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Peter Stein (born October 1, 1937) is a critically-acclaimed Germanmarker theatre and opera director who established himself at the Schaubühne am Lehniner Platzmarker, a company that he brought to the forefront of German theatre.

Born in Berlinmarker, Stein grew up in an era defined by the Nazis. His father Herbert Stein was factory director of Alfred Teves, a motorcycle manufacturing firm that the Nazi regime employed to make automotive parts. Herbert was in charge of 250,000 forced laborers. He was also involved in the Confessing Church, a resistance group.

Stein has said that these events had a profound effect on his life. After the war, his father was sentenced to two years of forced labor for collaborating with the Nazis. Peter's academic performance nose-dived and he barely made it into Frankfurt Universitymarker. He then moved to Munichmarker and enrolled at university there, pursuing a PhD thesis on the works of E. T. A. Hoffmann.

Having been curious about the theatre since his time at Frankfurt, he became a stagehand in Munich and eventually earned other parts. Proving himself, he was hired as director for Saved by Edward Bond. This piece threw him into the limelight and was critically acclaimed. Politically driven, Stein went on to direct many politically-charged pieces, including Vietnam-Discourse by Peter Weiss, Bond's Early Morning, Sean O'Casey's Cock-a-Doodle Dandy, The Changeling by Thomas Middleton and William Rowley and Goethe's Torquato Tasso.

The theatre that Stein originally worked at in West Berlin was called the Schaubühne am Halleschen Ufer.

In 1970, Stein was selected by politicians in Berlin to take over the Schaubühne, running it as an egalitarian socialist democracy.

After the end of his relationship with his partner Jutta Lampe in 1985, Stein left the Schaubühne.

Major productions

  • 1967
Saved by Edward Bond (its West Germanmarker première), adapted by Martin Sperr, at the Werkraumtheater der Kammerspiele in Munichmarker. Opened on 15 April 1967 with Michael König as Len, Jutta Schwarz as Pam, and Christian Doermer as Fred. Jürgen Rose designed the sets and costumes and Ivan Nagel was the dramaturg.
Intrigue and Love by Friedrich Schiller at the Bremer Theater in Bremenmarker. Opened on 7 November 1967 with Michael König as Ferdinand, Edith Clever as Luise, Jutta Lampe as Lady Milford, Kurt Hübner as the President, and Bruno Ganz as Wurm. Scenic design by Jürgen Rose.
  • 1968
In The Jungle of Cities by Bertolt Brecht at the Werkraumtheater der Kammerspiele in Munichmarker. Opened on 9 March 1968 with Hans Korte as Shlink, Bruno Ganz as Garga, Edith Clever as Marie, and Dieter Laser as Wurm. Music by Peter Fischer and scenic design by Karl-Ernst Herrmann.
Vietnam-Discourse by Peter Weiss, co-directed with Wolfgang Schwiedrzik, at the Werkraumtheater der Kammerspiele in Munichmarker. Opened on 5 July 1968 with Wolfgang Neuss as the Compère. Music by Peter Fischer and scenic design by F. Lechenperg-Recker.
  • 1969
Torquato Tasso by Johann Wolfgang von Goethe
Early Morning by Edward Bond
  • 1970
The Changeling by Thomas Middleton and William Rowley
The Mother by Bertolt Brecht
  • 1971
Peer Gynt by Henrik Ibsen
  • 1972
Optimistic Tragedy by Vsevolod Vishnevsky
  • 1974
Antikenprojekt I
Summerfolk by Maxim Gorky
  • 1977
As You Like It by William Shakespeare
  • 1980
Oresteia by Aeschylus
  • 1983
The Blacks by Jean Genet
  • 1984
Three Sisters by Anton Chekhov
  • 1992
Julius Caesar by William Shakespeare
  • 1994
Antony and Cleopatra by William Shakespeare
  • 2000
Faust I & II by Johann Wolfgang von Goethe
  • 2003
The Seagull by Anton Chekhov
  • 2005
Blackbird by David Harrower
Medea by Euripides
  • 2006
Troilus and Cressida (Shakespeare) and Mazeppa (Tchaikovsky/Burenin)
  • 2007
Electra by Sophocles


  1. Patterson (1981, xiii).
  2. Patterson (1981, 172).


  • Patterson, Michael. 1981. Peter Stein: Germany's Leading Theatre Director. Directors in Perspective ser. Cambridge: Cambridge UP. ISBN 0521295025.

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