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The Vienna Secession (also known as the Union of Austrian Artists, or Vereiningung Bildender Künstler Österreichs) was formed in 1897 by a group of Austrian artists who had resigned from the Association of Austrian Artists, housed in the Vienna Künstlerhaus. This movement included painters, sculptors, and architects. The first president of the Secession was Gustav Klimt, and Rudolf von Alt was made honorary president.

History



The Vienna Secession was founded on 3 April 1897 by artists Gustav Klimt, Koloman Moser, Josef Hoffmann, Joseph Maria Olbrich, Max Kurzweil, and others. Although Otto Wagner is widely recognised as a fundamental member of the Vienna Secession he was not a founding member. The Secession artists objected to the prevailing conservatism of the Vienna Künstlerhaus with its traditional orientation toward Historicism.The Berlin and Munich Secession movements preceded the Vienna Secession, which held its first exhibition in 1898.

The group earned considerable credit for its exhibition policy, which made the French Impressionists somewhat familiar to the Viennese public. The 14th Secession exhibition, designed by Josef Hoffmann and dedicated to Ludwig van Beethoven, was especially famous. A statue of Beethoven by Max Klinger stood at the center, with Klimt's Beethoven frieze mounted around it.

In 1903 Hoffmann and Moser founded the Wiener Werkstätte as a fine-arts society with the goal of reforming the applied arts (arts and crafts).

On 14 June 1905 Gustav Klimt and other artists left the Vienna Secession due to differences of opinion over artistic concepts.

Style of the Secessionists

Unlike other movements, there is no one style that unites the work of all artists who were part of the Vienna Secession. The Secession building could be considered the icon of the movement. Above its entrance was carved the phrase "to every age its art and to art its freedom". Secession artists were concerned, above all else, with exploring the possibilities of art outside the confines of academic tradition. They hoped to create a new style that owed nothing to historical influence. In this way they were very much in keeping with the iconoclastic spirit of turn-of-the-century Vienna (the time and place that also saw the publication of Freud's first writings).

The Secessionist style was exhibited in a magazine that the group produced, called Ver Sacrum, which featured highly decorative works representative of the period.

Architecture

Along with painters and sculptors, there were several prominent architects who became associated with The Vienna Secession. During this time, architects focused on bringing purer geometric forms into the designs of their buildings.The three main architects of this movement were Josef Hoffmann, Joseph Maria Olbrich, and Otto Wagner.Secessionist architects often decorated the surface of their buildings with linear ornamentation in a form commonly called whiplash or eel style.

In 1898, the group's exhibition house was built in the vicinity of Karlsplatzmarker. Designed by Joseph Maria Olbrich, the exhibition building soon became known simply as "the Secession" (die Sezession). This building became an icon of the movement. The secession building displayed art from several other influential artists such as Max Klinger, Eugene Grasset, Charles Rennie Mackintosh, and Arnold Bocklin.

Otto Wagner's Majolika Haus in Viennamarker (c. 1898) is a significant example of the Austrian use of line. Other significant works of Otto Wagner include The Karlsplatz Stadtbahn Stationmarker in Vienna (1900), and The Austrian Postal Savings Bank or Österreichische Postsparkasse in Vienna (1904-1906).

Wagner's way of modifying Art Nouveau decoration in a classical manner did not find favour with some of his pupils who broke away to form the Secessionists. One was Josef Hoffmann who left to form the Wiener Werkstätte, an Austrian equivalent of the Arts and Crafts movement. A good example of his work is the Stoclet Palacemarker in Brusselsmarker (1905).

Commemoration

The Secession movement was selected as the theme for a commemorative coin: the 100 euro Secession commemorative coin minted in November 10 2004.

On the obverse side there is a view of the Secession exhibition hallmarker in Viennamarker. The reverse side features a small portion of the Beethoven Frieze by Gustav Klimt. The extract from the painting features three figures: a knight in armor representing Armed Strength, one woman in the background symbolizing Ambition and holding up a wreath of victory, and a second woman representing Sympathy with lowered head and clasped hands.

Other Secession artists



References

  • Schorske, Carl E. "Gustav Klimt: Painting and the Crisis of the Liberal Ego" in Fin-de-Siècle Vienna: Politics and Culture. Vintage Books, 1981. ISBN 0-394-74478-0
  • Borsi, Franco, and Ezio Godoli. "Vienna 1900 Architecture and Design". New York, NY: Rizzoli International Publications, Inc, 1986. ISBN 0-8478-0616-2
  • Arnanson, Harvard H. "History of Modern Art". Ed. Daniel Wheeler. 3rd ed. Englewood Cliffs, NJ: Prentice Hall, Inc, 1986. ISBN 0-13-390360-5
  • Topp, Leslie. "Architecture and truth in fin-de-siecle vienna". Cambridge, UK: Cambridge UP, 2004. ISBN 0-521-82275-0
  • "Architecture in Austria in the 20th and 21st Centuries". Ed. Gudrun Hausegger. Basel, SW: Birkhauser, 2006. ISBN 3-7643-7694-5
  • Sekler, Eduard F. "Josef Hoffmann The Architectural Work". Princeton, NJ: Princeton UP, 1985. ISBN 0-691-06572-1


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