
Gothic armour.

An actor wearing a modern reproduction
of medieval plate armour.
Plate armour or
plate armor is
personal
armour made from large
metal plates, worn on the
chest
and sometimes the entire
body.
History
Plate armour protecting the chest and the lower limbs was used by
the ancient
Greeks and
Romans, but it fell into disuse after the
collapse of the
Roman Empire because of
the cost and work involved in producing a
lorica segmentata or comparable plate
armour. Single plates of metal armour were again used from the late
13th century on, to protect joints and shins, and these were worn
over a full
mail haubergeon. By the end of the 14th century,
larger and complete full plates of armour had been developed.
During the
early 1500s the helmet and neckguard design was reformed to produce
the so-called Nürnberg
armour, many
of them masterpieces of workmanship and design. European
leaders in armouring techniques were northern
Italians and southern
Germans.
This led to the styles of Milanese
from Milan
, and
Gothic from the Holy Roman
Empire. England produced armour in Greenwich
and they both developed their own unique
style. Maximilian style armour immediately followed this, in
the early 16th century.
Maximilian
armour was typically denoted by fluting and decorative etching,
as opposed to the plainer finish on 15th century
white armour. This era also saw the use of
Close helms, as opposed to the 15th century style sallets and
barbutes. In Japan elite
Samurai wore armour
made of tightly sewn plates which had many of the properties of
solid plate armour. With the arrival of Europeans the Japanese
would add solid plates to their designs. Turkey also made wide use
of plate armour but incorporated large amounts of mail into their
armour, which was widely used by shock troops such as the
Janissary Corps. In the rest of the world, though,
the general trend was torwards mail, scale, or
lamellar armour.
Full plate armour was expensive to produce and remained therefore
restricted to the upper strata of society; lavishly decorated suits
of armour remained the fashion with 18th century nobles and
generals long after they had ceased to be militarily useful on the
battlefield due to the advent of powerful
muskets. Reduced plate armour, typically consisting
of a
breastplate, a
burgonet,
morion or
cabasset and
gauntlet, however, also became popular
among 16th century
mercenaries and there
are many references to so-called
munition armour being ordered for
infantrymen at a fraction of the cost of full plate armour. This
mass-produced armour was often heavier and made of lower quality
metal than knight armour. From the 15th century on, armour
specifically designed for
jousting (rather
than for battle) and
parade armour
also became popular. Many of the latter were decorated with
biblical or mythological motifs.
Armour was not confined to the
Middle
Ages, and in fact was widely used by most armies until the end
of the 17th century for both foot and mounted troops. It was only
the development of powerful rifled firearms which made all but the
finest and heaviest armour obsolete. The increasing power and
availability of firearms and the nature of large, state-supported
infantry led to more portions of plate armour being cast off in
favour of cheaper, more mobile troops. Leg protection was the first
part to go, replaced by tall leather boots. By the early part of
the 18th century, only
field marshals,
commanders and royalty remained in full armour on the battlefield
as they were tempting targets for
musket
fire. However,
cavalry units, especially
cuirassiers, continued to use front and
back plates that could protect them from distanced fire and either
helmets or "secrets", a steel protection they wore under a floppy
hat. Other armour was hidden under decorative uniforms. Body armour
made a brief reappearance in the
American Civil War with mixed success.
However, the armour vests of the time were expensive and thus
bought by individual troops and not issued, meaning that the
effectiveness of the armour varied widely depending on its maker.
Plate armour was successfully implemented by the famous Australian
outlaw
Ned Kelly and his gang, giving them
a large advantage in their gunfights against police.
The cavalry armour of
Napoleon, and the French
, German
, and British empires
(heavy cavalry known as cuirassiers) were actively used through the
19th century right up to the first year of World War I, when French cuirassiers went to meet the enemy in armour
outside of Paris
.
During the war both sides experimented with shrapnel armour and
some soldiers used their own but dedicated ballistic armour such as
the American Brewster Body Shield was not widely produced.
Plate
armour briefly re-appeared during World War
II on some Soviet
Guard
(elite) infantry units, who wore steel breastplates that could stop rounds fired by
pistols and submachine guns. The Japanese and Americans made
several prototypes but none were mass-produced due to their cost
and the need for metal elsewhere.
In the Korean
War, body armour was re-introduced for U.S.
foot
soldiers, and then to a greater extent in the Vietnam War. Modern U.S. soldiers
in Iraq
now always wear light-weight Kevlar helmets and armour vests, the latter often
augmented with more-or-less rigid ceramic plate inserts. The
U.S. Air Force used
flak jackets as a form of plate armour. The
1970s introduction of
aramid (
Kevlar or
Twaron)
body armour brought sheet metal (especially
titanium) trauma plates back into fashion
as a form of rifle-grade add-on to flexible vests, and ballistic
metals are gradually improving with stronger and lighter alloys
being steadily developed. Lighter ceramic plates are still the
choice of most first-world militaries, but titanium and ballistic
steel are still in wide use by those wanting a less costly
option.
Materials
The first plate armour was that of bronze, being worn by elite
soldiers in Greek armies in particular. Bronze, while not as strong
as iron, was easier to find and work, which lended itself well to
making large plates. Iron eventually came to be used in the
advanced militaries of Europe and the Middle East. Gradually
methods of making steel were perfected and steel replaced iron in
most capacities except munition armour. Steel was continually being
made stronger and thicker to protect from bullets but eventually
the needed protection was too heavy and expensive for most troops.
In the 20th century titanium and super-hardened "ballistic steel"
came to be used for trauma plates. Eventually ceramic plates made
from aluminium oxide and silicon carbide were introduced as
well.
Composition
Plate armour could have consisted of a
helmet, a
gorget (or
bevor),
pauldrons (or
spaulders),
couters,
vambraces,
gauntlet, a
cuirass
(back and breastplate) with a
fauld,
tassets and a
culet, a
mail skirt,
cuisses,
poleyns,
greaves, and
sabatons. While
it looks heavy, a full plate armour set could be as light as only
20 kg (45 pounds) if well made of tempered steel. This is less
than the weight of modern combat gear of an infantry soldier
(usually 25 to 35 kg), and the weight is more evenly
distributed. The weight was so well spread over the body that a fit
man could run, or jump into his saddle. Modern re-enactment
activity has proven it is even possible to swim in armour, though
it is difficult. It is possible for a fit and trained man in armour
to run after and catch an unarmoured archer, as witnessed in
re-enactment combat. The notion that it was necessary to lift a
fully armed knight onto his horse with the help of pulleys is a
myth originating in
Mark Twain's
A
Connecticut Yankee in King Arthur's Court. (And, in fact,
the mere existence of plate armour during King Arthur era is a myth
as well: 6th century knights would have worn chainmail instead.)
Even knights in enormously heavy
jousting
armour were not winched onto their horses. This type of "sporting"
armour was meant only for ceremonial lancing matches and its design
was deliberately made extremely thick to protect the wearer from
severe accidents, such as the one which caused the death of King
Henry II of France.
Tournament armour is always heavier, clumsier and more protective
than combat armour. The rationale is that nobody wants to get
killed in a game, but on battlefield the question is about life and
death, and mobility and endurance is more important aspect on
combat survival than mere passive protection. Therefore combat
armour is a compromise between protection and mobility, while
tournament armour merely stresses protection on cost of
mobility.
Summary list and comparison of pieces of armour
See also
components of
medieval armour for an extensive table listing the various
pieces of armour and comparisons between them.
Effect on weapon development

15th century depiction of a
melee.
A breast plate is pierced by a sword.
Note that, as with all art, the veracity of this image might
be questionable.
Plate armour is virtually
sword-proof. It also
protects the wearer well against spear or pike thrusts and provides
decent defence against blunt trauma. The evolution of plate armour
also triggered developments in the design of offensive weapons.
While this armour was effective against cuts or blows, their weak
points could be exploited by
long tapered
swords or other weapons designed for the purpose, such as
poleaxe and
halberds. The effect of arrows and bolts is still a
point of contention in regards to plate armour. Some argue that
longbows and/or
crossbows could regularly pierce plate armour and
some contend that they could do so only rarely due to the fact that
arrow heads were made of much more inferior metal to the highest
quality steel available. It stands to reason that the cost to equip
archers with such arrow heads would be unthinkable. The various
flutings on the armour are not only decorations, but they reinforce
the plate against bending under blunt impact and can cause any
strike by a thrusting weapon that grazes the armour, rather than
hit squarely, to glance off the surface of the plate and be less
likely to slide into a more vulnerable joint. In armoured
techniques taught in the
German school of
swordsmanship, the attacker concentrates on these "weak spots",
resulting in a fighting style very different from unarmoured
sword-fighting. Because of this weakness most warriors wore a mail
shirt (haubergeon or hauberk) beneath their plate armour (or
coat-of-plates). Later, full mail shirts were replaced with mail
patches, called
goussets, sewn onto a
gambeson or arming jacket. Further protection for plate armour was
the use of small round plates called
besagews that covered the armpit area and couters
and poleyns with "wings" to protect the inside of the joint. The
evolution of the 14th century plate armour also triggered the
development of various
polearms. They were
designed to deliver a strong impact and concentrate energy on a
small area and cause damage through the plate.
Maces,
war hammers and
the hammer-heads of pollaxes (poleaxes) were used to inflict blunt
trauma through armour.
See also
External links
Notes
References