Paul Korda (born Paul Kunstler in 1948, Singapore, Malaysia) is an English songwriter, singer, musician, and actor. He has been writing and performing music since the 1960s. His songs have been covered by myriad artists, such as Roger Daltrey, Dave Edmunds, Frankie Valli, and Love Sculpture.

Family Background

Korda was born into a creative family of entertainers, professional singers, songwriters, and accomplished musicians. His father, Hungarian-born Tibor Kunstler, was a violinist and former student of the Franz Liszt Conservatory of Music in Budapest, Hungary and Academia La Scala in Milan. Tibor played saxophone on jazz great Coleman Hawkins’ tour of the East, which was the first jazz tour to take place in Asia. Korda’s British mother, Shirley Green -- who worked under the stage name Shirley Lenner -- was a vocalist and actress. She starred in the wartime film musical Those Kids From Town (1942) and also sang with British bandleaders Joe Loss, George Elrick, and Stephan Grappelli.

Tibor and Shirley met while working as entertainers in Singapore. Tibor, who had been interned during the Japanese invasion of Java while playing at the Hilton Hotel there, was performing at Raffles Hotel while Shirley, who had spent the latter part of World War II entertaining British troops, was singing at Princes Restaurant nearby.

Paul’s British grandparents had also been professional singers, songwriters and musicians. In the 1890s, his grandmother Florence Wright worked in a market stall in Edinburgh, Scotland, singing songs penned by Chappell Music founder Lawrence Wright to help sell his sheet music. Florence and her husband, pianist Tommy Lenner, took their thirteen children on tour with them as angels at the beginning of the Vaudeville era.

Shirley Lenner’s sisters were well-known singers in Britain: Judy Shirley hosted “Monday Night At Seven” for the BBC during World War II, and Anne Lenner sang with celebrated American composer Carole Gibbons.

Formative Years

Upon returning to England in 1949, Paul, due to his parents’ work commitments and divorce, was sent to boarding school at age five and a half years. He continued to be away at school for much of his childhood. He took classical piano lessons, prompted by his father’s classical education, while his mother arranged for him to take lessons from a contemporary piano player. The result was that Paul, who didn't share his peers’ delight in sports during his formative years, began to write songs, and at the age of nine wrote his first musical.

At thirteen Paul won a scholarship to Victoria College on the Isle of Jersey in the Channel Islands. It was on Jersey that he joined the Intruders, a local band. As boarding students were never allowed to go to nightclubs, he began to mature with the adult experience and find the institutionalized strict Victorian boarding school discipline a contrast to the freedom of individual expression. He would hide out in the school’s crafts room that was rarely used by the other children, and armed with a reel to reel recorder he would express his pent-up emotions through writing songs. He would also transform the room into a portrait studio and darkroom, and his passion for visual imagery led him to being the official school photographer for The Jersey Evening Post, the island’s newspaper.

Paul applied for a place at Harrow Technical College, near London, to study photography at age fifteen. He was accepted at the college, based not on his academic results, but on the quality of his photographs. While studying photography, Paul ran Harrow Technical College’s Folk Club, and was spotted by the manager of Bluesology, a band formed by Elton John and Rod Stewart. The manager soon took Paul to meet Beatles publisher Stephen James and introduced him to Elton John (still called Reg).

Early career

Paul’s first record, “Go on Home,” was released on EMI’s Columbia label when he was seventeen. At this point in his early career Paul began playing the Soho folk club, Les Cousins, alongside other friends, Sandy Denny and Cat Stevens. Cat Stevens and Paul became close friends and in between recording sessions would often check out the London nightlife together.

In 1967 Paul was signed as a songwriter to Rolling Stones producer Andrew Loog Oldham’s Immediate Music publishing company and went on to write for Mick Jagger protégé P.P. Arnolds for her single, “The Time Has Come.” The song made the U.K. charts, and the Italian version “Se Perdo Te,” recorded by Patty Pravo, reached #6 in Italy. Unfortunately, Paul, like so many Immediate artists, wasn’t paid, and being a minor, repudiated his contract after the managing director took Paul's new 12-string guitar and gave it to another songwriter.

That same year Paul formed his first professional band and gave his opening night at the 7 1⁄2 Club in London to Jimi Hendrix so that Hendrix could showcase to the English music business. Jimi expressed his gratitude for the chance and referred to the Afro-wearing Paul as his “soul brother.”

After suffering the shock of his mother’s accidental death, he was offered a production job by EMI Records and produced Yes's Jon Anderson’s first recordings. Paul’s production rhythm section included the Small Faces’ Ronnie Lane, Ian McClagan and Kenney Jones on drums.

HAIR

Paul signed young American singer Andy Forray and took him to auditions for the musical Hair: The American Tribal Love/Rock Musical in London to assist his career. Andy was hired, as was Paul, who was also asked to audition and offered the part of Paul. The musical opened at the Shaftesbury Theatre in London on September 27, 1968 and continued for 1,998 performances. The run at the Shaftesbury ended when the theatre’s roof collapsed in July 1973.

Solo career

After leaving the cast of Hair, Paul was naturally drawn to activism through music’s nature, starting early in his career with the ecological protest song “Seagull (The West Coast Oil Tragedy),” a song he recorded for Parlophone Records (the EMI label the Beatles recorded for) that was then covered by Dave Edmunds in the band Love Sculpture. Paul then focused on local social issues, in particular the plight of Britain's Old Age Pensioners, who were struggling to survive on their government pensions. He penned “Give Us the Right to Live”, rehearsed and then recorded the song with twenty pensioners, the eldest of whom was over 80 years old. When the song was released by Famous Records, Paul and the pensioners opened the Trade Union Congress at London's Albert Hall.

Soon after bringing public attention to the pensioners’ issue, Paul formed, sang for, and wrote songs for the 12-piece British rock-fusion band Dada, in which he shared vocals with Elkie Brooks (Elaine Bookbinder) and Jimmy Chambers on their only album, Dada, for Atlantic Records in 1970. Due to factionalism Paul quit the band and was replaced that year by singer Robert Palmer.

Paul then decided to go solo, and formed a band to play at London’s famed musicians’ hangout, the Speakeasy Club. This core of musicians -- that went on to play on Paul’s debut album, Passing Stranger (released 1971 on MAM Records) -- consisted of Onnie McIntyre and Allan Gorrie (Average White Band) and guitarists Chris Spedding, and Andy Roberts. Passing Stranger also featured a dynamic trio of vocalists in African-American soul singer Doris Troy, Nanette Newman and Madeline Bell, who at the time were doing back-up vocals for the Rolling Stones.

Paul went on to successfully place his songs with other artists. In 1971 Paul’s song “Walk the World Away” was recorded by reggae artist Teddy Brown. The French version “L’Amour C’est Ca, L’Amour C’est Toi” coupled with “C’est Ma Priere” was recorded by Mike Brant and remained at #1 in France for six months.

In 1974 Paul wrote, sang and played piano on three songs for Who front man Roger Daltrey’s second solo album Ride a Rock Horse (1975) which reached the Top 20 in the U.S. and U.K. Paul’s successful collaboration with Daltrey continued two years later when he wrote the internationally charting single “Written on the Wind” for Daltrey’s 1977 album One of the Boys.

In an effort to reach the people directly, Paul flew to New York City to look for a gig and along with Daryl Pettiford and Nic Potter (whom Paul flew over from Britain) performed a weeklong engagement at The Other End. Variety reviewed the performance and further expanded Paul Korda’s dialogue with US audiences, which caused him to move his family to Los Angeles in 1977, where he recorded his second solo album Dancing in the Aisles, co-produced by Spencer Davis for Janus Records, and recorded at the renowned Village Recorder. Dancing in the Aisles reached #4 in Billboard magazine’s National Radio Adds chart the first week following its release, due in large part to heavy airplay of “Manhattan” in New York. Paul then performed at Los Angeles’ Roxy Theatre with a 12-piece band, and Bruce Springsteen, who came to the show, displayed his enthusiasm by dancing in the audience during the set. Before promotion of the album could be completed, Janus Records filed for bankruptcy.

To overcome the problem of losing his record deal to corporate bankruptcy, Paul came up with “Out of Gas,” that was rush-released by RCA Records, at the beginning of the gas shortages in the U.S. The song was later featured in the documentary series The History of America, presented by veteran American television news reporter Ted Koppel.

Paul’s keyboard player David Kaffinetti (Rare Bird) and drummer R.J. Parnell (Crazy World of Arthur Brown) were chosen as band members for Rob Reiner’s cult classic mockumentary movie (This is) Spinal Tap, which led to Paul making a brief appearance as a rockstar/partygoer in the film.In the early ‘80s Paul opened the Central Jam Night, during which acclaimed musicians such as Phil Collins and Mitch Mitchell joined him onstage. He formed several bands that included guitarists John Goodsall (Brand X) and Mike Miller (Geno Vanelli, Chick Corea), keyboardist J. Peter Robinson (Phil Collins), drummers Steve Chapman (Poco), Ric Parnell and keyboardists David Kaf , Merry Stewart ( Nina Hagen) and bass player Lou Castro, and Malando Gassama, percussionist (Al Jarreau).

In the mid ’80s Paul recorded an unreleased album with Talking Heads engineer, Jane's Addiction, and Mick Jagger producer, Dave Jerdan. He also received first prize at the Japan Expo for his space song “Living in the Sky,” subsequently recorded with fusion guitar virtuoso Allan Holdsworth. Paul went on to sing background vocals on Holdsworth’s 1985 Grammy-nominated album Road Games (also featuring Jack Bruce ), and co-wrote and sang “In the Mystery” for Holdsworth’s follow-up indie hit album Metal Fatigue. Written and recorded in 24 hours, it was released and being played on KROQ in Los Angeles three weeks later.

In 1988 Paul returned to London, where he opened a club in Highgate Village. Paul booked his friend, British guitarist Snowy White (Pink Floyd, Thin Lizzy, Roger Waters) as headliner, and formed the support band with Malcolm Duncan on saxophone (Average White Band), Nic Potter ( Van der Graaf Generator) on bass, and some singers from the Eurythmics. Shortly afterward Paul supported Snowy at one of the last shows at the original Marquee Club in London.

Paul went on to Orlando, Florida, where he opened Major Music Records. Finding there were “too many sharks on land there,” he returned to Los Angeles in the early ‘90s and wrote and arranged “Run for your Life” for Frankie Valli and the Four Seasons’ Hope and Glory album.

In 1994, shortly after obtaining custody of his sons, Paul dedicated his time and energy to the plight of low-income inner city children. He began teaching music to inner city children at a community center in East Los Angeles, encouraging them to develop an outlet for their frustrations through spontaneous musical creativity. To promote the cause, Paul began working with the choir of his sons’ former school, the 32nd Street /USC Magnet School for the Performing Arts, and recorded “Beyond the Darkness,” hoping to raise money through sales of the CD to finance education in this form of natural expression. The project was aided by A&M Records founder Herb Alpert, who arranged for the recording to be produced at A&M Studio A in Hollywood, where Michael Jackson’s “We are the World” was recorded in 1984. Phil Collins' keyboardist J. Peter Robinson arranged the music and seven-time Emmy award-winning director, Linda Yellan, directed the video for the song, with the children in charge of wardrobe, make up and acting. Due to the lack of high-profile rock stars involved, and royalties going to the Los Angeles School Districts Magnet Program, promotion was limited by the lack of business interest.

Paul was personally affected by the events of 9/11 in a more immediate way than most Americans, because he had turned down a reservation on the doomed flight out of Boston that morning, returning from London on September 10th, choosing an earlier direct flight to Los Angeles. He witnessed the 9/11 events the next morning and decided to drive to Vancouver Island Canada, to collect his thoughts. While staying in Vancouver he began developing the concept of a musical, Coming To, a kind of modern day Hair, about the country’s psychological aftermath in the months following 9/11 and the collective need for awakening. He also composed many of the songs for his next album Not For Robots.

Shortly after recording Not For Robots, Paul went to work as the Governor's dignitary in the movie Pirates of the Caribbean: Curse of the Black Pearl, for the first two weeks of production. On the last day of filming Paul came up with the idea for his song, “Pirates of the Caribbean.” Paul added the song as a bonus track on Not for Robots. In August 2003 the song reached #1 in the U.K. MP3 Europop chart and #6 in the UK MP3 Pop chart, for internet downloads.

Paul continues to live a vibrant and creative life in California, writing songs and occasionally acting in films and television. In 2003 Paul worked with Peter Mullen and John C. Riley on the George Clooney /Steven Soderbergh production, Criminal. In 2004 he played a museum director in the Woody Harrelson / Pierce Brosnan movie After the Sunset. His most recent movie appearances have been as Pierre Fuquette in an opening scene with Steve Martin in The Pink Panther and another turn as the Governor Swann’s dignitary in Pirates of the Caribbean: Dead Man’s Chest. He has also appeared on Desperate Housewives.

External links

• Allmusic: http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:7so7gjlrj6ib~T1
• Paul Korda’s official site: http://www.paulkorda.com
• Internet Movie Database: http://www.imdb.com/name/nm1411822/

Special thanks to Kimberly Bright for her assistance.