Vincenzo Salvatore Carmelo Francesco
Bellini (3 November 1801 – 23 September 1835) was an
Italian
opera composer. His most famous works are
La Sonnambula and
Norma (both 1831). Known for his flowing
melodic lines for which he was named "the Swan of Catania", Bellini
was the quintessential composer of
Bel
canto opera.
Life
Born in
Catania
, Sicily, Bellini was a child
prodigy from a highly musical family and legend has it he could
sing an aria of Valentino
Fioravanti at eighteen months. He began studying
music theory at two, the
piano at three, and by the age of five could
apparently play well. Bellini's first five pieces were composed
when he was just six years old. Regardless of the veracity of these
claims, it is certain that Bellini grew up in a musical household
and that a career as a musician was never in doubt.
Having learned from his grandfather, Bellini left provincial
Catania in June 1819 to study at the
conservatory in Naples, with
a stipend from the municipal government of Catania. By 1822 he was
in the class of the director
Nicolò Zingarelli, studying
the masters of the Neapolitan school and the orchestral works of
Haydn and
Mozart. It was the custom at the
Conservatory to introduce a promising student to the public with a
dramatic work: the result was Bellini's first opera
Adelson e Salvini an
opera
semiseria that was presented at the Conservatory's theatre.
Bellini's
next opera, Bianca e Gernando, met with some success at
the Teatro San
Carlo
, leading to an offer from the impresario Barbaia
for an opera at La
Scala
. Il pirata
was a resounding immediate success and began Bellini's faithful and
fruitful collaboration with the librettist and poet
Felice Romani, and cemented his friendship
with his favored tenor
Giovanni
Battista Rubini, who had sung in
Bianca e
Gernando.
Bellini spent the next years, 1827–33 in Milan, where all doors
were open to him. Sparking controversy in the press for its new
style and its restless harmonic shifts into remote keys,
La straniera (1828) was even
more successful than
Il pirata, and allowed Bellini to
support himself solely by his opera commissions. The composer
showed the taste for social life and the
dandyism that
Heinrich
Heine emphasized in his literary portrait of Bellini
(
Florentinische Nächte, 1837).
Opening a new theatre
in Parma
, his
Zaira (1829) was a failure at the
Teatro Ducale, but Venice welcomed I Capuleti e i Montecchi,
which was based on the same Italian sources as Shakespeare's Romeo and Juliet.
The next five years were triumphant, with major successes with his
greatest works,
La
sonnambula,
Norma
and
I puritani, cut short by
Bellini's premature death.
died in
Puteaux, near Paris
of acute
inflammation of the intestine, and was buried in the cemetery of
Père
Lachaise
, Paris; his remains were removed to the cathedral
of Catania in 1876. The Museo Belliniano housed in the
Gravina Cruyllas Palace, in Catania, preserves memorabilia and
scores.
Works
Bellini's complete works are to be published in
Edizione
critica delle opere di Vincenzo Bellini, Milan: Ricordi
2003-
Operas
| Title |
Genre |
Acts |
Libretto |
Première (date) |
Première (place) |
| Adelson e
Salvini |
opera semiseria |
3 acts |
Andrea Leone Tottola |
12 (?) February 1825 |
Naples , Teatro del Conservatorio di San
Sebastiano |
| Bianca e
Gernando |
melodramma |
2 acts |
Domenico Gilardoni |
30 May 1826 |
Naples , Teatro San
Carlo |
| Il pirata |
melodramma |
2 acts |
Felice Romani |
27 October 1827 |
Milan , Teatro alla
Scala |
Bianca e
Fernando
(revision of Bianca e Gernando)
|
melodramma |
2 acts |
Felice Romani |
7 April 1828 |
Genoa , Teatro Carlo
Felice |
| La straniera |
melodramma |
2 acts |
Felice Romani |
14 February 1828 |
Milan, Teatro alla Scala |
| Zaira |
tragedia lirica |
2 acts |
Felice Romani |
16 May 1829 |
Parma , Teatro
Ducale |
| I Capuleti ed i
Montecchi |
tragedia lirica |
2 acts |
Felice Romani |
11 March 1830 |
Venice , Teatro La
Fenice |
| La sonnambula |
opera semiseria |
2 acts |
Felice Romani |
6 March 1831 |
Milan , Teatro
Carcano |
| Norma |
tragedia lirica |
2 acts |
Felice Romani |
26 December 1831 |
Milan, Teatro alla Scala |
| Beatrice di
Tenda |
tragedia lirica |
2 acts |
Felice Romani |
16 March 1833 |
Venice, Teatro La Fenice |
| I puritani |
melodramma serio |
3 acts |
Carlo Pepoli |
24 January 1835 |
Paris , Théâtre-Italien |
|
See also
Other important
bel canto opera
composers
External links