"
Penny Lane" is a song by
The Beatles, principally written by
Paul McCartney and credited to
Lennon/McCartney. Recorded during the
Sgt.
Pepper sessions,
"Penny Lane" was released in February 1967 as one side of a
double A-sided single, along with
"
Strawberry Fields
Forever". The song was later included on the
Magical Mystery Tour LP
(1967). The single was the result of the record company wanting a
new release after several months of no new Beatles releases. In
2004,
Rolling Stone ranked
the song at #449 on its list of the
500 Greatest Songs of All
Time.
Background
The song's
title is derived from the name of a street in the band's hometown,
Liverpool
. The area that surrounds its junction with
Smithdown Road is also commonly called Penny Lane. Locally the term
"Penny Lane" was the name given to Allerton Road and Smithdown Road
and its busy shopping area. Penny Lane is named after
James Penny, an 18th century slave trader.
McCartney
and Lennon grew up in the area and they would meet at Penny Lane
junction in the Mossley
Hill
area to catch a bus into the centre of the
city. The street is an important landmark, sought
out by most Beatles fans touring Liverpool
. In the past, street signs saying "Penny
Lane" were constant targets of tourist
theft and had to be continually replaced.
Eventually, city officials gave up and simply began painting the
street name on the sides of buildings.
This practice was stopped in 2007 and more theft-resistant "Penny
Lane" street signs have since been installed though some are still
stolen.
The Abbey Road
sign is also frequently stolen for the same reason.
Beatles producer
George Martin has
stated he believes the pairing of "Penny Lane" with "Strawberry
Fields Forever" resulted in probably the greatest single ever
released by the group. Both songs were later released on the US
Magical Mystery
Tour album in November 1967. In the UK, the pairing
famously failed to reach #1 in the singles charts, stalling one
place below
Engelbert
Humperdinck's "Release Me". In the US The song reached #1 on
the
Billboard Hot 100 for a week
before being knocked off by
The Turtles
song "
Happy Together". The
song features
contrasting
verse-chorus form and was credited "
Lennon/McCartney", although McCartney was
the main contributor to the song.
Following the success of the double A-side "Yellow
Submarine"/"Eleanor Rigby",
Brian
Epstein inquired if they had any new material available. Both
songs, though recorded during the sessions for
Sgt. Pepper's Lonely Hearts
Club Band, were left off the album — a decision George
Martin regretted , although the Beatles usually did not include
songs released as singles on their British albums. This was also
the first single by the Beatles to be sold with a picture sleeve in
the UK, a practice rarely used there at that time. However,
packaging singles in individually designed sleeves was standard in
the US and various other countries (such as Japan).
Production
Production
began in Studio 2 at Abbey Road
on 29 December 1966 with piano as the main
instrument. On 17 January 1967, professional classical
trumpeter David Mason recorded the
piccolo trumpet solo. The solo, inspired by
a performance of
Bach's 2nd
Brandenburg Concerto, is in a
mock-
Baroque style for which the piccolo
trumpet (a small instrument built about one
octave higher than the standard instrument) is
particularly suited, having a clean and clear sound which
penetrates well through thicker midrange textures. David Mason was
paid 27 pounds and 10
shillings for his
performance on the recording. Penny Lane production effects include
percussion effects, piano through a Vox guitar amplifier with added
reverb.
The original US
promo single
mix of "Penny Lane" had an additional flourish of piccolo trumpet
notes at the end of the song. This mix was quickly superseded by
one without the last trumpet passage, but not before a handful of
copies had been pressed and sent to radio stations. These
recordings are among the rarest and most valuable Beatles
collectibles. A stereo mix of the song with the additional trumpet
added back in was included on the US
Rarities
compilation in 1980, and is included on an alternate take of the
song released on
Beatles Anthology
2 in 1996.
Personnel
- Paul McCartney – vocal, pianos, bass, harmonium,
tambourine, effects
- John Lennon – backing vocal, pianos, guitar, congas, handclaps
- George Harrison – backing vocal,
guitar
- Ringo Starr – drums, handbell
- George Martin – piano, production, orchestration
- David Mason –
piccolo trumpet solo
- Ray Swinfield, P. Goody, Manny Winters – flutes, piccolos
- Leon Calvert, Freddy Clayton, Bert Courtley, Duncan Campbell –
trumpets, flugelhorn
- Dick Morgan, Mike Winfield – oboes,
cor anglais
- Frank Clarke – double-bass
- Personnel per Ian MacDonald
In August 1987, the piccolo trumpet Mason played on "Penny Lane"
and two other Beatles tracks ("
All
You Need Is Love" and "
Magical Mystery Tour") was sold
in an auction at
Sotheby's for
$10,846.
Lyrics and music
The verse and chorus in "Penny Lane" are in the keys of B major and
A major, respectively.
A feature of the song was the
piccolo
trumpet solo played by
David Mason. This is thought to
be the first use of this instrument (a distinctive, speciality
instrument, pitched about an octave higher than the standard B-flat
trumpet) in pop music. McCartney was
dissatisfied with the initial attempts at the song's instrumental
fill (one of which, featuring
English
horns, was released on
Anthology 2),
and was inspired to use the instrument after seeing Mason's
performance on a
BBC television broadcast of the
second
Brandenburg Concerto by
Johann Sebastian Bach.
During the recording process, McCartney helped incorporate several
incidental sound effects in keeping with the lyric, which can be
heard on the final mix. These include a clanging bell in references
to the fireman, a wispy flute depicting the children laughing, a
splashy cymbal illustrating the rain, and a deep-seated bass string
as the banker sits down in a chair.
Lyrically there are several ambiguous and surreal images, which Ian
MacDonald has interpreted as evidence of the song's hallucinogenic
nature derived from McCartney's LSD intake. The song is narrated at
the height of summer sun, despite the fact that it is
simultaneously raining, and the clear blue skies appear in what
seems to be November (as reference to poppies would be associated
with
Remembrance Day). MacDonald
also notes LSD-induced perception in the fact that the nurse feels
she is in a play - and is, anyway. Conflicting with MacDonald's
interpretation, McCartney has repeatedly stated that he took LSD
for the first time in March 1967, several months after the song was
recorded.
Context
The 'shelter in the middle of a roundabout' refers to the old bus
shelter, later developed into a cafe/restaurant with a Beatles
theme, but now derelict and abandoned, despite its popularity as a
tourist attraction. This is also Penny Lane Bus Terminus and is
officially on Smithdown Place.
The mysterious lyrics "Four of fish and finger pies" are British
slang. "A four of fish" refers to fourpennyworth of
fish and chips, while "finger pie" is sexual
slang of the time, apparently referring to intimate fondlings
between teenagers in the shelter, which was a familiar meeting
place. The combination of "fish and finger" also puns on
fish fingers. The lyrics as printed on the Blue
(1967-1970) Album, however, are "Full of fish and finger pies"
which are incorrect.
The song conflates different temporal moments. The sky is referred
to as blue, and yet it is raining. Events are apparently occurring
in November, since the "pretty nurse" is selling poppies for
Remembrance Day (11 November), yet
the "four of fish and finger pies" are "in summer".
Penny Lane today

Tony Slavin (the white building on the
corner) is where the "barber showing photographs of every head he's
had the pleasure to have known" worked.
Prior to securing international fame, Penny Lane's chief renown was
as the terminus for several bus routes from the city centre and as
the site, in the middle of the roundabout, of a handily located
public convenience. The area remained largely
unremarkable for the remainder of the 1960s and the 1970s; its most
distinguishing feature was, perhaps, the regular arrival of tour
buses from which tourists would alight, take a photograph or two,
and then get back on the bus.
Towards the end of the 1970s, businesses there included Penny Lane
Records, Sven Books (Liverpool's first high-street sex shop), and a
wine bar known in the early years as Harper's Bizarre, now called
Penny Lane Wine Bar. In the mid-1980s, the bus shelter and public
convenience were converted into a café that marketed itself as Sgt.
Pepper's. Following privatisation, the Merseyside Passenger
Transport Executive bus depot, slightly up the hill past
Bioletti's, was demolished and replaced with a shopping precinct
complete with a supermarket and a public house.
Since then, the general Penny Lane area has acquired a distinct
trendiness and desirability. The "alternative" businesses
(wholefood outlets, charity shops), the now expanded array of
cafés, bars, bistros, and takeaway food emporiums, as well as
handily located traditional businesses (
Woolworths, WHSmiths and Clarke's cake
shop) make the neighbourhood the most sought-after among
Liverpool's large student population.
Though the song refers
to the "Penny Lane junction" on Smithdown Road, the street itself
also leads down at the other end to the University of
Liverpool
's student halls of residence, near Sefton Park
.
In July 2006, a Liverpool Councillor proposed renaming certain
streets because their names were linked to the slave trade. It was
soon discovered that Penny Lane, named after
James Penny, a wealthy 18th-century
slave ship owner and strong opponent of
abolitionism, was one of these streets.
Ultimately, city officials decided to forego the name change and
re-evaluate the entire renaming process.
On July 10, 2006, it was revealed that Liverpool officials said
they would modify the proposal to exclude Penny Lane.
The fireman and fire engine referred to in the lyrics is based upon
the fire station at Mather Avenue. This is some distance from Penny
Lane. The station is still in use today.
Promotional film
The promotional film for the song was not filmed at Penny Lane —
The Beatles were reluctant to travel to Liverpool.
Street scenes of the
Beatles were filmed in and around Angel Lane
in London's East End
. The outdoor scenes were filmed at
Knole Park in Sevenoaks on 30 January 1967, where
the promotional film for "Strawberry Fields Forever" was also shot.
Both
videos - directed by the Swede Peter Goldmann - were selected by
New
York
's MoMA
as some of the most influential music videos in the
late 1960s. Film of Penny Lane was included - with some
scenes of green Liverpool buses and a brief overhead view of the
'shelter in the middle of the roundabout', but none of the Beatles
attended.
Charts
Notes
External links