The Mary Tyler Moore
Show (also known as Mary Tyler
Moore as seen in the opening titles) is an American
television sitcom
created by James L. Brooks and
Allan
Burns that aired on
CBS from September 19,
1970 to March 19, 1977. The program was a television breakthrough,
with the first never-married, independent career woman as the
central character:
As Mary Richards, a
single woman in her thirties, Moore presented a character different from
other single TV women of the time.
She was not widowed or divorced or seeking a man to support
her.
It has also been cited as "one of the most acclaimed television
programs ever produced" in US
television
history.Over a seven-year period, it received high praise from
critics and
Emmy Awards for
Outstanding Comedy Series three years in a row (1975,
1976, and 1977). The show continued to be honored long after the
final episode aired. In 2003,
USA
Today called it "one of the best shows ever to air on TV".
In 1997,
TV Guide selected a
Mary Tyler Moore Show episode as the best TV episode ever,
and, in 1999,
Entertainment
Weekly picked Mary's hat toss in the opening credits as
television's second greatest moment.
Overview
Mary
Richards (Moore) is a single woman
who, at age 30, moves to Minneapolis
after breaking off an engagement with her boyfriend
of two years. She applies for a secretarial job at TV
station
WJM-TV, only to find it has already been
filled. To her surprise, she is offered the position of associate
producer for the station's
Six O'Clock News (which pays
$10 a week less than the job she had originally sought).
At work, she befriends her tough-but-lovable boss
Lou Grant (played by
Edward Asner); sympathetic,
long-suffering newswriter
Murray
Slaughter (
Gavin MacLeod); and
pompous, dim-witted, and buffoonish
anchorman Ted Baxter
(
Ted Knight). Mary's other acquaintances
and friends include upstairs neighbor
Rhoda Morgenstern (
Valerie Harper), a self-deprecating ex-New
Yorker who becomes her best friend; their neurotic, self-involved
landlady,
Phyllis Lindstrom
(
Cloris Leachman); and Phyllis's
precocious daughter Bess (
Lisa
Gerritsen). Characters introduced later are the acerbic,
man-hungry host of WJM's cooking program,
The Happy
Homemaker,
Sue Ann Nivens
(
Betty White); and sweet-natured,
soft-spoken
Georgette
Franklin (
Georgia Engel), Ted
Baxter's girlfriend and eventual wife.
Cast
Main characters
- Mary Richards (Mary Tyler Moore) When Moore was first
approached about the show, she "was unsure and unwilling to commit,
fearing any new role might suffer in comparison with her Laura
character in The Dick Van
Dyke Show, already cemented as one of the most popular
parts in US TV history." It was originally planned for Mary to be a
divorcée, but because the network was afraid viewers might think
that Mary had divorced Rob Petrie, her character's husband on
The Dick Van Dyke Show, the premise was changed to that of
simply a broken engagement.
- Lou Grant
(Edward Asner) Lou Grant is Mary's
tough, work-oriented boss whose soft-hearted nature comes through
even though he strongly tries to suppress it. He treats Mary like a
daughter and always looks out for her. As producer of the news, he
is responsible for the news ratings, which makes him despise Ted's
mistakes and often criticize him, although it appears that he has a
soft spot for Ted too. Following the end of the series, Asner
continued to play the same character in the long-running dramatic
series Lou
Grant. This is one of the few times in TV history that a
situation comedy spun off a
dramatic series. In 2005, Asner reprised his character, though
never identified as Lou Grant, in commercials for Minneapolis–St.
Paul ABC affiliate
KSTP
's Eyewitness News.
- Murray Slaughter (Gavin MacLeod), the head copy writer, who
saves his quips for Ted Baxter's mangling of his news reports, and
Sue Ann Nivens' aggressive, man-hungry attitude. He also has a soft
spot for Mary and the two are good friends, able to share their
feelings and discuss things with each other. Murray enjoys his work
most when he gets to write a big story or when he is able to tease
Ted about Ted's many mistakes and his pompous attitude.
- Ted Baxter (Ted
Knight), is the vain, pompous, dim-witted news anchor. It is a
miracle that he has not been fired, as there has rarely, if ever,
been a night where he has broadcast the news without making one, or
several, mistakes. His main stumbling blocks are mispronouncing
words and reading large words. He also tends to let personal
situations get in the way of his job. Despite these downfalls, he
is very vain and self-centered and considers himself to be the best
news-caster ever. He believes that he is very important - on one
occasion he sent a Christmas card to the president and was upset
when he didn't receive one back. He also considers himself to be
quite a 'ladies-man', although quite the opposite is true. The role
was written with Jack Cassidy in mind.
However, Cassidy did not feel the part was right for him and turned
it down. Cassidy later appeared as a guest star in a 1971
episode as Ted's highly competitive and equally egocentric
brother, Hal.
- Rhoda Morgenstern (Valerie Harper) (1970–74), is Mary's best
friend and upstairs neighbor. She is very down on herself and is
always worried about her weight. She is also a bit jealous of Mary
because of her looks and abilities. She has a very colorful and
loud personality, and likes to express herself. She and Phyllis are
always at odds and love finding faults with each other, and Rhoda
usually comes out the victor in these battles of wit. Harper
eventually got her own spinoff series, Rhoda.
- Phyllis Lindstrom (Cloris Leachman) (1970–75), is Mary's
snobbish landlady, wife (and later widow) of Dr. Lars Lindstrom and
mother of Bess. She is a busy-body and loves to be in control of
things. She is very emotional, and she is also very pushy and finds
it very easy to manipulate Mary to get what she wants. She is
actively involved in groups and clubs, is a political activist, and
is a supporter of Women's Liberation.
She also starred in her own spinoff series, Phyllis.
- Sue Ann Nivens (Betty White) (1974–77), host of The Happy
Homemaker show. Her superficially ever-cheerful demeanor
belies her true, man-chasing nature. She is particularly attracted
to Lou Grant (who in no way returns her interest).
Recurring characters
- Gordy Howard (John Amos) (1970–73), the station's weatherman
- Bess Lindstrom (Lisa Gerritsen) (1970–75), Phyllis'
precocious daughter
- Lars Lindstrom (1970-1975), Phyllis' never-seen dermatologist husband. The
character dies when Phyllis leaves The Mary Tyler Moore
Show to start the series Phyllis.
- Ida Morgenstern (Nancy Walker) (1970–73), Rhoda's meddling,
domineering mother
- Martin Morgenstern (Harold Gould) (1972–73), Rhoda's father
- Marie Slaughter (Joyce Bulifant) (1971–77), Murray's wife
- Dottie Richards (Nanette Fabray) (1972), Mary's mother
- Walter
Richards (Bill Quinn) (1972), Mary's
father
- Edie Grant (Priscilla Morrill)
(1973–75), Lou's wife. They eventually get divorced.
- Andy Rivers (John Gabriel)
(1973–75), the station's sports reporter, and an occasional
romantic interest of Mary's
- Flo Meredith (Eileen Heckart) (1975–76), Mary's famous
journalist aunt. She and Lou are
attracted to each other, but they are not willing to compromise
their separate careers to build a serious relationship.
- David Baxter (Robbie Rist) (1976–77), the Baxters' adopted
son
- Chuckles the Clown (1970-75),
host of WJM's morning children's show. He was played in one episode
by Richard Schaal and in another by
Mark Gordon, but was otherwise offscreen, and was finally killed off in
the memorable Season 6 episode "Chuckles Bites the Dust".
Awards and honors
Emmys
By earning 29
Emmy Awards, the
Mary
Tyler Moore Show set a record that was not broken until
Frasier earned its 30th in 2002,
ultimately earning 37 by 2004.
- 1971
- Outstanding Supporting Actor in a Comedy Series — Edward
Asner
- Outstanding Supporting Actress in a Comedy Series — Valerie
Harper
- Outstanding Writing in a Comedy Series — James L. Brooks &
Allan Burns, for episode "Support Your Local Mother"
- Outstanding Directing in a Comedy Series — Jay Sandrich, for
episode "Toulouse Lautrec is One of
My Favorite Artists"
- 1972
- Outstanding Supporting Actor in a Comedy Series — Edward
Asner
- Outstanding Supporting Actress in a Comedy Series — Valerie
Harper
- 1973
- Outstanding Lead Actress in a Comedy Series — Mary Tyler
Moore
- Outstanding Supporting Actor in a Comedy Series — Ted
Knight
- Outstanding Supporting Actress in a Comedy Series — Valerie
Harper
- Outstanding Directing in a Comedy Series — Jay Sandrich, for
episode "It's Whether You Win or Lose"
- 1974
- Actress of the Year — Series — Mary Tyler Moore
- Outstanding Lead Actress in a Comedy Series — Mary Tyler
Moore
- Outstanding Supporting Actress in a Comedy Series — Cloris
Leachman, for episode "The Lars Affair"
- Outstanding Writing in a Comedy Series — Treva Silverman, for
episode "The Lou and Edie Story"
- Treva Silverman, Writer of the Year/TV Series
- 1975
- Outstanding Comedy Series
- Outstanding Supporting Actor in a Comedy Series — Edward
Asner
- Outstanding Supporting Actress in a Comedy Series — Betty
White
- Outstanding Supporting Actress in a Comedy Series — Cloris
Leachman, for episode "Phyllis Whips Inflation" (award shared with
Zohra Lampert, Kojak)
- Outstanding Writing in a Comedy Series — Ed Weinberger &
Stan Daniels, for episode "Will Mary Richards Go to Jail?"
- Douglas Hines, Outstanding Film Editing for Entertainment
Programming
- 1976
- Outstanding Comedy Series
- Outstanding Lead Actress in a Comedy Series — Mary Tyler
Moore
- Outstanding Supporting Actor in a Comedy Series — Ted
Knight
- Outstanding Supporting Actress in a Comedy Series — Betty
White
- Outstanding Writing in Comedy Series — David Lloyd, for episode "Chuckles
Bites the Dust"
- 1977
- Outstanding Comedy Series
- Outstanding Writing in a Comedy Series — Allan Burns, James L.
Brooks, Ed Weinberger, Stan Daniels, David Lloyd, Bob Ellison, for
episode "The Last Show"
- Douglas Hines, Outstanding Film Editing/Comedy Series, for
episode "Murray Can't Lose"
Golden Globe Awards
- 1971: Mary Tyler Moore, Best Actress/Comedy
- 1972: Edward Asner, Best Supporting Actor/Comedy
Honors
- In 1997, TV Guide ranked
"Chuckles Bites The Dust" 1st on their list of The
Greatest Episodes of All Time. "The Lars Affair" made the list at
27th.
- In 1998, Entertainment
Weekly placed The Mary Tyler Moore Show first in
its list of the 100 Greatest TV Shows of all Time.
- In 1999, the TV Guide list of the 50 Greatest TV
Characters of All Time ranked Mary Richards 21st and Ted
Baxter 29th. Only three other shows placed two
characters on the list (Taxi, The Honeymooners and Seinfeld).
- In 1999, Entertainment Weekly ranked the opening
credits image of Mary tossing her hat into the air as #2 on their
list of The 100 Greatest Moments In Television.
- In 2007, Time magazine
placed the Mary Tyler Moore Show on its unranked list of
"100 Best TV Shows of All-TIME".
- Bravo ranked Mary
Richards 8th, Lou Grant 35th, Ted Baxter
48th, and Rhoda Morgenstern 57th on their
list of the 100 greatest TV characters [11629].
Memorable episodes
- "Love
Is All Around" (September 19, 1970) - In the premiere episode,
thirty-year-old Mary Richards moves to Minneapolis
after rebounding from a broken romance. She
finds an apartment in the same large house as her old friend
Phyllis Lindstrom and becomes friends with her upstairs neighbor,
native New Yorker Rhoda Morgenstern. She applies for a secretarial
position at WJM-TV, but gets a job as associate producer for
The Six O'Clock News instead (for less pay).
- "Support Your Local Mother" (October 24, 1970) - Mary finds
herself caught between Rhoda and her mother, when Mrs. Morgenstern,
a member of the "keep-them-feeling-guilty" school of child rearing,
comes to Minneapolis for a visit and Rhoda refuses to see her.
Nancy Walker's debut as Ida
Morgenstern.
- "Rhoda the Beautiful" (October 21, 1972) - After dropping
twenty pounds, Rhoda reluctantly enters a beauty pageant at work. Though she looks
great (even Phyllis compliments her), she still can't get used to
thinking of herself as beautiful. The episode won Valerie Harper
her third Best Supporting Actress Emmy.
- "My Brother's Keeper" (January 13, 1973) - Phyllis wants to set
up her visiting brother with Mary, but instead he hits it off with
Rhoda and begins spending time with her, to Phyllis's dismay. Rhoda
informs Phyllis that he is gay. Though
surprised, Phyllis could not care less that her brother is gay, and
is simply relieved that there are no romantic feelings between him
and Rhoda.
- "The Lars Affair" (September 15, 1973) - Phyllis makes a
desperate bid to win back her husband Lars when she finds out that
he's having an affair with Sue Ann Nivens. Sue Ann was introduced
in this episode. This episode was ranked #27 on TV Guides The Greatest Episodes of All
Time.
"Group hug" in the final episode.
- "Chuckles Bites the
Dust" (October 25, 1975) - The ludicrous death of WJM's
Chuckles the Clown, crushed by an elephant
while dressed as Peter Peanut, provokes a torrent of black humor
which has everyone in the newsroom but Mary convulsed in laughter.
Mary's suppressed laughter comes out at an inopportune moment: at
Chuckles' funeral. This episode was ranked #1 on TV Guides The Greatest Episodes of All
Time.
- "The Seminar" (January 10, 1976) Mary accompanies Lou to a
convention in Washington, DC, where Lou attempts to impress Mary
with all the connections that he still has there from his newspaper
days. When none of them pans out, Mary begins to feel sorry for
Lou, until he receives a call from First Lady Betty Ford (who appears as herself).
- "Mary's Big Party" (March 5, 1977) After years of throwing one
bad party after another, Mary thinks she finally will have a
successful one when her old friend Congresswoman Getties tells her
that she is bringing none other than Johnny Carson himself as her guest. Mary and
company are overjoyed until a blackout in the neighborhood plunges
the party into total darkness. Sitting in the dark, the group
reminisces about all the bad parties Mary has had in the past, amid
a contemplation of clips from past shows. At the end of the episode
Carson does appear; however, with the lights still out, the
audience is only able to hear him and not see him.
- "The
Last Show" (March 19, 1977) The new owner of WJM re-evaluates
the news operation and, unable to determine the reason for the low
ratings, arbitrarily fires everyone in the newsroom except for the
supremely incompetent Ted. The curtain call of this episode (seen
only in the initial telecast) shows Mary Tyler Moore
introducing the other seven regular cast members to the audience as
"the best cast ever."
Opening title sequence
The opening
title sequence for the
show begins with the name of its star across the screen, which then
multiplies both upward and downward vertically in a number of
colors, followed by a montage of brief shots of Mary, mostly
engaging in everyday activities around the city, as the theme song
plays. In the final shot, she cheerfully tosses her
tam o'shanter in the air in the middle of the
street; a
freeze frame shot
captures her smiling face and the hat in mid-air.
The sequence was created by
Reza Badiyi
who also did the opening sequence for
Hawaii Five-O. Badiyi came up with the
idea for the final shot, which
Entertainment Weekly ranked as the
second greatest moment in television. An older woman can be seen in
the background, obviously puzzled by the sight of a young woman
tossing her hat in the air. This unwitting "extra" was Hazel
Frederick, a lifelong Minnesota resident who happened to be out
shopping the day the sequence was shot. Mrs. Frederick finally met
Mary in 1994 when she was on a book tour of her autobiography,
introducing her as "my co-star".
From 1973 to the series' conclusion, Mary is shown washing her car
while wearing the #10 home jersey of
Minnesota Vikings'
quarterback Fran
Tarkenton. Tarkenton and the Vikings had played in three
Super Bowls around this time, the last in
the 1976 season.
Some of the scenes show Mary Tyler Moore interacting with crew
members. In one, the camera pans over a shot of Mary Richards
eating at a restaurant with an older man, the actress'
then-husband,
Grant Tinker, who served
as president of
MTM Enterprises
until 1981. Another scene shows Mary walking in the park, where she
is passed by two joggers: creators
James
L. Brooks and
Allan Burns.
In later seasons, Mary is shown looking at a package of meat at a
supermarket, then rolling her eyes as she throws it into her
shopping cart. This is a reference to the skyrocketing prices of
meat during the mid-70's.
Scenes
showing Mary driving a white 1970 Ford
Mustang toward Minneapolis in the first-season sequence were
supposedly filmed on Interstate 494
(the Sheraton Bloomington
, back then a Radisson, can
be seen in the background) and what is now Hennepin County
Road 122 (at its interchange with Cedar Ave).
From season two onward, Moore's costars were also featured in the
opening, with shots of Moore with Phyllis and Rhoda in Mary's
apartment (seasons four and five featured Moore and Harper walking
down a Minneapolis street laughing), and Mary hugging Lou, Murray
and Ted (crushing Ted's fedora, in the process, which he'd held in
front of his torso).
Theme song
The theme song, "Love Is All Around", was written and performed by
Sonny Curtis (often mistakenly
attributed to
Paul
Williams). The lyrics are words of encouragement directed to
the character and the first season featured the first verse of the
song, which refers to the ending of her relationship and making a
fresh start, concluding "You might just make it after all". The
more familiar second verse of the song was used in subsequent
seasons, with the lyrics affirming her optimistic character,
concluding "You're gonna make it after all". The song has been
covered by artists such as
Joan Jett & The
Blackhearts,
Christie Front
Drive,
Sammy Davis Jr., and
Hüsker Dü, and was featured in a
long-running commercial for Chase bank in the mid-2000s.
The song was also sung in the TV Series
7th
Heaven during the birth of the Camden twins in Season 3 in the
episode
In Praise of women.
Ratings
The show became extremely popular in the Saturday night CBS sitcom
lineup. Despite finishing relatively well in the final season,
producers argued for its cancellation due to falling ratings,
afraid that the show's legacy might be damaged if it were renewed
for another season . Listed below are its annual rankings among all
television shows:
- 1970-1971: #22
- 1971-1972: #10
- 1972-1973: #7
- 1973-1974: #9
- 1974-1975: #11
- 1975-1976: #19
- 1976-1977: #39
Spin-offs, TV specials and reunions
- The show spun-off three television series: Rhoda (1974-1978), Phyllis (1975-1977) and
Lou Grant
(1977-1982).
- In 2000, Moore and Harper reprised their roles in a two-hour
ABC made-for-TV
reunion movie, Mary and
Rhoda.
- On May 19, 2008, the surviving cast members of The Mary
Tyler Moore Show all reunited on the daytime talk show
The Oprah Winfrey
Show to reminisce about the series. Winfrey, a longtime
admirer of Moore and the show, had her staff recreate the sets of
the WJM-TV newsroom and Mary's apartment for the reunion.
Cultural references and parodies
- A 1976 Saturday Night Live sketch had Ted Baxter, played by
Steve Martin, unwittingly kill Mary Richards by pouring Drano in
her coffee as a joke.
- On her 1995 debut album A Stranger to This Land
singer-songwriter Barbara Kessler
included a song entitled "Mary Tyler Moore", in which she sang
about how she wished her life were more like that of Mary
Richards.
- Mystery Science Theater
3000 (which was produced in Minneapolis
) often featured numerous references to the Mary
Tyler Moore Show. These would appear primarily in the
"riffs" that were done during the movie that the MST3K characters
were watching (such as during episode 622, "Angels Revenge", which
featured snippets of the MTM Show's theme song sung in a Jack Palance-type voice whenever Palance was
shown driving; and episode 814, "Riding With Death", where they
often remarked upon a character's resemblance to Murray Slaughter),
and sometimes during the "host segments" (in episode 1010, "It
Lives By Night", Crow T. Robot staged an elaborate setup to prove he
looked like Mary Tyler Moore, only to be thwarted by Mike Nelson's and Tom
Servo's overwrought impersonations of Ted Baxter and Lou
Grant).
- On "The Simpsons", Marge's sister,
Selma, gets her hair styled to look like Mary's circa the fourth
season of the Mary Tyler Moore Show. Upon Homer's criticism, her
sister Patty states, "Don't listen to him. You can turn the world
on with your smile."
- At the end of the opening sequence of the spin-off Rhoda, the title character flings her hat in the
air, but the camera keeps running and the hat falls to the ground
in a humorous anti-climax.
- The final episode's group hug was incorporated into the finale
of St. Elsewhere, including
the group shuffle to the tissue box.
- In The Simpsons episode
"And Maggie Makes Three",
while working at the bowling alley, Homer
Simpson spins around singing, "I'm gonna make it after all!",
and tosses a bowling ball in the air. It, of course, lands straight
on the ground.
- On a Sabrina, the
Teenage Witch episode, Sabrina jokingly says she can "turn
the world on with her smile", but then questions herself, saying,
"Wait. That's Mary."
- The winning musical selection that Peter Griffin plays at the piano competition
in the Family Guy episode
"Wasted Talent" is the The Mary
Tyler Moore Show theme. Afterwards, a girl throws her hat in
the air and freezes, while those around her look perplexed as to
why she is not moving.
- The 45th episode of the animated series Animaniacs opens with a skit showing Dot
going through strange situations to a parody of the song.
- The song "Buddy Holly" by the band Weezer
includes the lines "I look just like Buddy Holly / And you're Mary
Tyler Moore". A line from alternate lyrics to the song includes
"She just throws her hat up in the air, and it just stays
there."
- In an episode of the tv series, Arthur, the character Muffy is
seen riding up an escelator and throwing her hat up in the air
while background music is playing that describes her, making a
reference to The Mary Tyler Moore Show.
DVD releases
DVD releases of
The Mary Tyler Moore Show have been
infrequent, reportedly due to the glut of television shows being
"dumped" on the market. Though only five of the seven seasons have
been released to date, the time since the first season's release
has already exceeded that of the series' entire original telecast
run.
The first season was released in North America in 2002, the second
three years later in July 2005, and the following two in January
and June 2006 . More than three additional years passed before
season 5 was released on October 6, 2009. Season 6 is scheduled to
be released on February 2, 2010.
Legacy in Minneapolis
From the
opening scenes of every episode to the places and events portrayed
in the show, Mary Tyler Moore and its setting in Minneapolis
are inextricably linked.
7th Street and Nicollet Mall
On May 8,
2002, cable TV network TV Land dedicated a
statue of Mary Tyler Moore near the corner of 7th Street and
Nicollet
Mall
in Minneapolis. It captured her iconic toss
and was placed near the spot where it occurred (the actual location
was in the middle of the street).
Although many in the press were skeptical
of TV Land's motive at first, some claiming it was a marketing
strategy, one Macalester
professor stating that it was "like honoring a
unicorn"- crowds of onlookers at the unveiling exhibited
hushed excitement rather than animosity. Moore herself attended. It
has become something of a
tourist
attraction for fans of the show, who sometimes throw their own
hats in front of it. Moore released the cap when her hand was about
at waist-level and her hand went high in the air only as a
follow-through. The statue by necessity shows her hand high above
her head as she is releasing (or possibly catching) the cap.
The
Dayton's department store in the background
of some of those scenes (later a Marshall Field's
and now a Macy's
) has changed
considerably in appearance. In fact, the exact spot where
the cap toss occurred was debated extensively, because the layout
along Nicollet has changed substantially since the early 1970s due
to urban renewal.
The actual backdrop of the scene, the
Donaldson's department store catercorner
to the site, was destroyed in 1982 by the Minneapolis
Thanksgiving Day Fire
.
Kenwood Parkway house
In 1995,
Entertainment
Weekly said that "TV's most famous bachelorette pad" was
Mary's apartment within a house. For the first few seasons, Rhoda
and Phyllis also lived in apartments within the same house, located
at 119 N. Weatherly. This address is fictional, with "North
Weatherly" being a comment on the city's climate. The exterior of a
real house in Minneapolis (in the
Kenwood neighborhood, at 2104 Kenwood
Parkway) was filmed for regular
establishing shots of Richards' house. In
the real house, an unfinished attic occupied the space where Mary's
apartment was supposedly located.
Once fans of the series discovered the place, the house became a
popular tourist destination. According to Moore, the woman who
lived in the house "was overwhelmed by the people showing up and
asking if Mary was around". To discourage crews from filming
additional footage of the house, the owners placed an "Impeach
Nixon" sign beneath the windows where Mary supposedly lived.
This was
allegedly the motivation behind Mary Richards' move to the high
rise (Riverside
Plaza
, then known as Cedar Square West), at the start of
the 1975 season. Despite this move, the Kenwood neighborhood
house continued to attract large numbers of tourists. More than a
decade after the shows's production ended, the house was still
drawing 30 tour buses a day in the summer.
In 2005, Don and Patricia Gerlach purchased the house for
approximately $1.1 million and began extensive renovations. The
third-floor space that was the fictitious setting for Mary's
apartment is now a state-of-the-art media room with a plasma TV
over the fireplace.
Other locations
The
famous shots of Mary walking around a lake (be it in the summer or
the winter) were filmed in the "Chain of Lakes" area west of
downtown Minneapolis, most notably at the Lake of the
Isles
, and another shot was taken in Loring
Park.
The
establishing shots of Mary's workplace were of Midwest Plaza
at the corner of 8th Street and Nicollet
Mall. The IDS Center
was still under construction across the street when
the most familiar establishing shot was taken. For an update
of the opening montage for the fourth season, Mary visited the
completed IDS Center and was seen riding the escalator in the
Crystal Court and dining with a man at what is now the Mary Tyler
Moore table at Basil's Restaurant. In 2006, the manager of Basil's
said that his customers still frequently request the table where
Mary sat.
Other sites were featured on the show,
particularly in the opening credits, but since actual filming of
the series took place in Studio City, California
, the cast was rarely in Minneapolis.
References
External links