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The Element of Crime ( ) is the first feature film directed by noted Danish filmmaker Lars von Trier. The film, released in 1984, is also the first in the director's Europa trilogy (which comprises his first three films).


In The Element of Crime, a British detective named Fisher (Michael Elphick), who has become an expatriate living in Cairomarker, undergoes hypnosis in order to recall his last case. The Europe of his dreamlike recollection is a dystopia, dark and decaying. Fisher remembers pursuing an elusive killer called the "Lotto Murderer", who was strangling and then mutilating young girls who were selling lottery tickets. He attempts to track down the killer using the controversial methods outlined in a book entitled The Element of Crime, written by his disgraced mentor, Osborne (Esmond Knight). He is joined in his search by a prostitute named Kim (Me Me Lai), who, it turns out, has had a child by his target. Fisher's search is based on a tailing report written by Osborne when trying to track down a murderer who had been killing in the same way as the "Lotto Murderer", but who, supposedly, has since died in a crash. The Osborne method requires the detective to try to identify with the mind of the killer. This he does, but, in so doing, begins to behave more and more like a serial killer himself.



The film employs the film noir conventions of monochrome footage, apparently constant night, and the frequent presence of water, such as rain and rivers. The film is shot almost entirely in sodium light resulting in images reminiscent of sepia tone, though with a more intense yellow. Because sodium lamps produce light in only a few narrow emission peaks, rather than over a wide spectrum, the film has an almost monochrome appearance of the film. The sepia is occasionally contrasted with piercing blues or reds.

The world depicted in the film is semi-derelict. Disordered collections of similar or identical objects are found in many of the scenes, reinforcing the sense of a crumbling society. Examples include heaps of keys, surgical scissors, glass bottles, rubber stamps and Coca-Cola cans.

The film's slow pace, dark visuals and occasional surreal imagery give it a dreamlike quality. In addition, much of the dialogue is contradictory. An example is one conversation between Fisher and his mentor's housekeeper:
Fisher: Is it always as dark as this at this time of year?
Housekeeper: There are no seasons any more. The last three summers haven't been summers. The weather changes all the time. It never alters.

In the opening of the film, a shot of a horse lying on its back and then slowly struggling to stand may be a homage to a similar shot in Andrei Tarkovsky's Andrei Rublev (1968). Trier has stated that he is an admirer of Tarkovsky's work.


The Element of Crime received several awards, and was nominated for the prestigious Palme d'Or at the 1984 Cannes Film Festival.

DVD releases

The Element of Crime has been released on DVD in North America by the Criterion Collection. In Europe, a digitally remastered DVD is available as part of the box set Lars von Trier's Europe Trilogy – Hypnotic Edition.



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