Reinaldo Arenas (
July 16,
1943 –
December 7,
1990) was a
Cuban
poet,
novelist, and
playwright who despite his early sympathy
for the
1959 revolution, grew
critical of and then rebelled against the
Cuban government.
Life
Arenas was
born in the countryside, in the northern part of the Province of
Oriente, Cuba
, and later
moved to the city of Holguín
.
In 1963,
he moved to Havana to enroll in the School of Planification and,
later, in the Faculty of Letters at the Universidad de
La Habana
, where he studied philosophy and literature without
completing a degree. The following year, he began working at
the
Biblioteca
Nacional José Martí. While there, his talent was noticed and he
was awarded prizes at Cirilo Villaverde National Competition held
by UNEAC (National Union of Cuban Writers and Artists). His
Hallucinations was awarded "first Honorable Mention" in
1966 although, as the judges could find no better entry, no First
Prize was awarded that year.
His writings and openly gay lifestyle were, by 1967, bringing him
into conflict with the Communist government. He left the Biblioteca
Nacional and became an editor for the Cuban Book Institute until
1968. From 1968 to 1974 he was a journalist and editor for the
literary magazine
La Gaceta de Cuba. In 1973, he was sent
to prison after being charged and convicted of 'ideological
deviation' and for publishing abroad without official consent. He
escaped from prison and tried to leave Cuba by launching himself
from the shore on a tire inner tube.
The attempt failed and
he was rearrested near Lenin Park and
imprisoned at the notorious El Morro Castle
alongside murderers and rapists. He survived
by helping the inmates to write letters to wives and lovers. He was
able to collect enough paper this way to continue his writing.
However, his attempts to smuggle his work out of prison were
discovered and he was severely punished. Threatened with death, he
was forced to renounce his work and was released in 1976.In 1980,
as part of the
Mariel Boatlift, he
fled to the United States.
Writings
Despite his short life and the hardships imposed during his
imprisonment, Arenas produced a significant body of work.
In
addition to significant poetic efforts ("El Central",
"Leprosorio"), his Pentagonia is
a set of five novels that comprise a "secret history" of
post-revolutionary Cuba
. It
includes
Singing from the Well (in Spanish also titled
"Celestino before Dawn"),
Farewell to the Sea (whose literal
translation is "The Sea Once More"),
Palace of the White Skunks,
the
Rabelaisian Color of Summer, and
The
Assault. In these novels Arenas’ style ranges from a stark
realist narrative and high modernist experimental prose to absurd,
satiric humor. His second novel,
Hallucinations ("El Mundo
Alucinante"), rewrites the story of the colonial dissident priest
Fray Servando Teresa de Mier.
In interviews, his autobiography, and in some of his fiction work
itself, Arenas draws explicit connections between his own life
experience and the identities and fates of his protagonists. As is
evident and as critics such as Francisco Soto have pointed out, the
"child narrator" in "Celestino", Fortunato of "The Palace...",
Hector of "Farewell..", and the triply-named
"Gabriel/Reinaldo/Gloomy Skunk" character in "Color" appear to live
progressive stages of a continuous life story that is also linked
to Arenas's own. In turn, Arenas consistently links his individual
narrated life to the historical experience of a generation of
Cubans. A constant theme in his novels and other writing is the
condemnation of the Castro government, although Arenas also
critiques the Catholic Church, US culture and politics, and a
series of literary personalities in Havana and internationally,
particularly those who he believed had betrayed him and suppressed
his work (Sévero Sarduy and Angel Rama are notable examples). His
"Thirty truculent tongue-twisters", which he claims circulated in
Havana and which are reprinted in "The Color of Summer", mock
everyone from personal friends who he suggests may have spied on
him to figures such as Nicolás Guillén, Alejo Carpentier, Miguel
Barnet, Sarduy and of course Fidel himself.
His
autobiography,
Before Night Falls was on the
New York Times list of
the ten best books of the year in 1993. In 2000 this work was made
into a
film, directed by
Julian Schnabel, in which Arenas was
played by
Javier Bardem.
Death
In 1987, Arenas was diagnosed with
AIDS, but he
continued to write and speak out against the Cuban government. He
mentored many
Cuban exile writers,
including John O'Donnell-Rosales.
After battling AIDS, Arenas committed
suicide by taking an overdose of drugs and alcohol on December 7,
1990, in New
York
. In a
suicide letter
written for publication, Arenas wrote:
Due to my delicate state of health and to the terrible
depression it causes me not to be able to continue writing and
struggling for the freedom of Cuba, I am ending my
life.
.
.
.
I want to encourage the Cuban people out of the country
as well as on the Island to continue fighting for
freedom.
.
.
Cuba will be free.
I already am.
Notable works
- El mundo alucinante (1966) ISBN 84-8310-775-9, ;
English translation Hallucinations (2001 reissue) ISBN
0-14-200019-1
- Cantando en el pozo (1982) (originally published as
Celestino antes del alba (1967)) English translation
Singing from the Well (1987) ISBN 0-14-009444-X
- El palacio de las blanquisimas mofetas (1982) English
translation The Palace of the White Skunks (1990) ISBN
0-14-009792-9
- Otra vez el mar (1982) English translation
Farewell to the Sea (1987) ISBN 0-14-006636-5
- El color del verano (1982) English translation The
Color of Summer (1990) ISBN 0-14-015719-0
- El Asalto (1990) English translation The
Assault (1992) ISBN 0-14-015718-2
- El portero (1987) English translation The
Doorman (1991) ISBN 0-8021-3405-X
- Antes que anochezca (1992) English translation
Before Night Falls (1993) ISBN 0-14-015765-4
- Mona and Other Tales (2001) ISBN 0-375-72730-2 This is
an English translation of a collection of short stories originally
published in Spanish in Spain between 1995 and 2001
- Con los ojos cerrados (1972),
- La vieja Rosa (1980), English Translation Old
Rosa (1995) ISBN 0-8021-3406-8
- El central (1981), ISBN 0-380-86934-9
- Termina el desfile (1981).
- Arturo, la estrella más brillante (1984),
- Cinco obras de teatro bajo el título Persecución
(1986).
- Necesidad de libertad (1986)
- La Loma del Angel (1987), English Translation
Graveyard of the Angels (1987) ISBN 0-380-75075-9
- Voluntad de vivir manifestándose (1989) ISBN
987-9396-55-3
- Viaje a La Habana (1990). ISBN 0-89729-544-7
- Final de un cuento (El Fantasma de la glorieta) (1991)
ISBN 84-86842-38-7
- Adiós a mamá (1996) ISBN 0-89729-791-1
Further reading
English
- Reinaldo Arenas (Twayne's World Author Series) /
Francisco Soto., 1998
- Reinaldo Arenas: The Pentagonía / Francisco Soto.
Gainesville: University Press of Florida, 1994
- The postmodern poetic narrative of Cuban writer Reinaldo
Arenas / Ileana C Zéndegui., 2004
- The manufacture of an author : Reinaldo Arenas's literary
world, his readers and other contemporaries / Claudio
Canaparo., 2000
- Reinaldo Arenas: tradition and singularity / Francisco
Soto., 1988
- Reinaldo Arenas: the agony is the ecstasy / Dinora
Caridad Cardoso., 1997
- Cosmopolitanisms and Latin America: Against the Destiny of
Place / Jacqueline Loss. NY: Palgrave MacMillan, 2005 [A
detailed study of Reinaldo Arenas and Diamela Eltit's cosmopolitan
aspects]
- "Lifewriting with a Vengeance: Truth, Subalternity and
Autobiographical Determination in Reinaldo Arenas's Antes que
anochezca,' By: Sandro R. Barros, Caribe: Revista de
Cultura y Literatura, 2006 Summer; 9 (1): 41-56.
- "A Postmodern 'Play' on a
Nineteenth-Century Cuban Classic: Reinaldo Arenas's La Loma del
Angel," By: H. J. Manzari, Decimonónica: Journal of
Nineteenth Century Hispanic Cultural Production, 2006 Summer;
3 (2): 45-58.
- "The Molecular Poetics of Before Night Falls," By:
Teresa Rizzo, Rhizomes: Cultural Studies in Emerging
Knowledge, 2006 Spring; 11-12.
- "Queer Parody and Intertextuality: A Postmodern Reading of Reinaldo Arenas's El
cometa Halley," By: Francisco Soto, IN: Ingenschay, Desde
aceras opuestas: Literatura/cultura gay y lesbiana en
Latinoamérica. Madrid, Spain; Frankfurt, Germany:
Iberoamericana; Vervuert; 2006. pp. 245-53
- "Revisiting the Circuitous Odyssey of the Baroque Picaresque Novel:
Reinaldo Arenas's El mundo alucinante," By: Angela L.
Willis, Comparative Literature, 2005 Winter; 57 (1):
61-83.
- "The Traumas of Unbelonging: Reinaldo Arenas's Recuperations of
Cuba," By: Laurie Vickroy, MELUS: The Journal of the Society
for the Study of the Multi-Ethnic Literature of the United
States, 2005 Winter; 30 (4): 109-28.
- "Difficult Writings: AIDS and the Activist Aesthetic in
Reinaldo Arenas' Before Night Falls," By: Diana Davidson,
Atenea, 2003 Dec; 23 (2): 53-71.
Spanish
- Reinaldo Arenas : una apreciación política / Adolfo
Cacheiro., 2000
- Reinaldo Arenas : recuerdo y presencia / Reinaldo
Sánchez., 1994
- La escritura de la memoria : Reinaldo Arenas, textos,
estudios y documentación / Ottmar Ette., 1992
- Reinaldo Arenas : narrativa de transgresión / Perla
Rozencvaig., 1986
- La alucinación y los recursos literarios en las novelas de
Reinaldo Arenas / Félix Lugo Nazario., 1995
- El círculo del exilio y la enajenación en la obra de
Reinaldo Arenas / María Luisa Negrín., 2000
- La textualidad de Reinaldo Arenas : juegos de la escritura
posmoderna / Eduardo C Bejar., 1987
- Reinaldo Arenas : alucinaciones, fantasía y realidad /
Julio E Hernández-Miyares., 1990
- El desamparado humor de Reinaldo Arenas / Roberto
Valero., 1991
- Ideología y subversión : otra vez Arenas / Reinaldo
Sánchez., 1999
References
[38923]. There is a biographyat
http://www.imdb.com/name/nm0034297
See also
External links