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Port of Seven Seas is a 1938 dramatic film starring Wallace Beery and featuring Frank Morgan and Maureen O'Sullivan. The movie was written by Preston Sturges based on the plays of Marcel Pagnol and the films based on them, and was directed by James Whale (director of Frankenstein and The Invisible Man). The cinematography is by Karl Freund, who filmed Fritz Lang's Metropolis and I Love Lucy.


In the French port of Marseillesmarker, a lovely young woman named Madelon (Maureen O'Hara) is in love with a young sailor, Marius (John Beal). Madelon in turn is loved by Honore Panisse (Frank Morgan), a well-to-do middle-aged sailmaker. When Marius finds out he must go to sea for three years, he leaves without saying goodbye to Madelon; in a note he tells her that it would break his heart to tell her in person. She rushes to the dock, but sees his ship sailing away, and faints, so Cesar, Marius' father (Wallace Beery), who already thinks of Madelon as one of the family, carries her to her home.

Later, Madelon finds out that she is pregnant, and to spare her the shame of a child born out of wedlock, Panisse asks Madelon to marry him, and she agrees to a marriage of convenience for the sake of the child. When the boy is born, Cesar is made the godfather, and the baby is named Cesar Marius Panisse.

A year later Marius unexpectedly returns from sea to buy some equipment for his ship. Visiting Madelon that night, he sees the baby and realizes that he is the father. He asks her to steal away with him, but she refuses. Despite her love for Marius, she knows that Panisse, who adores the child, will be a better father than Marius, who will be away at sea for many years at a time. Marius leaves, shaking Panisse's hand before he goes, and Panisse and Madelon happily look at their baby's first tooth.



Although the credited basis of Port of Seven Seas was Marcel Pagnol's 1931 play Fanny, the screenplay incorporated some incidents from three French films written by Pagnol based on his plays: Marius ( ), directed by Alexander Korda, Fanny ( ), directed by Marc Allegret, , and Cesar ( ), which Pagnol directed.

William Wyler was slated to direct the film at the time that Preston Sturges was brought into the project, the working titles for which were "Fanny", "Madelon", "Life on the Waterfront" and "Man of the Waterfront". Ernest Vajda had been reported to one of the screenwriters, but was not credited. The project was considered by Universal Studios in late 1933 or early 1934, but was dropped sometime after Joseph I. Breen, who supervised the Production Code, rejected the submitted script. Paramount Pictures had some interest in it, before the script ended up at MGM by July . Although the MGM script was still essentially the one that Universal had submitted to the Hays Office, this time the censors found it "acceptable", and it was approved on 15 March, . This did not prevent the Legion of Decency from protesting that the film "lower[ed] the standards" that the Production Code was designed to uphold.

Port of Seven Seas was in production from late December through 28 January , with retakes completed on 23 February. Shortly before production started, Luise Rainer, who was to have played "Madelon" was replaced by Maureen O'Sullivan because of a bad cold.

The film was released on 1 July , the long delay coming about because the studio considered the subject matter "dangerous" for the film industry while Congress was considering legislation which had implications for film censorship.

Other versions

Pagnol's plays provided source material for the three French films noted above, a Italian film named Fanny, the German film Der Schwarze Walfisch ("The Black Whale"),, the 1954 Broadwaymarker musical Fanny, and the 1961 non-musical film based in part on it.. Even though many situations and incidents in the 1961 film originated in Port of the Seven Seas, neither it nor Preston Sturges was credited.


  1. Deming, Mark Plot synopsis (Allmovie)
  2. TCM Full synopsis
  3. TCM Notes
  4. TCM Overview
  5. IMDB Release dates

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