The
prompt book, also called
promptbook, transcript,
or sometimes simply "the book," is the copy of a production
script that contains the
information necessary to create the production from the ground up.
It is a compilation of all
blocking,
business, light, speech and sound
cues, lists of
properties, drawings of the set, contact
information for the
cast and
crew, and any other information that might be necessary
to help the production run smoothly.
In modern theatrical productions, the prompt book is generally
maintained and kept by the
stage
manager, with differences in the specific construction and
organization to suit the style of the stage manager keeping the
book, and the type of production (legitimate theatre, musical
theatre, dance, opera, etc). Modern prompt books will tend to be
constructed using three-ring binders with multiple tab dividers,
with the page of the production attached to a larger sheet of paper
to provide more margin space for taking notes. Markings to the
script (for cues, notes, etc) are typically done in pencil, and
either in the margins or on the blank side of the back of the
opposing page.
In situations where there are multiple stage managers or
assistants, it is not uncommon for many copies of the prompt book
to exist. Generally a lead stage manager will keep the master book,
which is then copied by assistants on a nightly basis to account
for any new information inserted during rehearsals, productions,
and meetings. While all prompt books will contain some of the same
basic information (script, cast list, contact information, set
drawings, etc), there is no official standard, and individual stage
managers will determine the best way of keeping books for
themselves and the productions they manage.
While Actor's Equity Association, the
union governing professional stage managers in the United States
, does not publish any official pragma for a prompt
book, such practices are often covered as part of college
curricula, and many books exist on the subject.
History
Prompt books were originally used by a
prompter to much the same effect that they are
today used by deputy stage managers. During the period spanning
from the mid 17th through the early 19th centuries, rehearsal
periods were generally very short by modern standards: a period of
1-2 weeks for three hours a day was common. Performances were
likewise unpolished by modern standards, even when taking into
account the theatrical conventions of the time, and so it was
necessary to have a prompter standing by to assist actors with
lines, blocking, and business. All of which the prompter would need
to have recorded in their book.
In practice, prompters were also responsible for copying sides of
the script for the company's actors, giving cues for music and
scene shifts, securing licenses for plays, and assessing fines for
actors who failed to attend rehearsals (in keeping with the duties
of a modern stage manager). The records that prompters kept in
their books are some of the most valuable resources available to
modern scholars for understanding historical theatrical practice in
the period.
As audience expectations for spectacle evolved in the 19th century,
prompt books were published to describe the techniques involved in
constructing complex scenery and special effects. These prompt
books more closely resemble instructional works on how to create
scenery, as they often included recommendations for simplification
for less well-equipped theatres, than they do a modern prompt
book.
Notes