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The Tulip period or Tulip era (Ottoman Turkish: لاله دورى, ) is a period in Ottoman history from 1718 to the rebellion of Patrona Halil in 1730. This was a relatively peaceful period, during which the Ottoman Empire can be said to have begun to orient itself towards Europe.

The name of the period derives from the tulip craze among the Ottoman court society. Cultivating this culturally ambiguous emblem had become a celebrated practice. The tulip period illustrated the conflicts brought by early modern consumer culture and was a shared material symbolism. During this period the elite and high-class society of the Ottoman Period had established an immense fondness for the tulip, which were utilized in various occasions. Tulips defined nobility and privilege, both in terms of goods and leisure time.

Rise and growth

Under the guidance of the Sultan’s son-in-law Grand Vizier Nevşehirli Damat İbrahim Pasha, the Ottoman Empire embarked on new policies and programs during this period, which established the first Ottoman language printing press, and promoted commerce and industry.

The Grand Vizier was concerned with improving trade relations and enhancing commercial revenues, which would help to explain the return to gardens and the more public style of the Ottoman court during this period. The Grand Vizier was himself very fond of tulip bulbs, setting an example for Istanbul’s elite who started to cherish the tulip’s endless variety in paint and celebrate its seasonality as well.

The Ottoman standard of dress and its commodity culture incorporated their passion for the tulip. Within Istanbul, one could find tulips from the flower markets to the plastic arts to silks and textiles. (page 86) Tulip bulbs could be found everywhere; the demand grew within the elite community where they could be found in homes and gardens.

Therefore, the tulip is a symbol with mythical appeal, which can be found from Ottoman palaces to their clothing, which sustains a memory of the Ottoman Empire’s social past. The tulip can be seen as a romantic monument representing the wealthy and elite, and the fragility of despotic rule.

Culture

The Tulip period saw a flowering of arts, culture and architecture. Generally the style of architecture and decoration became more elaborate, being influenced by the Baroque period in movement. A classic example is the Fountain of Ahmed III in front of Topkapi Palace in Istanbul. The architectural style is a fusion of classical Islamic elements with baroque European ones, making it into distinct Ottoman architecture of the 1700s.

The tulip was also praised in poetry and motifs used in paintings. To this day in modern Turkey the tulip is still considered the embodiment of perfection and beauty. Turkish Airlines decorates its planes with a painting of a tulip on its fuselage

Important Figures During This Period

  • Nevşehirli Damat İbrahim Pasha (1718 – 1730) was the Grand Vizier of the Empire; therefore the period is delineated over his vizierate rather than Sultan Ahmed III


  • Grand Admiral Mustafa Pasa – was the son-in-law of the Grand Vizier and is remembered for establishing forty-four new tulip breeds


  • Ibrahim Muteferrika — a Hungarian convert who had established the first Ottoman printing press which was seen as a landmark of the period


  • Nedim – a poet who broke new ground by challenging the traditional canon while writing in a classical Ottoman format.


  • Abdulcelil Levni – an outstanding miniature painter who began to work in Edirne to Istanbul where he studied painting and became the court painter where the Ottoman tradition of miniature albums was revived. These albums that Levni painted were called Tulip albums which mirrored the structure of the states itself, ranking distinguished members of the regime according to horticultural achievements.


Anti-Tulip Rebellion

Tulip prices began to rise in the last decades of the seventeenth century and peaked in 1726–1727 before state intervention. This reflected the demand for the inflated value of the rare bulbs and escalating demands for flowers in the elite’s palaces and gardens.

Tulip mania demonstrated the state's power to regulate the economy by increasing the prices for bulbs. Courtiers at the time forwarded a petition to denounce the practice of flower sellers, whom they perceived to be taking advantage of the elite by raising the prices of the bulbs. This led to the process of issuing inventories of flowers and price lists to the judge of Istanbul for enforcement.

Notes

Further reading



References

  • Salzmann, Ariel. 2000. "The Age of Tulips Confluence and Conflict in Early Modern Consumer Culture (1550–1730)." In Consumption Studies and the History of the Ottoman Empire, 1550–1922. Albany State University of New York Press, pp. 83–106.


See also



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