remembering Camperdown Lodge
  3. Sunset Boulevard
  4. Craving love? Enduring grief activates brain's reward center" Mary-Frances O'Connor, et al., 2008 NeuroImage

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